Opening drums kinda remind me of Dagger Bones by Los Halos 🔥

the beginning always sound like this lost media song I used to listen to, it was called Starship troopers by this silly lil tiktok band called Pylaar

crazy how this is the same guy that made motherfucker i am both amen and hallelujah

One of the few songs I could always listen to over and over again

павер твой плейлист прекрасен не надо ляля

asterisk to asterisk

snooze

-Lost

10 songs from a bedroom on a mountain in the wilderness in an open tuning I can't remember

https://cuckholdpoint.bandcamp.com/album/john-krasinski

John Krasinski

Lucifer Loves Me

i am with you
Anime& Life is Strange Vibes
Helvetia - Hybrid Moments Cover
#lifeisstrange #lifeisstrange2 #lifeisstrangebeforethestorm #ChloexMax #SeanxDaniel #wolfbrothers #anime

Helvetia - Hybrid Moments

another song that got thrown away instead of released

What Are You Waiting For

Molly Nilsson   I Hope You Die

(2.) sprain - anything

Slouch - Water-Mall

I wrote this in 1986 for Eleven Pond after I read some magazine article about Europeans who used to have their extra-marital affairs in Portugal... no paparazzi, miles of desolate beaches, old romantic architecture, lots of available cheap rooms to rent... " I asked you twice, now I say to go, find sweat romance, down in Portugal.... LETS GO!" -jeff gallea

Portugal  (1986)

Molly Nilsson - (Won't somebody) Take me out tonight

this is not shoegaze

nightschoolrecords.bigcartel.com/artist/m…-nilsson

A sweeping, cinematic, emotional change is in the air. Molly Nilsson’s sixth studio album Zenith begins with clear, wide eyes open to Earth as we would love it to be but seldom is. Recorded in her home of Berlin and whilst touring and, as ever, conceived, produced, written and recorded in solitude, Zenith is Nilsson’s big statement and consequently her most affecting work to date. It sees her reveling in big arrangements, sweeping synth strings, bigger choruses and emotions. Like the rest of us she looks within and to endless sunsets in wonder and puzzlement.

That Molly Nilsson is a DIY cult figure is beyond question; she has always written directly and with wit straight down the line between the universal and the personal. The difference with Zenith, and you can hear it in the opening chords of opener The Only Planet, is that her scope is now much wider and her heart heavier than ever before: over a post-ecstatic dusk, Nilsson serenades the globe in a loving embrace. Following on, 1995 is, arguably, one of Nilsson’s finest songs to date. It’s one of those songs to learn the lyrics to, to listen to on repeat, a reason to wear the grooves down to the bone, it’s why pop music can be one of the greatest art forms we have. It’s an example of how, on this album, Molly draws the listener closer to her heart than ever before. There’s simply no escape from the line “The plans that you made / when you still had the time / I’ve saved all the things that you left behind but by now I guess I’d consider them all mine /Windows 95, is only a metaphor for what I feel inside / Although I’m older now / there’s still an emptiness that’s never letting go somehow.” Show-stopper Mountain Time is the soundtrack to being on the run, from societal conventions, from normative ideas of happiness, from your surroundings. It’s the intoxicating call of the renegade. That’s not to say that Nilsson’s light touch has been forsaken for grandiose statements. Bunny Club begins as a demo-sketch before breaking into a fast-paced tale of doomed romance with big rave synths and Bus 194 (All There Is) sees Molly joyride through a city on a happy hardcore bus. But it’s tracks like Tomorrow and another contender for best-ever-Molly moment, Happyness that the true scale of what she’s accomplished reveals itself. We’re locked in a spiraling orbit, strings and bass whirling, gazing at the spinning planet below us as we contemplate both the ultimate freedom in loneliness and the glimmer of hope in the Other. Can we ever be truly with someone? Are we ever truly alone?

Over the 13 tracks here we get the impression that Nilsson may always be restless; like anyone else she has conflicting feelings of love and hate. It’s just not many other people can tell you exactly how you feel before you know it yourself.

MOLLY NILSSON: Mountain Time (from Zenith)

Fleeting Joys - Go & Come Back

SPOTIFY LINK: https://open.spotify.com/track/0VQKl5ZTF4ruGGvHgaRdLo

So far, this is the most complex electronic piece I have ever made, taking about 5 months to assemble. 

 I suppose this piece is in A quarter sharp & quarter flat minor. To explain, every instrument is moving up and down in pitch slowly, at different speeds. These slow vibrati give a strange, enriching vibrancy to the harmony, especially when interacting with another instrument.

 The piece was composed and constructed using FL Studio, Adobe Audition and Audiosculpt 3.0. After literally hundreds of crashes, the piece was split into 12 parts to save on CPU usage, then stitched back together.

buy this piece?

solitariat

your pain is mine now

"Blue Baby" is the first official single from Ovlov's full length debut "Am," due out July 2nd via Exploding In Sound Records. The album is available for pre-order at www.ovlov.bandcamp.com on "piss yellow" and "swamp green" vinyl.

Ovlov - Blue Baby

i hope we die at the exact same time!!☆

(2.) sprain - anything

Bilson

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eepymimii

xselor

bird required

real?

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