awesome raw sound again, love the lyrics...hopefully that’s the right thing 😆

just a wickedly delicious track , and i get a real B52s vibe from this , which in my world is a winner

Submissions via https://discord.gg/K4tkz8e

Radio Evolved 5/1/2020 Show Playlist

This is a re-recording of an old song of our old band from the early 90s. I couldn't convince our singer @user-20931549 to sing on it yet (or any other member to record their parts), so all done by myself few years ago, for now as an instrumental. Anyway, I like it ;-)

Guitars, Bass, Drum Programming: @bonetender
Music: https://soundcloud.com/maersk-dddb/lovely-lemon-tea

©vonLieblos & Bonetender (& others) 2022 All Rights Reserved

Lovely Öemontea

Lovely Lemontea

Well I almost scrapped this song but after 3 weeks writing words, and then realizing how fun it is to sing, i kept it. I'm trying to figure out how to add a little lightheartedness to my music, but i think this one just turned out creepy lol. NOTE:  I always felt a little uncomfortable with the words, i just really didn't like them, so I reworked the chorus and a few other lines, and rerecorded the vocals. It seems a little better now...
 

I've seen my own worst enemy
Every night just staring back at me
Through the mirror with such animosity
And baby, it drives me crazy
I don’t understand what’s with this guy,
He don’t know that he’s alive
He combs his hair on the wrong side

I don’t expect you to understand,
But I’ve got these hammers for my hands
I like to start with everything
and smash away what I don’t need
and scattered all around are the pieces off of me
oh baby can’t you see what this done has to me

It’s a strange strange situation 
I need a little information
If it’s real or just imagination
Don’t say it’s so, I can’t believe 
Its down to you and me again
Up against the world my friend
Who can say   how this will end
 
It’s 3am and you’re slamming doors
Cause ‘I don’t speak your language anymore’
While I’m on my knees picking pieces
Of me up off the floor, 
I can’t lose much more, these pieces could be the last of me,
I wish I could see the way you see
is there anything left in this debris

Hammer Hands

Sunday July 31 2022 I was given the chance to be on air for an hour set on Vía De Acceso (@viadeacceso) at Lumbung Radio (https://lumbungradio.stationofcommons.org). I sincerely thank my friends Çois Agver (@ois-agver) and Jorge Lara (@enternetboy) for offering me this great opportunity of a full hour show.
I really didn't expect that, so I tried to make the set more exciting by sending them a few unreleased tracks, dating from 1999 to 2005, I had found after an accurate search on my hard disks. I had never considered releasing any of them before, and I personally think they mostly have a documentary value, as they represent memories of my own learning process in making music on a computer. They actually might be thought of as unfinished works, each one somehow resulting incomplete under a different perspective. Still I thought it was a nice chance to introduce a bit of Teth Sin's musical roots to friends, fans and listeners.
A noticeable exception is represented by this ambient piece I had called "Semiramis" at the time, which I actually consider as complete. A few minutes before writing these lines I found out that it dates back to 2002, not 2004 as I thought in the first place. No wonder I have not much to say about the concept, since I can hardly remember when I did it. But it certainly had to be a kind of a meditation on Semiramis' tragic destiny, no matter which of the numerous traditions about her legend we decide to accept as "true". Her figure is mysterious and ephemeral to such a point that she didn't even deserve a plain condemnation by mankind. It somehow sounded tragic to my ears, so I tried to create a sonic sculpture of such an uncomfortable condition.
During the broadcast I heard Çois stating that the track should be officially released. I'm currently working on a few titles after a period of decreased activity, due to some major issues I've been going through lately, but none of them is ready... So I happily accepted Çois' tip, releasing this good old tune today... In wait of something new coming [hopefully] soon!
Hope you'll all enjoy, and even if you don't... Just listen to Vía De Acceso (@viadeacceso) at https://lumbungradio.stationofcommons.org (or to their archive hosted here on SoundCloud at taRka's page @myrhyum) !!!

Semiramis

Chcą nam szarym ludziom zaimplementować „nowy lepszy świat " (NWO) w którym wartości takie jak wiara w Boga i ogólnie pojęta wolność przejdzie do historii.
Za pomocą mediów generują strach i infekują umysły miliardów ludzi, by ci stali się posłuszną jednolitą masą.
Taki świat to przedsionek piekła i głęboko wierzę w to, że ludzie się obudzą i nie dadzą sobie odebrać niezbywalnych praw nadanych im przez Boga.
Wolny człowiek to człowiek szczęśliwy, spełniony i pełen wiary w Stwórcę i drugiego człowieka.
Otwórz oczy i stań do walki, bo właśnie toczy się bitwa o przyszłość świata!

Stary lepszy świat / Better old world

all instruments, master & mix by Moneky Blood Lowdown @monkeybloodlowdown
lyrics & vocals by Mariam Zohra D : Myrh

THAT DREW US
_____________________
In the warmth of our heart
I’ve known to date
All that I have lost
Oh that’s ok

Blink
And 40 years have passed by

Come all the ways 
Come at all
And who should?
And who should fall?

Wondering around on our world
So these are the lines that I known
Are the lines that I know

Had the reasons and all our seasons
Change

My the years have it all

Although it seems I still have passion
Although it seems I still have passion

I’m innocence
Not some love hold up in one house

Lover
Lovers
Lover
Lovers

Walk up to the past
Cross your yard
Real hearts need not part

Meetings you will never know of
Understanding one can’t just grab a hold of

Real hearts need not part

Dichotomy is post-fade
I don’t need a lecture to dictate

The summer
The summer that drew us

Walk up to the pass

Our parallel gait to an ocean-lit trek
Real hearts
Need not part
Need not part

A parallel gate drew us
Drew us

Dichotomy is post-fade

To an ocean-lit trek

What drew us
In a gaze a way
Drew us

The Consolers

That Drew Us | The Consolers

It s the Open Collab:
@audiobake

Original Track:
Audiobake – This-dystopia-open-collab-stem-downloads-available

Playlist:
soundcloud.com/audiobake/sets/this-dystopia-open-collab

Date de publication : 12/10/2022

Dyscopia

Dystopia (collab Davst V AudioBake)

(Free WAV Download available here under '••• More'; and eventually, as part of a future solo album)

Greetings all you fun and funky SC musicians. I don’t typically upload remastered versions of a song as a new track. I usually just replace the old with the new, and change the title to reflect the remaster. But this one is special, for a few reasons (and if you’re not much into personalized mixing details, you may want to skip this liner note).

First (and most importantly)… I thought I’d lost the ability to edit the original tracks for this song. The last time I opened it up in Logic (updating it for the 2018 album remaster), the siren voices were all messed up (automation in Alchemy can have odd results sometimes). I just assumed the original native file was broken forever, because I no longer had access to that version of Logic. I had to do the album remaster from my only existing mix… and it was definitely lacking.

4 years later, I’m so glad I took a chance on reopening the native file when I concluded this ‘Siren’ trilogy. All the sounds/automations were exactly as I had left them. Prior to this attempt, I just assumed the worst, and never tried again. Thankfully, I was wrong. :D

Second… the remaster turned out much better than I hoped; and the differences were so satisfying, I thought it might be fun to have both versions up (for a side by side comparison, for any interested musicians out there. Here's the older version: https://soundcloud.com/grevusanjl/siren-rising).

So why does this one sound so much better than the original version? (And please take all of this with a grain of salt. I’m no pro. But I have discovered what works for me.)

Honestly, a tremendous amount of credit goes to having a much better understanding of Compression. For many folks, Compression is almost a dirty word. Just the title of the plug-in alone confused me at first. Why would I possibly want to compress my sounds, when I liked them as is? 

But it turns out (for me at least) that the different Compression options really shine when chosen specifically, and used minimally. As an example (and I’m not sure if your DAW offers similar options, but), Studio VCA works brilliantly with strings, female vocals and many of my favorite synths. But Studio FET works great on drums. Etc. And while some might cringe at the idea, I absolutely love what Soft Distortion does to most tracks as well. Used in mild amounts, Soft Distortion adds a phenomenal amount of spacial quality to the sound. I don’t use this one all of the time, but I bet I use it at least 75% of the time now (and Compression in general on about 95% of the tracks).  So there you go… I’m definitely a big fan of Compression… when used responsibly. :)

In addition, I’ve also learned a lot about EQing since I first did this song in 2017; so much so, that I was actually baffled by some of my earlier choices. So a large amount of the repair/update time for the 2022 remaster was spent on getting the EQing for each track set up more effectively.

And finally, I had the opportunity to give the full mix a healthy rebuild. After 5 years, you’re undoubtedly going to have a very fresh perspective on a piece. And I realized a lot of the sounds simply weren’t in their optimal positions in the stereo field. I also reconsidered where sounds faded in and out, and how intensely they did so… and I updated all of that as well. 

And there you have it, the story/history behind one of my all time personal favorites. I’m so glad I had an opportunity to revisit this one (while leaving all the original instruments true to form), and I hope you enjoy all the latest sound enhancements as well. I’m excited to hear what you think of my ’Siren Rising (2022 Remaster)’. :D

WTF! The Musical

Siren Rising - 2022 REMASTER

Feelin' good, lying down in a bed of glass
Feelin' good, in the Summertime Valley
Swing low, sweet chariot

Summertime Valley

http://theturtleproject.wixsite.com/theshell

It's good to be alive
Take everyday in your stride
You can go out just like a light
So grab someone you love tonight and sing
It's good to be alive

Anywhere But Here

It's Good To Be Alive

Right Thing Wrong Thing

A minimalist track for piano and strings in dorian mode

Clouds on the Road

Recorded: December 2008 (Early Demo).
Released: 13 April 2009.

Guitars/Keyboards:  Juan Diaz @AlchemicJourney
Bass/Drums/Keyboards: Julien Lafosse
Production: Juan Diaz

Copyright 2008-2025, all rights reserved: Woodoo Prod

dotSpice - Nebula

@SoundCloud - This is a feature #electronic track from album, Blue Sparrow, released 12/12/2019. Album cover designed by Kevin Dellinger. Music composed and produced by Kevin Dellinger. Copyright owned by Kevin Dellinger. All Rights Reserved. For more music visit KevinDellinger.net. This song is also available on Apple Music, iTunes, Google Play, Spotify, Deezer and Tidal.

Blue Sparrow

Hangry Kitty

A third collaboration with the inimitable Belial, and it is always a pleasure. Go to Belial's page for some unforgettable musical experiences: https://soundcloud.com/belial-pelegrim

This one is dedicated to the nurses and doctors doing all the heavy lifting in these times. Our thoughts are with you and we wish you safe days.

Viola Synth, Reaktor Synth: Belial Pelegrim
Music, Piano, Sidechain Overdrive, Sugarhill Brass, Percussion: Jan Schonander

Previous collaborations with Belial:
Disposal At The Tarpits: https://soundcloud.com/belial-pelegrim/disposal-at-the-tar-pits-pelegrim-thegats-1
Magnetic Attraction: https://soundcloud.com/thegats/magnetic-attraction

Pressure. Grace.

Pressure. Grace. | Belial Pelegrim & TheGat(s)

Music by https://soundcloud.com/samdow
Vocals, lyrics, bach trumpet, percussion, production, mix and master by Conover
© 2020 Conover/Samdow



  Gather and hold all your groceries
as tight as you can in your arms
the mask pulls your ears in a funny little way
and your glasses are steamed up
so you can't find your way
Cancel your trip your going nowhere today
don't even think about yourself.. in times like these
Cancel your trip with the plight of bare essentials
Ive been lost in the store and I can't find essential things that I need    

Ive been locked behind doors and I can’t find the things that I wanted to have   
Are they the things I really needed at all 

 Time to Re-evaluate and Distill.
BC

Bare Essentials (Conover/Samdow )

I'm a Songwriter.. I'm a Dad ..  I love Trees  :)

We all know how hard it is to get our music heard and that's why we developed AtomCollectorRecords.com.

We pay music fans in crypto currency to listen to SoundCloud tracks. It is completely free for musicians to add as many tracks as they want.

To keep your tracks in rotation you listen to other artist's music to earn play credits that you then apply to your own tracks.

Using these two methods we have a steady stream of both musicians and fans listening, commenting and following our members.

Right Thing Wrong Thing

Black Eye Butterfly

Recent comments

winkandwoo

The Voice of Truth

winkandwoo

Swivelable

Related tracks