Pieces

From my new album 'Processes & Potentials', out on 3LEAVES, 01.10.2013

http://bjarni-gunnarsson.net/processes.html

http://3leaves-label.com


Aukera

From 'Anticlines', released today on Playneutral.

'Digital synthesis based on dynamic waveforms and atomic sound operations.

Sound as behaviour, occurring through operations sequences and generative processes.'

https://bjarni.bandcamp.com
https://playneutral.bandcamp.com

Anticlines

From album 'Paths' (May 2016), Granny Records.

http://www.bjarni-gunnarsson.net/paths

http://www.grannyrecords.org

Ubieties

Angst

From my new album 'Lueur', published by Tartaruga (Vinyl & Digital) on the 26.11.2018

http://www.bjarni-gunnarsson.net/lueur

https://www.tartaruga.co.uk

https://tartarugarecords.bandcamp.com/album/lueur

Prisme

The first track from my album, 'Safn 2006-2009' released by LMALC in 2010.

Aftur

Samtímis

Fingrafjall

From Volume & Void. Released on Superpang,  September 18, 2020
https://superpang.bandcamp.com/album/volume-void

Composed through experimental scheduling algorithms that explore the duality of immediate, direct events with gradual and evolving processes.

System and sounds created during the summer of 2020 in Scheveningen, The Hague.

Design: Joe Gilmore

Volume & Void

Premiered at the BEAST Festival, Birmingham, England in March 2011. 

Exists also as an audio-visual project with Cedric Dupire. Video here: http://vimeo.com/62161204

Grey Seeds

From the casette 'Cendres', released on SØVN Records in November 2020.
https://sovnrecords.bandcamp.com/album/cendres

Polytree is composed through extensive use of waveshaping processes. It focuses on using composed waveforms for movements in time and formal structures that emerge from lower-level synthesis methods. The majority of the sound material used in the piece was created through experiments with bilateral folding (waveshaping) that is being frequency modulated through audible (high) frequencies. 

Designed as iterative, the digital components that constitute ‘Polytree’, can be recomposed while they run. The importance is not where an ‘intelligence’ takes place but rather how it emerges through an exchange with any surrounding influence. A shared responsibility is favored here, where it is often unclear whether manual action or automated algorithms are behind the perceived activities.

Pieces

Bjarni Gunnarsson