Water Table

CREDITS 
Written By: Katherine Paul
Produced By: Katherine Paul
Produced By: Takiaya Reed
Mixed By: Nicholas Wilbur 
Engineered By: Nicholas Wilbur
Mastered By: Nicholas Wilbur


PERFORMERS
KP: guitars, drums/percussion, vocals, keys, omnichord 
Grace Bugbee: bass


LYRICS
Yeah I feel it in my bones 
And I find it through my home 
I see it in my dreams 
Like a whisper spoke to me 

Nobody sang it for me like I wanna sing it to you
Nobody sang it for me like I wanna sing it to you all the time 

Yeah I feel it in my bones 
Like the lines you carve for me 
And it moves right through my skin 
I can hear it in the breeze 

Nobody sang it for me like I wanna sing it to you
Nobody sang it for me like I wanna sing it to you
Nobody sang it for me like I wanna sing it to you
Nobody sang it for me like I wanna sing it to you all the time 


#SCFIRST

Nobody

Night Fell

Magic Gardening Club S/T EP released on Spirit Goth Records [SG53].
🎧  https://sg53.fanlink.to/magic-gardening-club

🎸  Magic Gardening Club
→ https://open.spotify.com/artist/2T5z1WOAiyX8H3rlfeaSbH?si=kQPFB5xgSaC31CTD_XTkYw
→ https://music.apple.com/us/artist/magic-gardening-club/1656036532
→ https://instagram.com/magicgardeningclub/

Magic Gardening Club

Listen / Stream

Magic Gardening Club - Satellite

Lay Low

PRE ORDER CATHEDRAL BELLS - EVERYTHING AT ONCE LP: https://cathedralbellsmusic.bandcamp.com/album/everything-at-once

2023 Born Losers Records

Cathedral Bells - All Under The Sky

"Marcy Avenue” is Hause Plants’ third single from the EP 'Field Trip To Coney Island EP'.

Produced by Guilherme Machado Correia and Miguel Vilhena
Recorded and mixed by Miguel Vilhena
Mastered by Pieter De Wagter
Written and composed by Guilherme Machado Correia
Backing vocals arranged by João Simões

Drums played by Hugo Luzio
Bass played by Guilherme Machado Correia
Guitars played by Guilherme Machado Correia
Acoustic guitar played by Miguel Vilhena
Strings programmed by Guilherme Machado Correia
Piano programmed by Guilherme Machado Correia
Percussion played by Miguel Vilhena
Vocals by Guilherme Machado Correia
Backing vocals by João Simões and Guilherme Machado Correia

Lyrics:
I went out for nothing
looking back on those days
didn’t think we’d make it
didn’t know our game

I’ll be back at 142
after all this time just me and you

I’ll tap the hearts, and scroll away
I’ll make new memories I don’t intend to 
cause it feels so wrong to be away
I’ll fight the feeling that I’m not enough for you

Sophie asks for more of it
and I’m here for more
I’ve never cared about Hollywood
stop keeping score

I’ll tap the hearts, and scroll away
I’ll make new memories I don’t intend to 
cause it feels so wrong to be away
I’ll fight the feeling that I’m not enough for you

I’ll be back at 142
after all this time just me and you

Marcy Avenue

The Last Remaining Light

Cellar

Step into the depths of "The Devil's Chord," a song that captures the haunting allure of one of music's most enigmatic sounds — the tritonus. Known historically as the 'devil's interval,' this dissonant musical interval has fascinated musicians and theorists for centuries. During the Renaissance, the tritonus was often avoided in compositions due to its unsettling sound, which led to its notorious nickname. It was believed to evoke a sense of foreboding and was avoided in liturgical music because of its supposed ties to dark and supernatural elements.

Lars Wiberg revives this intriguing piece of musical lore, exploring the rich textures and emotive power of the tritonus through innovative lyrics and complex soundscapes. "The Devil's Chord" is not just a song but a journey through the spectral haze of sound, where dissonance crafts beauty, and shadows dance to the tune of eerie harmonies.

With this track, Lars seeks to delve into the dual nature of the tritonus—its historical reputation as a harbinger of bad omens and its modern application as a compelling and dramatically effective musical tool. The song is an invitation to explore the spaces between fear and fascination, where the siren calls of dissonance draw listeners into a world both strange and beautiful.

Join Lars Wiberg as he charts a course through these half-lit musical landscapes, proving that even the most feared chords can resonate with profound beauty and artistic depth.

Nobody

Black Belt Eagle Scout

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