reminds me of VDT 92-98 remixes and the Binary Finary interview in some free dj culture mag from LA county record store during the early 2000s. and trying to type all this time, this 1998 GOAT song seems kind of  short from the PVD album version which is likely an extended  one unless one of them is not og, or you can argue that VDT can have any length of original song when mixed and not post and this remix is another remix of the same original song by Binary Finary but is not the PVD version of the remix that is not an extended mix on VDT unless somebody's been smoking something and perception of time is seeing filters on the screen rather than the entirery of the original song as intended or at some point or down the line needed a remix or   first mix whichever actually makes the case for Binary Finary as the actual remixer if only for contractual limitations on no alterations but the sonic timing only or whatever kinds of electro tweeking can stand out as other  🎶 retaining og 🎼🎵

Tremendous beautiful remix Congratulations

Kevin devries

FRAGMA - Toca Me- INPETTO MIX

This is the fourth and final track in my PM project. These tracks are written, sampled, arranged and performed in a single two hour sitting.

This track was put together around a sample of a shoegazey guitar riff. It didn't really make sense until I dropped the big kick drum and then it went off in a techno direction, and I I added the burbling arpeggiated synths.

There are loads of effects on here as usual - the one that sticks out to me is the tonalizer applied to the beat (from Turnado). It adds some movement into the track which I find really propels the whole thing along. Turnado is really very cool although I only have the vaguest grasp of what I'm doing with it! Sometimes though I think a lack of mastery can be an advantage!

I ran this track through SubmitHub to find the genre, it tells me:

Electronica (48%)
Techno (46%)
Melodic Techno (24%)
Ambient (19%)
Electro (17%)

That's probably about right this time!

I've had brilliant fun with this project, all four tracks have come out well but very differently which I'm pleased about. Next step in the project is to put these together into a set which I can perform live.

I've also done an AM series of tracks, which is quite a different vibe. I'll be releasing them soon (January probably). 

I hope you've enjoyed these, please let me know what you think in the comments!

Cheers

Tom x


PM.002

Originally released in 1996 (as "Don't Be Afraid (Of The Power)") on Dutch label Sci-Fi Records under Ferry Corsten's alias "Moonman". In 1999 the track got re-released via Heat Recordings with a new remix by Ferry.

www.ferrycorsten.com
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www.twitter.com/ferrycorsten
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www.beatport.com/artist/ferry-corsten/3815

Moonman - Don't Be Afraid (Ferry Corsten '99 Remix)

Full Premiere: http://www.wearesoundspace.com/premiere-kevin-de-vries-out-of-mind
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Kevin De Vries
https://soundcloud.com/kevindevries
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Complexed Records
https://soundcloud.com/complexed-records
https://www.facebook.com/complexedrecordings

Out Of Mind EP

Get the full premiere!

Premiere: Kevin De Vries - Out Of Mind

The Theme

Madagascar

Madagascar (Ferry Corsten Remix)

Ferry Corsten Collected

Gouryella

Greece 2000

Carte Blanche

Carte Blanche (Original Mix)

1998

1998 (Paul van Dyk Remix)

Buy on Beatport

Kevin de Vries - Segue 2 (Original Mix)

Kevin de Vries - Dragon Of Eden (Original Mix)

Ilario Alicante X Kevin de Vries - Lotus (Original Mix)

Ilario Alicante X Kevin de Vries - Dystopia (Original Mix)

Out Of The Blue

Out Of The Blue (Original 1999 Extended)

Luvstruck

Luvstruck (Marco V & Benjamin Remix)

Binary Finary, an electronic dance music (EDM) duo consisting of Stuart Matheson and Sasha Vatoff. 

Binary Finary first gained widespread recognition in 1997 with the release of their hit single "1998." This track made a significant impact on the club scene and became the first electronic dance track to enter the UK Top 30. Over the years, the track has been re-released and remixed multiple times, solidifying its status as a Trance Classic.

Now, 25 years later, Binary Finary continue to captivate fans and critics around the world with their innovative music and live performances. Their live shows are known for their technical prowess and immersive experience, as the duo expertly combines visuals, lighting, and live mixing to create a memorable experience for their audience.

In addition to their original productions, Binary Finary has also built a reputation for their remixes, giving new life to classic tracks while introducing them to a new generation of dance music fans. This ability to continuously evolve and stay relevant in the ever-changing world of electronic dance music has been a key factor in their longevity and success.

As the duo continues to produce fresh content and explore new avenues in their music, Binary Finary remains a prominent force in the dance music scene, consistently delivering high-quality releases that resonate with fans and keep them coming back for more.

1998 (Paul van Dyk Remix)

Binary Finary

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