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система | system is proud to present a compilation of various Ukrainian artists and performers "SESTRO".

"SESTRO" is a compilation of electronic music from the Odesa-based label система | system, designed to bring together musicians from Ukraine who have been released on our label and performed at events we have organized. For many years we strive to cover a wide, diverse, and adventurous spectrum of Ukrainian music. The goal of the compilation is to directly financially support (ГО Сфера) Sphere (@womenspheresolidarity) which is a Kharkiv-based organization that actively helps women and LGBT+ people from eastern Ukraine in territories that are heavily affected by war. NGO Sphere (ГО Сфера) supplies crisis kits for women in frontline areas and also provides financial assistance to vulnerable groups of women, organizes legal and medical consultations, provides psychological assistance, informational campaigns, and activist events.

"We have never had an experience of working with women in conditions of stress, shock, and grief like today. Now we are trying to gather our experience and the experience of our colleagues from other countries to help deal with the terrible consequences of the survivors" - Anna Sharygina, a representative of NGO Sphere (ГО Сфера).

We believe that giving visibility to Ukrainian culture is an important part of our struggle, because Russia's war against Ukraine is imperialistic in nature, and for three centuries the works of Ukrainian authors have been denied and destroyed.
We will never agree to be dominated. We want, as artists, to give all possible support through our work to the brave volunteers now active in Ukraine, who are heroically fighting to save the most vulnerable.
*
система | system з гордістю презентує компіляцію різних українських артисток та артистів "SESTRO"

"SESTRO" - це компіляція електронної музики від одеського лейблу система | system, яка покликана об'єднати музикантів_ок з України, що випускалися на нашому лейблі та виступали на організованих нами заходах. Протягом багатьох років ми прагнемо висвітлювати широкий та різноманітний спектр української музики. Мета компіляції — надати пряму матеріальну підтримку організації Сфера (@womenspheresolidarity) з Харкова, що наразі активно допомагає жінкам та ЛГБТ+ людям зі Сходу України на територіях, які сильно страждають від війни. ГО Сфера постачає кризові комплекти для жінок у прифронтових районах, а також надає фінансову допомогу вразливим групам жінок, організовує юридичні та медичні консультацій, надає психологічну допомогу, проводить інформаційні кампанії, активістські заходи.

“В нас ніколи не було досвіду роботи із жінками в умовах такого стресу, шоку і горя. Наразі ми намагаємося зібрати свій досвід і досвід наших подруг з інших країн, щоб допомогти впоратися з жахливими наслідками пережитих подій тим, хто вижив” - Анна Шаригіна, представниця ГО Сфера.

Ми вважаємо, що надання видимості українській культури є важливою частиною нашої боротьби, адже війна Росії проти України, має імперіалістичний характер і протягом трьох століть твори українських авторів_ок піддавали цензурі та знищували. Ми боремося проти Росії, що прагне нас колонізувати, ми боремося за нашу свободу, ми ніколи не погодимося, щоб над нами панували. Ми хочемо, як художниці_ки, своєю роботою надати всю можливу підтримку хоробрим волонтеркам, які діють зараз в Україні та відважно боряться за порятунок найуразливіших груп населення.
credits:
FREE IS THE NEW EXPENSIVE ~ TAKE FOR FREE, NAME YOUR PRICE, DONATE.

"SESTRO" VA is supporting our sisters, Ukrainian women in areas affected by the war!
All the funds from this VA will be transferred to the Sphere, Women Association (@spherewa / Non-governmental organization (NGO)).
All transfers will be publicly released by система | system on our social media!
All the tracks are made, composed, recorded by the artists themselves
All the visuals are made by Lesha Mykhailov.

Polje - Одеський Вечір (Odesa Evening)

@sum_mp3 = @thewhaler + @norrrsken
https://bio-future-lab.bandcamp.com/track/znyknyty

This track to support debut album "Heohrafiia osobystosti" from the project Сум: collaboration between vocalist/songwriter Maiia Kvitla and electronic musician Maxim Whaler.


Whaler: «Heohrafiia osobystosti (ukr. Geography of Personality) is a journey into a metaphorical story of a one, which you can relate to. Album was recorded couple of month before war started in Ukraine, but it resembles emotions I felt throughout these 11 weeks. I didn’t know we are writing about now. I’d be really happy if this music would support anyone around in these times.

In the album, you can meet different locations and yourself in this setting. In a way, it is a search for your self in different emotions, places, cities.

Our track Znyknyty is a rework of Kvitla’s track, with new music. We want to release this track to support our album release.»



Debut album "Heohrafiia osobystosti" was released early this month via label @mystictrax (Chornobyl, Ukraine):
mystictrax.bandcamp.com/album/heohrafiia-osobystosti

The original track from Kvitla's EP called "Поки не скінчиться кисень": soundcloud.com/norrrsken/sets/renevich-poki-ne-skinchitsya-kisen

SUPPORT

Сум, Kvitla - Зникнути

“Kvity” I wrote especially for Constructionfestival. This song, as well as the entire compilation is also available for listening and purchase on Bandcamp. All the proceeds will go to support our friends who are currently defending Ukraine in the ranks of the Armed Forces.
***
link below
https://kulturamedialna.bandcamp.com/album/various-artists-construction-vol-2

Kvity

ROOM OF WORDS (2023)
MARIA MATIASHOVA

music Oleksii Podat 
voices Karina Piliugina, Verona
recording, mixing Dmytro Oleksiuk
translation Roksolana Mashkova
graphic design Yaroslava Kovalchuk
font design Ivan Tsanko
special thanks Dima Tolkachov, Ihor Babaiev, Nika Popova, Nastia Kolodka, Vladyslava Kozlenko

Room of words is an installation created in Kyiv at the beginning of 2023. Almost exactly one year after the start of the russian full-scale invasion, the young artist Maria Matiashova decides to share a testimony of an invisible process that Ukrainian people are going through on a daily basis, a process that does not only deal with physical circumstances, but also with language improvement and development. The research started out of necessity and became the bearer of a great reflection on the role of language in her personal geography at this moment in history. In the process of selecting words to record, the artist identified key functions of language for her:

- language can protect, like the words used as passwords to easily enter certain areas of the city at the military checkpoints in Kyiv, key-words underlining on one side the belonging and on the other unveiling the possibility to distinguish through wrong pronunciation the enemies; 

- language is play and exchange: like a child's game of passing the ball and exchanging words in association; 

- language is memory: a childhood memory from which to distance oneself if this is the language of the occupier;

- language is a political statement of resistance and also an instrument of oppression. 

Without any intention to relate her research only to war, the artist tries finally to define language as a source of aesthetic experiences creating a contemporary Manifesto of Ukrainian language. The words selected were chosen for their musicality and evocative characteristics, many are synonyms of more common words, some are words that were repressed during Soviet times and deserve the freedom to be expressed again. The aim is to inspire and reestablish the use of those words as an act of love, beauty and revolution. 

As Maria Matiashova said, 'Room of Words' is a play without a plot. It is a contrast between the smooth sound of Ukrainian words and the painful underlying reality of its meanings. Like in a Pandora's box, the spectator can choose to enter the room of meanings and discover the hidden truth of a life during war, of a struggle that this time has the sound of the Ukrainian language, but tends to symbolize and describe the characteristics of the universal struggle of human nature.

room of words - maria matiashova / music by oleksii podat

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Download Link

Arab Desert

http://soundcloud.com/ritmika-records
https://www.facebook.com/RITMIKA.TAPE

YARN-Yarn 1992

ïðèéäè ÿíãîëå

Come Angel / Tsymbrovsky 1995

не hi

Велика ріка Хєнь-Юань

Цукор Біла Смерть – Велика ріка Хєнь-Юань (John Object Edit)

Now available: Svitlana Nianio & Oleksandr Yurchenko's 'Znayesh Yak? Rozkazhy' ('Know How? Tell Me'). Recorded in an abandoned park in Kiev in 1995, this is the first official release of 'Znayesh Yak? Rozkazhy' outside of the duo's native Ukraine, and is presented in conjunction with Glasgow's Night School Records.

Order the 12" vinyl edition here: tinyurl.com/vw3lgpe

Digital only here: tinyurl.com/rzk2ehc

All orders will ship after 21.02.2020.

Svitlana Nianio and Oleksandr Yurchenko are musicians with a long history in the still-mysterious Kiev Underground. Nianio’s first group Cukor Bela Smert [Sugar, The White Death] were active from the late 80’s through to the early 90’s, and following an intense period of touring, collaboration, experimentation and a string of mixtapes and self-published recordings, Nianio’s first official solo album ‘Kytytsi’ was released in 1999 by Poland’s Koka Records. Oleksandr Yurchenko, a longtime collaborator and a pivotal figure in the Kiev music scene, was instrumental in creating the Novaya Scena, a loose conglomerate of artists who encouraged each other to excavate both the sounds of the West and Ukrainian tradition. ‘Znayesh Yak? Rozkazhy’ (‘Know How? Tell Me’) is the duo’s most fully realised collaboration, an enchanting, complete world in which Yurchenko’s instrumentation and playfulness with form frames Nianio’s otherworldly soprano, recalling Liz Fraser steeped in contrapuntal melody and hymnal improvisation. Originally made available on a self-released cassette in 1996 (re-issued in 2017 by Ukraine’s Delta Shock label) where the album was twinned with ‘Lisova Kolekciya’ (re-issued on LP in 2017 by Skire) this is the debut release of ‘Znayesh Yak? Rozkazhy’ outside of Ukraine.

Recorded in an abandoned park in Kiev during a fertile period for artists and musicians following the collapse of the Soviet Union, ‘Znayesh Yak? Rozkazhy’ sees Nianio and Yurchenko combine Casio keyboard, hammered dulcimer, percussion, and Nianio’s unmistakeable soprano vocalisations to create music sympathetic to the specific locations in which they chose to record. Yurchenko’s contribution is perhaps more present on this recording than anything else we have heard from the duo. His percussive dulcimer playing provides the basis on which Nianio can weave delicate keyboard lines while playfully contorting her voice, shifting from a low register reminiscent of Nico to what could be perceived as the call of a bird or an animal in distress. Whatever the intent, the effect is haunting and beautiful in equal measure.

There’s a prevailing earthiness on the recordings, found in the warm hiss of the lo-fi means of recording or the grinding, unspecified sounds that occasionally accompany the melody, like drones created on the fly by hands trying to keep warm in the ice. A prevailing mood of fragility and beauty seeps from these melodies, delicate moments of clarity spun by the two musicians. ‘Znayesh Yak? Rozkazhy’ is a dream spun in twilight, a crystalline, private world where the listener feels both alien and welcome.

Recorded in Kiev, Ukraine, May 1995
Produced by Svitlana Nianio & Oleksandr Yurchenko
Mastered by John Hannon, 2018

Artwork by Svitlana Nianio

Svitlana Nianio & Oleksandr Yurchenko - Untitled 4 (from 'Znayesh Yak? Rozkazhy' 12" + digital)

Symphonies of Industry 4.0

biofuturelab@outlook.com

Сум, Kvitla - Зникнути

Bio Future Laboratory

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