https://bio-future-lab.bandcamp.com/album/behind-the-algorithms-space

[BFL-30]

«Behind the Algorithms Space» — this is a new series of compilations from our label, focused around Industry 4.0 and its various aspects: from metaverse and quantum computing to military robotics and surveillance algorithms.

Behind the Algorithms Space [BFL-30]

Staxl - BytecodeOptimiser [from "Behind the Algorithms Space", 19/06]

def qlub - i splitter [from "Behind the Algorithms Space", 19/06]

望月真白 - ebbs & flows [from "Behind the Algorithms Space", 19/06]

@aeondelit

https://bio-future-lab.bandcamp.com/album/behind-the-algorithms-space

Aeondelit - Almost Aware [from "Behind the Algorithms Space", 19/06]

@heedlessmusic

https://bio-future-lab.bandcamp.com/album/behind-the-algorithms-space

HeedLess - common people [from "Behind the Algorithms Space", 19/06]

@haptic_cache

https://bio-future-lab.bandcamp.com/album/behind-the-algorithms-space

Haptic Cache - LUCA

Taken from SBKT073: ABADIR - Kitbashing
Release date: 15th October 2025

--
Conceived as part of an A/V show with visual artist Nicolò Cervello, ‘Kitbashing’ marks ABADIR’s third album for SVBKVLT.

A growing number of people spend an extensive amount of time watching, scrolling, liking, commenting on and sharing content, whilst at the same time feeding a constant stream of personal data to social media platforms. Social media can be fun and informative, or draining and dark. Either way, their algorithms are purposefully designed to lock users in a continuous state of scrolling. The more time spent online, the more desires, interests and emotions are fed into the algorithm for consumerist ends and reality is reduced to a timeline of curated aesthetics.

Using audio snippets from reels, suggested posts, and sponsored ads, sound objects are cut, micro-edited and meshed together into a collage. Tension is built gradually before falling into a release. Rhythms keep expanding and contracting, simulating the pace of random scrolling on mobile devices. ‘Kitbashing’ is an attempt to break the algorithm: subverting the dynamics by feeding on the algorithm instead of only feeding it.

--

Concept by Nicolò Cervello and Rami Abadir
Artwork by Nicolò Cervello
Mastered by Raphael Valensi

Kitbashing

ABADIR - Kicks and Clickbaits

The duo Corporation, formed by Racine (Julien Racine) and Keru Not Ever (Justin Leduc-Frenette), have been linking contemporary electronic music with the brute practices of electro-acoustic and plunderphonic music for several years. This - as patent in their respective works as in their debut album, Graffito (2019 [Genot Centre]) - results in hallucinatory music based on collage, superposition, repetition, synthesis and field-recording. It is composed as an acousmatic theater of sound artifacts without actors.

They are now returning with their sophomore album, Tableaux du doute, a work of sound investigations, traces, clues and alibis collected between 2021 and 2024. Drawing motifs and samples from the soundtracks of neo-noir films and detective movies of the 1990s and 2000s (Miami Vice, L.A. Confidential, Scoop, etc.) the pieces are composed as small tableaux, scenes of obsessive (dis)appearances and ordinary conspiracies, whose curtains hide underhand thefts and repeated treacheries. Every piece insists on and repeats the motives of doubt - before the revelation of a crime - whether felted by the lyrical eroticism of violins or the oblique coldness of FM synthesis.

The album can be listened as both a fanfiction-turned-mixtape and a musical études of investigative tropes - an empty object whose mystery is entirely produced by the artificial surface of seductive sounds.

releases November 14, 2025

Corporation - Sa dent douce à la mort

∎ SWINE PREMIERE: @dharma-doom new EP via @sheltertln ∎

In "A Place Between Places", Dharma Doom composes seven shadowy soundscapes, each poised in the fragile space between what is and what is yet to be. The full EP will be out on October 29 via the Talinn-based label and collective Shelter.

Get ready for a heavy dose of bass madness filled with metal hi-hats and mechanical industrial sounds. "Choke On Your Own Pride" sounds like it was made by a trap producer in a post-apocalyptic scrapyard. And we like it.

[Swine Premiere] Dharma Doom – Choke On Your Own Pride (Shelter)

@krxnx_wrld

https://bio-future-lab.bandcamp.com/album/null-exe

KRXNX - Sendero a Casa [from "Null.exe", 10/11]

@assyouti @elvin-brandhi-1 - U.S.E
50 limited copies
CD
Produced by Assyouti & Elvin Brandhi
Mastered and mixed by Lastrack
Photos by Hajj
Dawn 2025

Assyouti & Elvin Brandhi - Settle My Dread!!!

✤ SWINE PREMIERE ✤ Listen to the single by a/ntity, a side project from Anna Morskaya, also known as @digitonica. The EP mouth full of echo will be out on November 14th via @internet_ghetto

➜ Anna Morskaya is an artist whose music has been released on labels such as Over My Body,
Hyperlink, Infinito Audio Network, Postworld, Geometric Corruption, Exiles, Researchcore, Curiosity Pill, and more. She is known for her intricate and emotional soundscapes, and now turns to a different kind of stillness.

< a/ntity > is a voice of light breaking through silence. It lives in the space where trance dissolves into air, where rhythm exhales rather than marches. The music is built on radiant, psychedelic major harmonies and fractured pulses — not a linear movement toward climax, but a blooming, a flare, a sun that refuses to set.

➜ EP called “mouth full of echo” is the first dawn. A blinding, golden surge spilling over every surface. It’s the sound of something that shouldn’t have survived the night, but did — and now sings, fiercely, joyfully, with a mouth full of sunlight and echo. It’s a triumphant sunbeam burning through the fog, warm and merciless, filling the world with itself.

[Swine Premiere] a/ntity - under lunar silk (#internetghetto)

PREMIERE : Zero Crossing Point - Crowds of Us (feat. Lea Farina) [katharsis]

stealth angel - redemption arc

Laura

The 17th 00effort release sees k:i:o:s:k and Undrwght carving out space between introspective IDM and club-ready intensity. Wobbling low-end flows beneath poignant atmospheres, and charismatic leads shimmer against mutant breaks. k:i:o:s:k's rigid polyrhythms melt into Undrwght's swinging grooves and together they crack open to reveal a glowing, elemental, shape-shifting magical force.

"Obsidiana" serves as a metaphor here: a volcanic glass, which mirrors the moment when two realities touch. Inside an open portal, this connection forms music that breathes heat, hardens into shape, then fractures and scatters into new ground.

Obsidiana

Pyroclasm

Symphonies of Industry 4.0

Your demo: 
biofuturelaboratory@gmail.com

Haptic Cache - LUCA

Bio Future Laboratory

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