Had long time to listen to a set like this 😮‍💨

France’s proliferation of techno talent is hard to contest these days, but Mathys Lenne’s here in case you had any doubts. The DJ/producer also goes by The Scan, and makes up half of Classic Blue, pushing forward a steely vision of the genre that’s both shrewd and quick as a whippet. Alongside projects on HAYES, his beats have shown up too as vinyl EP on Blue Hour’s eponymous record label as well as a debut LP on Dutch powerhouse MORD (2023). It’s a hard hitting genus of techno that borrows from the layered and cognitive approach employed by forebears Efdemin and Float Records label boss TWR72. He’s been busy, and found a powerful voice he spends night after night bringing to dancefloors and headphones alike. For Bassiani Podcast 206, the francophone techno envoy weaves a complex mesh of warped kicks that doesn’t let up for a second, a building tension only someone with faculties as sharp as his could successfully maintain. If this is the first time you’ve heard his name you’d be wise to take note, with an ear like his, little can stop him.

@mathys_lenne

Bassiani invites Mathys Lenne / Podcast #206

Fernando Sanz aka @orbeartist has been steadfastly dedicated to the craft of beats and breaks since he was a young sprout of 14 years in the sun baked southern Spanish port city of Algeciras. Under the imprint Orbe Records, Sanz has cultivated his own thriving techno community as artist and label head. Since 2014 Orbe Records has been lashing the block rocking techno of Sanz’s comrades Eduardo De La Calle and Steve Stoll, but mostly of Sanz’s own prolific moniker, Orbe. As DJ and producer Orbe keeps the mood surreal and dreamy while deploying understated drum machine patterns to hammer the platonic solids that keep his beloved community in tact.

Alphabet Podcast 050 - Orbe

For the 31st episode of the Resilience podcast, we are pleased to present a DJ set by Gianluca Caiati, aka Kaiser.

Since his childhood in Italy, he has been passionate about electronic sounds, which led him to make a name for himself in the music scene. After perfecting his craft, he moved to Berlin, the nerve center of techno, where he found new opportunities. He founded his label, K S R (Kaiser Sound Records), to promote emerging talent and produce distinctive techno tracks. Kaiser is also deeply involved in the music community and continues to evolve as a creative artist, leaving his mark on the global techno scene.

@kaiserksr_it
IG : https://www.instagram.com/kaiser_ksr
BC : https://kaiserksr.bandcamp.com/

Résilience Podcast 031 - Kaiser

Responsible for a handful of head-turning releases via the likes of MORD, Hayes and Float Records this past couple of years, on-the-rise techno producer Mathys Lenne clocks in our series with a mindtrip that’ll knock your socks off. Championing a sound both deep-diving, rugged and hi-intensity thru and thru, the Frenchman treats us to a storm of steely firepower and post-apocalyptic brainwaves. His mix of cerebral wares and shape-shifting, industrial-informed machine talk takes us straight back to the heyday of raving, when the sound we all love was not just a merchandise, but meant a whole new perspective on the world as we knew it.

soundcloud.com/mathys_lenne

Reclaim Your City

Reclaim Your City 629 | Mathys Lenne

Oxygeno @ KHIDI - 31.01.2025

This is a 1 hour extract from my dj set at Bassiani on October 11th 2024.
Setup: 2 Technics SL-1210 M5G & Xone 96.

Phara - DJ Set At Bassiani 11.10.2024

www.soundcloud.com/dhaeur
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www.binaer.berlin
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Podcast artwork by Carla Warneboldt

BINÄR PODCAST 040 // DHÆÜR

T3R Hyperspace 58 - YANT

Back in the series with a special hour-and-a-half-long live set, fellow RYC alum Arthur Robert graces us with a mix that best exemplifies his cosmonautical approach to production, flush with alien-engineered sounds and sci-fi-indebted atmospheres. Like traversing a dynamic hall of mirrors and prisms, distorting our cognitive scope to hypnotic effect, Robert’s mix is a maze of fast swiveling grooves and bubbling, modular-like reflections. If you like your techno both hi-velocity and uncompromisingly trippy, Robert’s blends extrapolate the finest of galloping techno and outer-spacey poetics, birthing the kind of transporting narrative that’ll sooth your nerves from the daily heartbreak we’ve come to process as an integral part of our lives.

soundcloud.com/arthurrobert

Reclaim Your City 631 | Arthur Robert Live

lost steppeke,

sometimes you can  get lost,.. 😝😬🙌 
 
in the moment,
in the emotions,
in time,
in the music,
in the love,
in the dopamine 
in the acid 
in youre dreams 
in youre fantasies 

lost in frequencies 🙏💟

Kwijt Stepke

pityke

While the term „binär“ (engl.: binary) always had a clear meaning in itself, there are nuances depending on how it is applied.

In short, it stands for duality. Anything that’s binär can be broken down into two parts. One element is followed by the other. Our digital world is founded on Binärcodes, the predecessors to our computers, smartphones et cetera ran on 0s and 1s.

Applied to music, most of electronic music is binär. It builds up slowly, one element is followed by the next, a hi-hat comes, a synth is replaced with quietness, which is followed by bass.

And while this formula works for most of the spectrum, it’s not limited to one genre in particular. The label called BINÄR is founded on this idea of terminology.

Yet, in society, it stands for the idea of binary genders - male and female - this might be the most popular definition of the word binär. We believe there’s more to it, and as the Binärsystem works, it could also emphasise the cultural shift we’re currently in - ideas of society get updated by something new, something broader, something more welcoming, open, non-binär.

BINÄR PODCAST 040 // DHÆÜR

BINÄR

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