reminds me of VDT 92-98 remixes and the Binary Finary interview in some free dj culture mag from LA county record store during the early 2000s. and trying to type all this time, this 1998 GOAT song seems kind of  short from the PVD album version which is likely an extended  one unless one of them is not og, or you can argue that VDT can have any length of original song when mixed and not post and this remix is another remix of the same original song by Binary Finary but is not the PVD version of the remix that is not an extended mix on VDT unless somebody's been smoking something and perception of time is seeing filters on the screen rather than the entirery of the original song as intended or at some point or down the line needed a remix or   first mix whichever actually makes the case for Binary Finary as the actual remixer if only for contractual limitations on no alterations but the sonic timing only or whatever kinds of electro tweeking can stand out as other  🎶 retaining og 🎼🎵

Tremendous beautiful remix Congratulations

shellie x

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Gamemaster

Nocturnal Island

Game Master (Original Classical 1995 Mix)by Lost Tribe aka Matt Darey

FUTURE BREEZE - Why Don't You Dance With Me (Club Mix)

Pete Foe - Bombshell

Ralph Fridge - Angel (Club Mix)

Seven Cities

Seven Cities (Solarstone's Atlantis Mix)

1998

1998 (Paul van Dyk Extended Remix)

Someone

Someone (Original Mix)

Komodo

Komodo (Megavoices Claxixx Mix)

Carte Blanche

Carte Blanche (FM Radio Edit)

1998 (Paul van Dyk Remix)

Protect Your Mind (Braveheart)

Protect Your Mind (Braveheart) (Lange Remix)

Southern Sun / Ready Steady Go

Southern Sun (DJ Tiësto Remix) [feat. Carla Werner]

Out Of The Blue

Out Of The Blue (Original 1999 Extended)

Seven Days and One Week

Seven Days and One Week (Radio Edit)

Binary Finary - 1999 (Kay Cee Remix)

Binary Finary, an electronic dance music (EDM) duo consisting of Stuart Matheson and Sasha Vatoff. 

Binary Finary first gained widespread recognition in 1997 with the release of their hit single "1998." This track made a significant impact on the club scene and became the first electronic dance track to enter the UK Top 30. Over the years, the track has been re-released and remixed multiple times, solidifying its status as a Trance Classic.

Now, 25 years later, Binary Finary continue to captivate fans and critics around the world with their innovative music and live performances. Their live shows are known for their technical prowess and immersive experience, as the duo expertly combines visuals, lighting, and live mixing to create a memorable experience for their audience.

In addition to their original productions, Binary Finary has also built a reputation for their remixes, giving new life to classic tracks while introducing them to a new generation of dance music fans. This ability to continuously evolve and stay relevant in the ever-changing world of electronic dance music has been a key factor in their longevity and success.

As the duo continues to produce fresh content and explore new avenues in their music, Binary Finary remains a prominent force in the dance music scene, consistently delivering high-quality releases that resonate with fans and keep them coming back for more.

1998 (Paul van Dyk Remix)

Binary Finary

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