Early 2020 I was on tour in Chile when the borders closed. I spent the fall, winter, and spring in a small, drafty cabin in the woods of Southern Chile, where, on a borrowed guitar, between mushroom hunting, hikes through the snow, field recording, and plunges in a freezing volcanic lake, the foundations of this album came together.

At the end of the year, with borders beginning to open, I found myself at an artist residency in Baja, Mexico, at a beautiful, well-equipped studio (El Ganzo Records). There, amongst new friends and long-time collaborators in the hot coastal desert, the bones of the album made in the cold and isolation of the south were fleshed out with new colors and textures. These two contrasting territories run parallel to the themes of duality central to the album. The lyrics work through melancholy, depression, and loss, without losing their essential spark of hope and joy.
credits

MUSICIANS:
Arnulfo Mancera - Percussion
Vaneila Brun - Voice
Crissbeth Cortés - Voice
Javiera Contreras - Voice
Juan Diego Illescas - Guitar, Flutes, Synths
Rafael Ibarborde - Electric Guitar, Charango
Lupe Blázquez - Sax
Paco Rosas - Bass
Jose Luis Trujillo - Trombone
Matanza - Percussion, Synths, Production
Michael Alfred Wagner - Voice, Flute, Gaita Colombiana, Trumpet, Guitar, Synths, Production, Mixing

MASTERING:
Sebastián Cordovés

ART:
Soma Difusa

Cantos, Sueños, Sol y Sombra

THE ARTISTS:
El Monte Adentro is a new collective of Mexican folk (Son Jarocho) musicians from Veracruz including members of iconic local groups Los Aguas Aguas and Sonex, which have both toured internationally in major festivals.

Biomigrant is a US-born, Colombia based producer and multi-instrumentalist who explores the meeting place of Electronica, Roots Music, and Field Recordings. He has toured the American continent and Europe, and had his music featured on everything from major radio stations to travel documentaries and inflight airline magazines.

The 5 track EP ‘Voz Emplumada' is their debut together. They inaugurated their live show as a trio in January 2023 at the Feria Internacional of Puebla, México.

Vocals, Jarana, Zapateado, Percussion - Edwin Bandala Mayo
Vocals and Media Guitarra - Helio Martín Del Campo
Beats, Synths, Composition, Mix - Michael Alfred Wagner
Violin - Camil Meseguer Rioux
Vocals - Raymundo Pavón Lozano
Vocals - Ada Selene Valadez Hernandez
Harp - Adán Diego Castillo Castillo
Master: Yosi Horikawa
Photo used in cover art: Eder Mora
Illustration of cover art: Dante Aguilera
Band Photo: Ale Rouge
Special Thanks: Javier Rodríguez, Gabi Arenzano

Voz Emplumada EP

This collaborative project arose from a working relationship and friendship that began in 2017, when the US-born producer and multi-instrumentalist Michael Alfred Wagner (Biomigrant) visited the Fundación Tumac, a foundation dedicated to promoting traditional music, dance and instrument craftsmanship in Tumaco, Colombia. Plu con Pla, as a musical group, grew from these surroundings of roots music and culture. From there, they have expanded their style incorporating influences from reggae and urban music, all accompanied by the social discourse present in the lyrics of the group's director, Harold Tenorio. 

Accompanied by the production of Michael, they recorded their first album, entitled "No Más Velorio". Later, this album was reinterpreted on a vinyl of remixes released through the French-Colombian label Galletas Calientes Records. Said vinyl featured contributions from renowned producers of the Latin Organic House scene, including El Búho, Rodrigo Gallardo and Los Frikstailers.

The EP 'En Defensa De Sus Dioses' represents an evolution of these experiences, fusing traditional rhythms from the Pacific, such as Currulao, Bunde Callejero, Rumba and Levanta Polvo, with the sounds of 808s and electronic music. Harold Tenorio composed the lyrics of the songs inspired by interviews with his parents, Laylys Quiñones and Francisco Tenorio (who are sampled throughout the album), addressing topics such as syncretism, environmental damage and the recovery of music, spirituality and the culture of the region. The name of the EP, 'En Defensa De Sus Dioses' (In Defense of Their Gods), comes from Carlos Alberto 'El Diablo' Rodríguez's Decima (a form of structured poetry present throughout the American continent)  in the song "Sincretismo".

The EP also includes a new collaboration with English DJ/producer El Búho, mastering by the Japanese producer Yosi Horikawa, analog effects by the Colombian Diego Gomez (Cerrero), and cover art by the Colombian illustrator Soma Difusa.

Musical Director of Plu con Pla:
Harold Tenorio Quiñones: 

Lyrics:
Harold Tenorio Quiñones

Electric Bass:
Harold Tenorio Quiñones: 

Voice:
Fernanda Tenorio Quiñones
Jaír Angulo Quiñones

Bombo, Cununo:
Kevin Cortes García
Luis Carlos Quiñones Ruiz
Jesús Alberto Salazar

Guasa:
Jhon Jairo Cortés

Marimba de Chonta:
Jhon Jairo Cortés (Este Dios Mar, Cuervos, Sincretismo)
Jhon Alex Del Castillo (Mi Tierra, La Murga)

Decima/Spoken Word:
Carlos Alberto 'El Diablo' Rodríguez (Sincretismo)

Interviews/Samples:
Laylys Quiñones Cortes
Francisco Tenorio Angulo

Analog FX:
Diego Gomez/Cerrero (Mi Tierra, Sincretismo)

Production, Beats, Synths, Composition:
Michael Alfred Wagner/Biomigrant
Robin Perkins/El Búho (La Murga)

Recording Engineer:
Michael Alfred Wagner

Mix Engineer:
Michael Alfred Wagner

Mastering Engineer:
Yosi Horikawa

Recorded In:
Tumaco, Colombia, and Medellín, Colombia

Cover Art:
Soma Difusa

Buy Album

En Defensa De Sus Dioses - Biomigrant & Plu con Pla

Following his last releases (collaborations delving deep into Mexican and Colombian folk music traditions) the producer and multi-instrumentalist Biomigrant returns to offer an electronic journey through a more personal and introspective filter on his new album, Aguaceros y Sequías (Downpours and Droughts). The album is built around melodies of silver flute, trumpet, Colombian gaita and voice, layered over deep electronic grooves, found sounds, and an extensive rhythmic vocabulary including House music, Cumbia and other Afro-Colombian traditions, even incorporating splashes of Afrobeats and Guaracha. The album was written and recorded between the mountain ridges above Bogotá, Colombia and a cloud forest region of Veracruz, México. The title reflects the landslides, flooding, forest fires, and droughts that occurred around Michael as the album was recorded, just a small window into the wider crises we are living through, and how these external flashpoints reflect our internal conflicts, struggles, and search for peace.  

*The lead off track, ‘Lejos’ (Far Away), evokes the longing to be with a loved one in nature, far from troubles and chaos. The track mixes the soothing burbling of a river in Veracruz with dubby and rhythmic flute, echoes of Bullerengue in the percussion,  a downtempo...  more
credits
released October 18, 2024

Wilmer Guzmán (Tambor Alegre, Maracon, Llamador) - Tracks 1,2,4,5
(Wilmer's percussion was recorded in Chontaduro Records, Bogotá, by Alejandro Rico)

Nicolas Cantor/Ancestral Beats (Production, Guitar) - Track 4

Helio Martín Del Campo (Congas, Vocal Harmonies) - Tracks 3,5

Edwin Bandala Mayo (Jarana) Track 2

Emiliano Coronel (Upright Bass) - Track 5

Candido Hernández Rojo (Shaker) - Track 3

Michael Alfred Wagner (Flute, Colombian Gaita, Trumpet, Voice, Synths, Drum Programming, Production, Recording, Mix, and Master on all tracks)

Cover Art: Soma Difusa

Aguaceros Y Sequías

Sencillos

Colombia is currently in a national strike, which began to counter attempts of the State to impose abusive taxes on basic necessities in a moment in which many people are already greatly struggling.  The response of the government to the protests has been extremely violent, up till the moment of writing this more than 40 protestors have been killed, hundreds have been injured, and hundreds more are currently missing.  The strike continues.
@Menteorganica
@Gusanitodiscos

Parar Para Avanzar - Mente Orgánica & Casa Seis (Biomigrant Remix)

Artist: Dandara, Matanza, Biomigrant
Label: Sol Selectas
Genre: Organic House / Downtempo
Release Date: 21.06.2021
Beatport: www.beatport.com/release/summer-sol-vi/3408590

Sol Selectas: www.facebook.com/SolSelectas
Soundcloud: @solselectas
Instagram: www.instagram.com/sol.selectas

Dandara: https://soundcloud.com/dandaramusic
Matanza: https://soundcloud.com/matanza
Biomigrant: https://soundcloud.com/biomigrant

CONTACT (DHM):
Email — deephousemoscow@hotmail.com

Download

Premiere: Dandara — Arrieta (feat. Matanza & Biomigrant) [Sol Selectas]

Si el trotamundos patiperro no vagabundea

Si la cumbiera salsera picotera no menea

Si el soñador quien se sana soñando ya no sueña

Si la cantadora encantadora ya no fandanguea

Como un buen jarocho trasnochado

Cantaremos al amanecer
Cantaremos al amanecer

¿Qué es qué
¿Qué es lo que se va?
¿Qué es qué
¿Qué es lo que vendrá?
-----------------------------------------
Percussion:
Arnulfo Mancera

Sax:
Lupe Blázquez

Sintes, Flutes:
Juan Diego Illescas

Vocals:
Crissbeth Cortés

Master:
Sebastián Cordovés

Cantos, Sueños, Sol, y Sombra

Buy/Preorder Album

Lo Que Vendrá (ft. Crissbeth Cortés)

¿Cuántas veces se ha acabado el mundo?
¿Cuantos mundos acabados llevamos ya?
Siempre me sorprende como se escondan nuestros segundos
Siempre me sorprende al despertar encontrarme acá

Entre el sol y la luna

No tengo alas, pero me prestaron plumas
Y con eso mantengo mis sueños de volar
Solo he vivido amor de paso
Al final nada puede ser más real

Entre el sol y la luna

El Sol y La Luna

El Sol y La Luna (ft. Javiera Contreras)

Paso a Pasito (ft. Vaneila Brun)

Enfrentamientos

Version of the traditional composition by Toño Fernandez

Currura (ft. Vaneila Brun)

Refugio (ft. Matanza) (Baja Mix)

Deeper than Words (ft. Lupe Blázquez y Juan Diego Illescas)

Generations

“Por la Patagonia” es el single del próximo lanzamiento de Quinto Fuego, un EP de cuatro canciones creadas por Biomigrant y Derrok, cuando fueron vecinos por varios meses en el sur de Chile, más específicamente en Pucón.

La canción cuenta una historia de naturaleza y montañas, con la voz y vientos de Mike (Biomigrant) y las cuerdas de Joaquín (Derrok), sumándole una estructura electrónica creadas por ambos con ritmos dinámicos y juguetones. Además, se pueden escuchar entremedio el canto de los Hued Hued, ave endémica chilena que los dos productores frecuentaban escuchar en sus paseos invernales por los bosques.

@Derrok
@QuintoFuego

'El Clarito Del Bosque' EP

Por La Patagonia - Derrok y Biomigrant

Suena el rio crecido
Que va bajando a contratiempo
Siente en cada latido
Fuerza del río
Golpe del viento

Viene bajando el rio
Rio crecido a contratiempo
Siente en cada latido
Fuerza del río
Golpe del viento

Suena Suena
Al golpe del contratiempo
Bajando Va
Acompañado del viento
Hay que escuchar
Al cascabel resonando
Que va que va
Serpiente de Agua bajando

Vocals, Jarana, Zapateado, Percussion - Edwin Bandala Mayo
Vocals and Media Guitarra - Helio Martín Del Campo
Beats, Synths, Composition, Mix - Michael Alfred Wagner
Violin - Camil Meseguer Rioux 
Master: Yosi Horikawa
Photo used in cover art: Eder Mora
Illustration of cover art: Dante Aguilera
Grabado en Xalapa, México

Serpiente de Agua - Biomigrant & El Monte Adentro

Camina, Zapatea
Sonando en la tarima
Camina, Zapatea
Al golpe del tacón

Y repiqueteando el cafe con pan, pan, pan
Somo son de a montón que resuena

Voz Emplumada

Zapatea - Biomigrant & El Monte Adentro

Aunque yo por ti esté triste
No me rendira el coraje
Olvido ya no me aflige
Yo proseguiré mi viaje
Al igual que el arrecife
No me rendirá tu oleaje

Soy preso de este aposento
Solo por quererte amar
Oigo las olas del mar que no cesan en ningún momento
Oigo las olas del mar que no cesan en ningún momento

Soy marinero en la mar
Y en la mar de tus cabellos
En tus olas encallar
Y en estos ojos tan bellos
En estos ojos tan bellos
Mi embarcación va zarpar

Soy preso de tu mirar
Que me tienes embrujado
Como sirena del mar
Tus ojos me han cautivado
Perdido y enamorado
Ariles en alta mar

Oigo las olas del mar que no cesan en ningún momento
Oigo las olas del mar que no cesan en ningún momento

Las Olas Del Mar - Biomigrant & El Monte Adentro

Yo fui a la revolucíon, yo fui
Yo fui a la revolucíon
Yo fui a la revolucíon, yo fui
Yo fui a la revolucíon

Yo le canto al campesino
Que sostiene mi país
Años en el abandono
Y no pierde su raíz
En los campos de mi pueblo
sigue brillando el maíz

Brindo mi voz al obrero
Aquel que con dignidad
A pesar del bajo sueldo
Trabaja sin descansar
Pa que el hambre y la miséria
Nunca viven en su hogar

Respeto para las mújeres
Que luchan por la igualdad
Pues la violencia de género
Solo se puede acabar
Si todos nos comprometemos
Para amar y respetar

A nuestros pueblos indígenas
Mi admiracion y lealtad
Y en sus lenguas maternas
Conocimiento ancestral
Y es tu historia verdadera
La que hoy nos quieran negar

Yo fui a la revolucíon, yo fui
Yo fui a la revolucíon

Un consejo al estudiante
Mantén en tu corazón
Un paso firme y constante
De servir a la nación
Y serás el estandarte
de Paz y Liberación

A la leyva, a la leyva, a la leyva yo no iré
Es mi tierra mi bandera
Con ella me quedaré
A la leyva, a la leyva, a la leyva yo no iría
Yo si lucho por mi pueblo
Pero a tu guerra no iría

A la leyva, a la leyva, a la leyva yo no iré
Es mi tierra mi bandera
Con ella me quedaré
A la leyva, a la leyva, a la leyva yo no iría
Yo si lucho por mi pueblo
Pero a tu guerra no iría

Paz y Liberación - Biomigrant & El Monte Adentro

Señores no se cantar porque fui criado en el monte
A mi me enseño a cantar la calandria y el cenzontle,
la calandría y el cenzontle y el pájaro cardenal
la calandría y el cenzontle y el pájaro cardenal

De los pájaros del monte yo quisiera ser canario
De los pájaros del monte yo quisiera ser canario
Para cantar contigo en el monte solitario
para volar allí contigo en el monte solitario

Canta, canta, calandria, pájaro cenzontle
Volando por el horizonte
Voz emplumada del monte
Voz emplumada del monte

Canta, canta, calandria, pájaro cenzontle
Volando por el horizonte
Voz emplumada del monte
Voz emplumada del monte

Voz Emplumada Del Monte - Biomigrant & El Monte Adentro

'Cuervos' is the first single off Biomigrant & Plu Con Pla’s upcoming EP 'En Defensa De Sus Dioses'. The collaboration first began as a working relationship and friendship that started in 2017, when the US-born producer and multi-instrumentalist Michael Alfred Wagner (Biomigrant) visited the Fundación Tumac, a foundation dedicated to promoting traditional music, dance and instrument craftsmanship in Tumaco, Colombia. Plu con Pla, as a musical group, grew from these surroundings of roots music and culture, and from there they have expanded their style, incorporating influences from reggae and urban genres alongside the social discourse present in the lyrics of the group's director, Harold Tenorio. After Plu con Pla entered the world of electronica via a vinyl remix release of their first album, they got together with Biomigrant to further immerse themselves in the world of synths, beats, and sampling, mixing a musical tradition formed throughout generations in the Colombian South Pacific with sounds that respond to urban, industrial and digital daily life.The lyrics of the song Cuervos, written by Harold, question the way humanity relates to their environment, and warn that the consequences will come back to haunt us. It is based on oral histories from Francisco Tenorio, Harold's father, and the founder of Tumac Foundation. Through samples, we hear Don Francisco explain how before, they always asked permission to harvest trees to make their instruments, and now, broader cultural practices don’t understand the importance of that symbolic act or the conservation it ties into. The group interprets the song on traditional instruments from the Colombian Pacific (bombo, cununuos, marimba, and guasa) that they themselves built from local wood. The rhythm takes the 6/8 groove of Currulao and translates it into the deep sounds of an 808 drum machine, before the beat switches to a house driven climax accompanied by percussion, a chorus, and trumpet melodies. 

The song was mastered by the Japanese producer Yosi Horikawa, and the cover art was illustrated by Colombian artist Soma Difusa. 

The full EP comes out on October 13, accompanied by two live videos.

Nos concediste el permiso
El permiso de existir
Y estaba criando cuervos
Que hoy se vienen contra ti

El hombre que se limite
El hombre que se limite
El hombre que se limite
El hombre que se limite

Yo sé que tarde o temprano
Esto se ha de pagar
Todo lo que mal se hizo
Pronto se devolverá

El hombre que se limite
El hombre que se limite
El hombre que se limite
El hombre que se limite

Por qué entre el cielo y la tierra
No hay nada que ocultar
Ya se ven los resultados
El techo se caerá

El hombre que se limite
El hombre que se limite
El hombre que se limite
El hombre que se limite

que se limite
que se limite, ay dios
que se limite
que se limite, ay dios
que se limite
que se limite, ay dios
que se limite
que se limite, ay dios

En Defensa De Sus Dioses

Cuervos - Biomigrant & Plu con Pla

'La Murga (ft. El Búho)', the second single off Biomigrant & Plu Con Pla’s upcoming EP, 'En Defensa De Sus Dioses'

The song is based on ‘la Murga’, a rhythm typically played in carnival street parades in Tumaco, Colombia. It was first adapted to the deep pulse of 808s, and then, once in the hands of El Búho, pulled towards the world of Amapiano.

La Murga - Biomigrant & Plu con Pla (Ft. El Búho)

Mi Tierra - Biomigrant & Plu con Pla

Este Dios Mar - Biomigrant & Plu con Pla

Sincretísmo - Biomigrant & Plu con Pla

First single off the upcoming album, 'Aguaceros y Sequías'
Primer adelanto del nuevo disco, 'Aguaceros y Sequías'

Aguaceros y Sequías

La Muda

Lejos

Flores Y Pólvora

Que No Se Ha Perdido (ft. Ancestral Beats)

La Montaña

Oro Y Asfalto

Tro Tro

Echoes

La Utopía (Xalapa Mix)

Claro que ahorita mas que nunca nos toca amarnos mas y buscar soluciones a conflictos...  pero a veces hay que gritar también.  

Gracias al Pacifico Colombiano por siempre mostrarnos caminos de resistencia desde la música, cultura, y acción.  

Edit de una canción interpretado por Diego y Emeterio Balanta de Timbiquí.  Me han avisado que la canción original se llama Dos Cosas Tiene La Vida, por el autor Justiniano Ocoro.

Descarga

Mucho Hijueputa - Los Hermanos Balanta (Biomigrant EDIT)

Edit del clásico de Jorge Velosa y Los Carrangueros de Ráquira.

La música nos puede mover el alma tanto como el cuerpo, y dar vida a la memoria.  A veces en tanto ruido de la cotidianidad ‘moderna’ perdimos los pasos bailados de los abuelos, pero la música sigue allí, esperando con brazos abiertos hasta que la volvemos a encontrar.  Este edit viene dedicado con mucho amor a quienes bailen enruanad@s.

<a href='https://theartistunion.com/tracks/7e4e93'>Download for free on The Artist Union</a>

Descarga libre y directa en el bandcamp de @Sello-In-Correcto si no quieres hacer tantas vueltas con Artist Union ;)

https://in-correcto.bandcamp.com/track/la-cucharita-biomigrant-edit

Free Download

Jorge Velosa - La Cucharita (Biomigrant Edit)

Biomigrant is the musical project of producer and multi-instrumentalist Michael Alfred Wagner. In 2014, as part of a journey of musical exploration, he crossed Central America en bicycle, arriving to Colombia where he currently lives. As part of the Llorona Records tribute to the gaita flute master Manuel Antonio “Toño” García, Biomigrant put together a compilation of remixes of a piece made with the field recordings of Toño singing. El Buho, Quixosis, Lascivio Bohemia, Joaquín Cornejo, RLHBSLCN, Marcelo Bergés and Steffen Ki present beautiful and different takes of “La Muerte” giving us a broad picture of latin american electronic and world downtempo landscape.

I arrived to the house of the maestro Toño García in San Jacinto in May of 2014. I had just arrived to Colombia, finishing a bicycle journey that began in Guatemala. In Panama a traveling couple told me of Mr. García, and in Bogotá a friend put me in touch so I could visit him. I made it to San Jacinto, an iconic village of the Colombian Caribbean, and I spent various nights camping along the edge of the lake, in the mornings taking classes with Toño. I received my first Gaitas from him, while he showed me songs and told mi stories of his wanderings, struggles, successes, and loves.

Manuel Antonio ‘Toño’ García joined the Gaiteros de San Jacinto after the death of Mañe Mendoza, returning to a legacy that he had left behind for years to dedicate himself to agricultural work. Winner of a Latin Grammy for the album ‘Un Fuego de Sangre Pura’, along with a generation of the group that included his student Fredys Arrieta, el maestro sill lives in his house in San Jacinto where to this day he receives visits from a endless stream of students and lovers of Gaita music, sharing with them his music and wisdom.

There here taught me the song ‘Conmigo Nadie Se Meta’, written by Nando Coba. ‘La Muerte’ is a re-interpretation of that melody, with the voice of Toño and the gaita of Fredys. It was originally published en 2016 as part of ‘Aldea Mundial’, an audiovisual project (album and documentary) released with the chilean label Regional.

I am very grateful for the 7 tremendous artists and friends from Latin America and Europe for their remixes which offer a tribute to a great musician, person, and teacher. We are part of an emerging scene that looks to create a meeting grounds between electronica and traditional folk music, and the least we can do is try to give something back to those who have maintained the essence of rural musics.

All funds generated by this work will be given to Toño Garcia (who recently celebrated his 90th birthday) and his family as assistance that we hope will help to care for his health and upkeep in San Jacinto. Thank you to all who have contributed to this project and especially to Thomas Bosq for setting it all in motion. Michael - Biomigrant

Produced by Michael Alfred Wagner - Biomigrant
Gaitas- Fredys Arrieta
Voice- Toño Garcia
Alegre drum- Loui Peña
Maraca- Owen Chamorro
Mastering - Rob Small
Artwork - Patricia AlSur 
credits
released January 24, 2020

Producido por Michael Alfred Wagner - Biomigrant
Gaitas: Fredys Arrieta
Voz: Toño Garcia
Tambor Alegre: Loui Peña
Maracon: Owen Chamorro
Masterizado por: Rob Small
Arte por: Patricia AlSur

Biomigrant - La Muerte (El Búho Remix)

Remix de un temazo de Sexteto Tabala, de San Basilio de Palenque.

Disponible via Palenque Records.

Afrocolombia Rewords - Pernett & Biomigrant

Sexteto Tabala - Ofelia (Biomigrant Remix)

Vivir en Paz

Biomigrant & Ōme - Vivir En Paz

Arnulfo learned this traditional West African song while traveling and studying music in Burkina Faso with his brother.
------------------------------
Arnulfo Mancera - Voice, Djembe, Shakers, Ngoni
Biomigrant - Production, Flute, Trumpet, Synths, Master

Biomigrant & Arnulfo Mancera - Sintekonofe

Orígenes nació de un jam un día de lluvia en Bogotá, Colombia con el buen @menteorganica

'traigo la música
desde el origen,
antes de la creación
de este cuerpo,
vengo recordando.'
(Saga María de la Cruz)

Créditos:

Mente Orgánica: Producción, guitarra, sintes, un montón de otras vainas...

Biomigrant: Producción, guitarra, trompeta, master, otras cositas...

Voz: Luntana y Saga María de la Cruz (Grabado en 2015 cerca de Minca).

Biomigrant & Mente Orgánica - Orígenes

'Cuando éramos pequeños
Teníamos la costumbre de sentarnos en el balcón
A ver las luces de la ciudad
Esas luces que parecen como estrellitas

Ellas le iban dando el borde a esta ciudad inmensa
Y a nosotros se nos iban apareciendo formas de botas,
Cruces, cabezas de leones

Estas formas, estos bordes han cambiado
Ahora están cada vez mas altos en la montaña
Y poco a poco están tocando casi el cielo
Yo pienso que alguna vez no habrá mas diferencia 
Entre estas luces
Y las estrellas que están allí arriba'

Oilst: Production, Drum Machines, and Synths

Biomigrant: Production, Synths, Voice, Trumpet, Field Recordings, Master

Yohana Ruffiner: Spoken Word

Foto: Chico González

Biomigrant & Oilst - Estrellitas

Hecho en Villavicencio, Colombia.
@la-payara

Versión rebajada

'Que es la vida
Que es esto hermano,
Porqué hay viento?
Porqué hay día?
Porqué hay noche?
Porqué hay amor?
Porqué, para qué es eso?
Para qué es el cosmos?
Para qué es el sol?
Para qué son las estrellas?
Para qué nos abrazamos?'

Carlos Flores: Palabras y Cuatro
Charlis Ortega: Arpa
Jasseth Salgado: Tambor Alegre
Claudio Tantimonaco (La Payara): Grabaciones, Producción, Foto
Biomigrant: Producción, Grabaciones, Sintes, Master, etc...

Encuentros EP

Biomigrant & La Payara - ¿Por Qué? (Rebajada)

Electronica, Roots Music, and Soundscapes.

Biomigrant

Pinned to spotlight

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