omg bruh

so far, so good

Type: EP
Format: Digital
Releasedate: May 14th
Cat. number: SLA25
Artwork: Oliva Rawlings
Master: Norman Orro

If you listen to the breeze long enough, a song will emerge.
The air hangs on the cusp of rapture.
It will have you foraging in existential void, identity-gardening for a better future...
realworlding.

––––

Hiding in relative obscurity, Music For Your Plants – the sonic environment tended by Tallinn's Norman Orro – originated in late 2000s as a library-music-obsessed prog-rock collective in the dusty attics of the Estonian Academy of Arts. The project has since shed its initial kraut-informed sprawl, evolving through junglist, breakbeat hyperstitions toward a sort of post-anthropocene chamber music: densely layered, rhythmically unstable, and emotionally euphoric.

MFYP maintains a fascination with nonhuman perspectives and systems,
expressing this through forgotten esoteric plugins or operating 90’s hardware with the casual precision of someone peeling particularly stubborn fruit. Despite surface affinities with ambient or post-club sonics, Orro’s output eschews the genre’s more pristine tendencies. MFYP’s productions are texturally grainy, often abrasive in detail – the residue, perhaps, of early-digital workflows and a background in tape-saturated, longform rock improvisation.

Where Hassell sought hybrid utopias, MFYP’s trajectory leads deeper into what Orro has referred to as “Fifth World sonics,” creating a deliberate babel of "world musics" – sometimes deploying reflective detachment, elsewhere earnestly attempting to reconfigure music for an age where the concept of "world" is in crisis. This approach, crystallised on the 2013 Humanity EP, helped cohere the “eco grime” microgenre through holographic, deconstructed folktronics and mutations of UK bass DNA.

On Aeolian Software, we find bit-crushed fretwork and pop-leaning structures, if only briefly gasping for air. MFYP’s current phase appears concerned with breath and density, melodic cells surfacing through mist before dissolving again – as if uncertain whether to take root or vanish.
New Age textures creep in sideways, only to be clipped by loose 2-step scaffolding, while vocal trance fragments pockmark the air like overheard dreams. Somewhere between the PS2 boot sequence and a pan-global spiritual, it's panglossia for the post-everything listener.

Download

Music for your Plants — 'Breath Of God'

@agilitaet

Artwork: Alexander Turovsky (www.instagram.com/alexanderturovsky/)
Mastering: Christoff Riedel (@riedelchristoff) 
Catalogue Number: cime010 
Release Date: June 16th, 2025

https://cime-world.ban

AGILITÄT - Nicht stabile, sondern leicht verletzbare Konstitution

@cyberiaaa

https://bio-future-lab.bandcamp.com/album/behind-the-algorithms-space-ii

cyberiaaa - TACHIBANA GENERAL LABORATORIES [from "Behind the Algorithms Space II", 21/07]

OFFERING

Anatomy of Pain

olé - Behind The Windowpane (Airport Ambience Edit)

The other day, I found myself reflecting on how music-making, something once so sacred to me, had lost much of its meaning over the years. I’ve spent so much time oscillating: between working independently and being signed to a major label, between relying on external structures and going it alone, between bands, side projects, collaborations, and breakdowns. I’ve endured the fallouts of toxic friendships, creative partnerships gone sour, and the slow erosion of trust that comes from repeatedly offering your vulnerability to the wrong people.

The trauma of those experiences, betrayal, burnout, and creative exploitation, left scars. There were long stretches where I couldn’t create. Or wouldn’t. I was afraid to give too much of myself again, afraid of being used, discarded, or misunderstood. Music became a landmine field of memory and mistrust. The rhythm was lost.

But lately, something’s shifted. A flicker. A pulse. A rhythm returning.

I’ve started to hear again. Not just sound, but the impulse to create. Ideas come in waves, bursts of inspiration I can’t ignore. And for the first time in a long while, I welcome them without questioning their purpose. It feels like the spirit of music has found me again. Possessed me, in the best way.

What’s different now is that I’ve stopped tying creation to outcomes. I’m no longer chasing metrics, audience reach, or platform performance. I don’t care if it goes viral. I don’t care if it even gets heard. The act of creating is enough. Making something from nothing, purely because I can, feels like a radical reclamation of joy.

Maybe it’s this return to form, or formlessness, that’s guiding me back to myself. I’m rediscovering what it means to make music without strings attached. No algorithm, no pressure, no false sense of worth assigned by streams or likes. Just the sound in my head, brought to life on my own terms.

And for now, that’s more than enough.

July 25, 2025

Clean Slate [Free Download]

Excited to finally release our first sample pack “Destiny”
We’ve poured a ton of love into this one — over 300 samples and 80+ Serum 2 presets, all crafted to capture the energy, emotion, and atmosphere that define our sound 🎧🔥

From hard-hitting drums and cinematic atmospheres to powerful basses and expressive leads, these are the exact types of sounds we use in our own productions — now available for you to create your own bangers.

By grabbing this pack, you’re not just expanding your sound library — you’re unlocking the tools to take your melodic bass tracks to the next level.

Grab it now: https://payhip.com/Serenademusic

BUY IT

Destiny (Melodic Dubstep Sample Pack) [DEMO]

Demon Flow

Symphonies of Industry 4.0

Your demo: 
biofuturelab@outlook.com

cyberiaaa - TACHIBANA GENERAL LABORATORIES [from "Behind the Algorithms Space II", 21/07]

Bio Future Laboratory

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