Offf What fuckin Magic is this!!!!!! @biosphere12651

VA: Psybient [2022]

Shortwave Memories

Formanta

Tanß

Night Shift

Interval Signal

Following on from releasing on the various artists compilation on 3024 - “It Was Always There Vol 1”, Planète returns with a long awaited 4 track exploring new territories and sound landscapes.

Shuffling away from straight grooves of earlier muses, Planète takes time to explore the irregular pulses of broken beat rhythms whilst maintaining introspective colour on this new EP. Central to the messages in his explorations, "Eternal Now" represents a reconfiguration of sonic interpretation and reflection.

Opener 'Stony Creek Reserve' rattles and throbs, consuming a poly-rhythmic bass bedrock and dubbed stabs with crisp and glitched crackles whilst 'Passing Through' lightens the deep with a skipping kick drum and memorable percussion melodies guided by an anchored bass hit.

On the flip, echoing and spooky wooden hits fill the terrain whilst stark bass movements in 'Meteor' rain and mutate a broken techno groove. Closing up, allowing the energy to release, 'Eternal Now' gives rise to vast space in reverberated strikes and wobbled stabs under the hood of slow thuds and thin hisses.

This return shows versatility and growth in sonic descriptions, edging towards a bridge of found sounds and clinical club music. His latest contribution shows the breadth and current appetite for bass centric curations and meticulous high frequency attention refining his signature for evolving storytelling.

Meteor

Feorm Falorx

Bowl

Peril

Sometimes, the music matches my mood. And this Monday morning I wake up a little distressed. Perhaps some remnants of a previous night's nightmare have spilt into this world and left me slightly edgy. Reality can surely shape one's dreams, but can it also be impacted in reverse I wonder. I haven't followed the deep catalogue of twelve-inchers from the Glasgow-based duo of Jonnie Wilkes and James Savage releasing under the Naum Gabo project name over the last 15 years, but I am happy to land on their first proper full-length album, titled F. Lux. This is a proto-techno meets industrial meets dark ambient apocalyptic dream score, encompassed in compelling rhythm, distorted soundscapes, and wicked moods. I hear a bit of Demdike Stare, Raime, Vatican Shadow, and The Haxan Cloak, and if this rope of names means anything to you at all, I reckon you'll connect with Naum Gabo. "A consistent source of fascination for us are sounds that sit with some difficulty beside one another, but once heard, just have to be. A perversion, misapplication, accident, call it what you will, but we see this inelegance as ok." I think there is pure beauty in this darkness, and its existence is a must. How else are we to tell the difference in contrast if every single moment feels the same? For today's track premiere, I select a less rhythmic piece that opens up the album - I want it to be just a prelude for your trip. And for the rest, you'll have to take the plunge.

F. Lux

Aora

TRACK PREMIERE : Naum Gabo - Aora

RulesDescribeTheShapeOfThings

Fell into this little groove while practicing and went with it  :)

A Little Improv

Step into a moonlit river of sound. Session XIX — Lanterns Over the Water drifts through the heart of Japan’s shrine and lantern traditions, weaving non‐lexical shrine chorus hums, shakuhachi sighs, koto glissandi, and taiko heartbeat pulses into a deep, meditative lounge journey.
Inspired by Kyoto’s Gion nights, coastal lantern festivals, and the still elegance of Shinto shrine waters, this session captures a ritual calm where fireflies, incense smoke, and floating lights move as one.

▸ REGION: Japan — Shinto shrine ambience, lantern festivals, Gion street nights
▸ VOCALS: nonverbal shrine chants, breath vowels (“aaa–ooo–eee”), whispered blessings (“mizu,” “tsuki,” “kokoro”)
▸ INSTRUMENTS: shakuhachi, koto, taiko, suzu bells, temple woodblock, night cicadas, water ripple field recordings
▸ MOOD: moonlit stillness • ritual elegance • drifting light on water

🎧 For meditative evenings, incense-lit moments, or midnight walks by water.

#LanternsOverTheWater #JapaneseChill #ShintoAmbient #BuddhaBarVibes #DowntempoBeats #WorldFusion #ZenChill #AmbientLounge #RitualMusic #GlobalLounge #TaikoBeats #KotoMusic #ShakuhachiFlute #LanternFestival #Ætherflux #ChilloutMusic #OpiumLounge #SlowBPM

Tsuki

from 'Déjà Rêvé' [CD|LP|DIGITAL]
Denovali Records · den310
available on all formats at http://denovali.com/lto

Based in Bristol, LTO first made waves as part of mysterious electronic collective Old Apparatus. As a solo producer, LTO has since attracted attention with his praised debut LP "The Number From Which All Things Come" and subsequent ambient/modern classical-focussed "Storybook“ LP. With "Déjà Rêvé“, he expands on that classical sensibility, creating a highly expressive and nuanced release for Denovali Records.

Each of the tracks on this record express a certain abstracted sense of time and place, often of a long forgotten memory or dream, or of an imagined future; of places foreign, yet strangely familiar; of varying states of consciousness; of non-linear time systems; of repetitive childhood fever dreams; of places with different laws of physics removing the constraints of day-to-day reality that you never want to leave; of unimaginable landscapes.

Broadening the already far-reaching colour palette of "Storybook", LTO has created something truly remarkable: complex piano arrangements, ethereal soundscapes, elegant orchestration and floating ambience, all perfectly placed in a rich cinematic landscape. LTO creates an ingenious dramaturgy, inducing different moods, from dark to light, with an inimitable depth and irresistible suction.

“haunting and comforting in equal measure. 4/5" – MOJO

“like memory preserved in nostalgic aspic” – The Independent

“a beautiful collection that stands tall alongside the work of his contemporaries” – XLR8R

“Blurring the lines between the organic and machine-made... Takes nebulous sounds and crashes them with the clatter of machine rhythms… Brilliant.”  - Hyponik 

“An adventurous blend of hues grey and dark...Staggeringly rich.”  - FACT 

"Another great album by a real talent hugely deserving of even more attention. Remarkable. 9/10"  - God is in the TV

Déjà Rêvé

LTO - The Singularity (feat. Thom Quentin Leigh)

VAA50

Descarga

Laprimes - Wftfp

Taken from the upcoming album 'Departures', forthcoming on Fluid Audio...

Credits:

All tracks composed, performed and produced by Maria Papadomanolaki and Nhung Nguen in London, Brighton (Digital Music and Sound Arts Studios, UoB), UK, Hanoi, Vietnam and Chania, Crete.

Mastering: Ian Hawgood

Print design: Craig Tattersall

Packaging design: Daniel Crossley

www.fluidaudio.bigcartel.com

Departures

Dalot & Sound Awakener - Night-time, long paths

MY PRESENTATION! 


An exciting application for you! 


Hello to the right person, booker, music manager or managers. :-) 

My name is Georgij Alexandrov aka Gorgij Park as my artist name. 


I am looking for a job as a pianist, keyboard man 
DJ, composer, entertainer, studio musician, 
producer, a church organist and music teacher. 

I have 20 years experience in playing as a DJ, 
I have 28 years experience in performing as a pianist, 
keyboard man and entertainer and 
23 years of experience in working as 
composer, studio musician, producer, 
church organist and music teacher. 


My music styles is: 

Tech House, Deep House, Progressive House, Melodic House, Melodic Techno, Acid House, NU Disco, Indie Dance, Dark Disco, Progressive Psytrance, Psytrance, Goa Trance, Psybient, Psychill, Psydub, Electronica, Ambient, Chillout, New Age, Disco, Pop, Rock, Latin, Reggae, Classical, Jazz. :-) ;-) 8-) :-D   

I have a large network with over 7.777 friends 
and music people I can invite, 
when I am acting as a pianist, keyboard man, DJ or entertainer. ;-) 


With big greetings from 


George   

Tanß

Biosphere

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Pagal, servant to MY RAAB

christian68

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