Wrote this song many many years ago and processed it now in FL. I think we all know the feeling of a very shitty day. Murphy's law passing by. And the pressure to just keep smiling and pretend that everything is 'fine'. To function in 'human sociaty' and the pressure we give ourselves, each other, or what we think others expects from us.
So I wanted the song to be on the outside a 'very happy, poppy' song, while at the same time... being very dark. It's your pink frosted birthday cake with the inside of solid black. (It's also a bit inspired by how Lily Allen writes songs. Man... I love her).

Any case. I hope you guys enjoy. It's also the first time I post something with vocals! Exciting and scary!
Have a good day! And even if it's a shitty day that's also oke.

Edit 30-4-22: New Vocal plugins (jeeh) so vocal is a bit better (and less cringe for me listening to it). Also got rid of some crap and added stuff that was more to my liking. Maybe I do a new recording when I have a new mic (this one isn't the best).

Masquerade - Nice Girl

The Worst Generation Presents a offering from Douglas D. Trashboat using loops and pieces from The late Great MF DOOM and The EP is named after Metal Face himself and Nas along with vocal appearances from The Late Great Richard Pryor.

This 4 track offering is an audio experiment that can be understood as a whole body of work that also answers loose ends from previous projects and thats for the listener to catch.

It Ain't Hard To Tell

Follow me on Instagram @ gears_sam for news on future releases!

Madness

Escape

Escape (Prod. Jinn)

Boogie Nights

Storm

Two tracks of acoustic guitar + midi percussions

Image credit : Modified AI generated image

The Degeneracy

Vocal Engineer: Sam
Mixed and mastered by B Steele. 
Lighter: Psychedelic Revolution
Mouth Trumpet: Psychedelic Revolution
 

There’s some polyrhythm with the lighter in triple meter and the rest in simple meter. Then polyrhythm again at the bridge with the bongos paired with a Latin bass line. There’s a backdoor cadence for the verses and a Picardi cadence at the end. Lead playing has a whole tone scale and diminished scale in there. I also superimposed the organ to play F pretty much the whole way through. For key changes, I used the subdom and then dom of the following key instead of my more abrupt ‘common chords or ‘Dom of following key’ approach. Initially, the first phrase of the chorus was just ‘Holding on’ but I came up with the 4 lines she sings at the very end. ‘Blip piano’ effect functions as the sound of keys, phone calls, and ICU at the end. Piano voicing, now cover both vocal melody and easy bass lines so I ended up singing a 7#9 chord if I combined the notes which was cool.  The debut of my mouth trumpet at 3:00. I have also switched to neck pick ups for the rhythm guitar to give it a more Fendery and warmer tone.



Lyrically, I once asked a teacher in high school about ‘Another Brick in the Wall.’ “How do you feel about being a teacher and hearing that song?” He replied, “Well, its’ actually about teachers who abuse their power.”
So this isn’t an anti drug song but an anti drug abuse song.   I think a lot of teachers would say their personal lives are not exactly smooth sailing.  It  is similar to the film Half Nelson except that the drug of choice is weed. Teachers are able to deliver good classes while having a drug habit.  “黄猫、黑猫，只要捉住老鼠就是好猫.”  I was hanging out with the ‘bad kids’ from WAB a few years back for a smoke break and one of them said, “B is such a dumbass. He posted pics of weed on his WeChat.”
Song is based on my fictional character roommate. The junkie joke is that he once was at a McDonald’s and asked, “Do you have some coke?…to drink” in seriousness. I love McDonalds! “They got that burger I like. Starts with a Q” 
https://www.youtube.com/watch?v=qAtvxFFsoeg

Then, oxycodone became popular in the States in 2011-12.  He did say, “I want to Turkish slap and then river dance on her corpse.” Unfortunately, the professor he was talking about overheard. It would be amusing if people danced to this song. In the end, I think he never graduated but that is OK because he is high up there and is now working in finance. I was talking to an old friend about another guy who did nothing all day and he said, “Hey, if it was me in his shoes, I’d do a lot worse.” So, that’s my view. He was into ‘Red Baron’ by Billy Cobham, the Stones, ‘Hard Times’ by Ray Charles,’Sitting…’ by Otis Redding, ‘Can’t Be Touched’ by Roy Jones Jr (cos’ he was a talented/hard working boxer when he was younger) and ‘What a Waster’ by The Libertines. I think with a royal weight on your shoulder that can be tough as there are no lands left to conquer for him. But, if I can name 3 people with bigger shoes to fill off the top of my head than the kids at int’l schools shouldn’t worry. 

Oh your dad’s a king? See: Alexander (The Macedonian one)
Oh your dad’s an actor? See RDJ.
Oh your dad’s a  footballer? See Frank Lampard.

Angels Fall

NickJC III Persevere Ft FOEVA

Living in the Moment

"Knockin' (Who Dat?)" by ASØN

Prod. By Bad Signal Records

Knockin' (Who Dat?)

Information is power. But like all power, there are those who want to keep it for 
themselves. The world's entire scientific and cultural heritage, published over centuries 
in books and journals, is increasingly being digitized and locked up by a handful of 
private corporations. Want to read the papers featuring the most famous results of the 
sciences? You'll need to send enormous amounts to publishers like Reed Elsevier. 

There are those struggling to change this. The Open Access Movement has fought 
valiantly to ensure that scientists do not sign their copyrights away but instead ensure 
their work is published on the Internet, under terms that allow anyone to access it. But 
even under the best scenarios, their work will only apply to things published in the future. 
Everything up until now will have been lost. 

That is too high a price to pay. Forcing academics to pay money to read the work of their 
colleagues? Scanning entire libraries but only allowing the folks at Google to read them? 
Providing scientific articles to those at elite universities in the First World, but not to 
children in the Global South? It's outrageous and unacceptable. 

"I agree," many say, "but what can we do? The companies hold the copyrights, they 
make enormous amounts of money by charging for access, and it's perfectly legal — 
there's nothing we can do to stop them." But there is something we can, something that's 
already being done: we can fight back. 

Those with access to these resources — students, librarians, scientists — you have been 
given a privilege. You get to feed at this banquet of knowledge while the rest of the world 
is locked out. But you need not — indeed, morally, you cannot — keep this privilege for 
yourselves. You have a duty to share it with the world. And you have: trading passwords 
with colleagues, filling download requests for friends. 



Meanwhile, those who have been locked out are not standing idly by. You have been 
sneaking through holes and climbing over fences, liberating the information locked up by 
the publishers and sharing them with your friends. 

But all of this action goes on in the dark, hidden underground. It's called stealing or 
piracy, as if sharing a wealth of knowledge were the moral equivalent of plundering a 
ship and murdering its crew. But sharing isn't immoral — it's a moral imperative. Only 
those blinded by greed would refuse to let a friend make a copy. 

Large corporations, of course, are blinded by greed. The laws under which they operate 
require it — their shareholders would revolt at anything less. And the politicians they 
have bought off back them, passing laws giving them the exclusive power to decide who 
can make copies. 

There is no justice in following unjust laws. It's time to come into the light and, in the 
grand tradition of civil disobedience, declare our opposition to this private theft of public 
culture. 

We need to take information, wherever it is stored, make our copies and share them with 
the world. We need to take stuff that's out of copyright and add it to the archive. We need 
to buy secret databases and put them on the Web. We need to download scientific 
journals and upload them to file sharing networks. We need to fight for Guerilla Open 
Access. 

With enough of us, around the world, we'll not just send a strong message opposing the 
privatization of knowledge — we'll make it a thing of the past. Will you join us? 

Aaron Swartz 

July 2008, Eremo, Italy 

OpenAccessGuerilla

Wunschlos Gleichmütig gewöhne ich mich an die Nichtigkeit meiner Existenz,
Völlig nackt erblicke ich die wahre unabhängige Natur meiner selbst,
Erwacht in der Unveränderlichkeit des seins musst ich nicht länger jemand werden,
Wo sich die Illusion nicht von der Wahrheit unterscheidet hat das Leiden ein Ende.

BIRNABEATZ 2001

Desireless Indifferent I accustom myself to the nothingness of my existence,
Completely naked I behold the true independent nature of myself,
Awakened to the immutability of being, I no longer need to become someone,
Where illusion is no different from truth, suffering has an end.

BIRNABEATZ 2001

OpenAccessGuerilla

BIRNABEATZ

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