haas-y break acid thing with dmx

Substrata [Alternative Versions]

Silene (Alternative Version)

Artist: @daloworks
Mastering: Falko Paul Eidner & Sebastian Blume
Distribution: One Eye Witness
Out Now

All those creatures, standing there, making time. Fury eyes, golden dust on artificial fog. Dancing on glass, repetitive poems, looping long after the last loop looped away. Oriental acid, frenzied samples, low hanging film noir suspense. This is DALO. Or not. She is many. Dry maniac downbeat is her craft. Or dark-ish pop-not-pop. There is dub, trance, techno, too. She is known for releases on labels like ESP Institute, WARNING, or Tresor. She is part of bands like INIT. She played them all, those clubs, that matter, and those that matter more. Live. Alone. As an artist. With a band. Here she comes with her first album. On the R.i.O. sphere. Her homebase. A trusted zone for experimentation. She brings “Duster”. Seven tunes twisted in different dreams. Fast, slow, veiled, enchanted, haunting trenchant. She sings. These songs. To dance. For a different, stripped-back trance. DALO. Her record longs for a stage. Exporting grace, face to face. A work like a mirror. Hypnotizing. A psychedelic portrait of a performer. Nuanced industrial veils ceremonial journey music. Claps, Jungle. Desolate vocal snippets. A whirlwind of words. All those chords, hanging there, kick drum time. Fury eyes, golden horns amid acid fog. Dancing on glass, cyclic synth-lines. DALO. Duster. A-round-and-a-around. Circulating the ritual.

Text: ML

BANDCAMP

DALO 2 £

Taken from "Beneath The Sea​/​Time Flowed Past Indifferently Above Us", the forthcoming album by Knivtid

https://shimmeringmoodsrecords.bandcamp.com

Knivtid - Undergrowth Rest

It makes sense to kick off this TRACK PREMIERE with a quick [re-]introduction to Malcolm Pardon, who, although appeared on these pages as a solo artist with his debut album Hello Death (The New Black, 2021), may be more familiar to you as one half of Roll The Dice, along with Peder Mannerfelt. Unlike the Swedish duo's gorgeous sonic onslaught that captivated these pages (see In Dust and Until Silence from over a decade ago), Pardon's solo musings are more in the vein of deconstructed melancholia, with the solo piano progressions held up by cinematic atmospheres and themes. "Like the romantic notion of the orchestra on board the Titanic playing their repertoire as the ship went down, on The Abyss, he looks past the bleak or macabre to observe death as a multi-layered, lifelong acquaintance." On "Side Effects", we are faced with a pseudo-neutral message of a neo-classical nature, at times evoking echoes of Radiohead, at others creating a false sense of optimism, with a darker undertone lurking just beneath the veil. This becomes more evident as you progress through the album, followed by "The End", landing upon "Enter the Void" (you can check out an unsettling video by the Swedish director Oskar Wrangö here - be warned that it includes images that some viewers may find distressing), and finally concluding with the "Aftermath". The music on The Abyss is celebrating our demise, and just like the distressing notion of your own inevitable passing, it is disquieting, beautiful and final. For now, enjoy the "Side Effects".

The Abyss

Side Effects

TRACK PREMIERE : Malcolm Pardon - Side Effects

https://fingersinthenoise.bandcamp.com/album/4-days

1. Fog Day 07:13
2. Rain Day
3. Snow Day
4. Sun Day
5. Wind Day (Bonus Track)

Thank you for the support! 

Laurent 

FPR# 008 
released 15 March 2015 
Produced and mastered by Laurent Bisch 
Artwork & Photo: Laurent Bisch 

Fitn on Soundcloud: 
soundcloud.com/fitn 
Facebook fans: 
www.facebook.com/pages/Fingers-in-the-Noise/119838881416469
credits
releases 15 March 2015

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[FPR#008] 03 - Rain Day

Researching the evolution of listening, language and spine, I noticed the German word 'Haltung'  can not be translated easily into English. you need at least 3 words: posture, stance, integrity and perhaps perseverance is in it too. Durchhalten. Hang in there.

The composition is a reflection on how we can weave communities under collective dissonance on a planet under attack and exploitation. 

Can Frequencies reach spaces that are uncontrollable and differently organised to give humans strength, stable spines and perseverance to learn to live in coexistence with all other life forms that are part of us and nourish us.

The piece was commissioned by The Lake Radio as part of our Works for Radio 2024 with support from Koda's Cultural Funds and was selected by an international jury consisting of representatives from Seydisfjordur Community Radio (IS) and Retreat Radio (SE).

AGF - Haltung

u didnt think

Taken from the self titled record on ALTER, released on the 23rd of June.

Order: https://lovetheme-alter.bandcamp.com/album/love-theme

Silene (Alternative Version)

Biosphere

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