take me back to the good old days 😿🖤

Playlist converted by Soundiiz from another music platform ! https://soundiiz.com

Maybe no one else is listensing Set1

Pylon - "Cool"

A Place To Bury Strangers - Change Your God

Tremors

Pre Order:
iTunes UK: http://found.ee/01oLR
Rough Trade: http://found.ee/VClYv
Music Glue Store: http://found.ee/DVpf7
ITunes USA Album Pre Order: http://found.ee/g2Lvl

Nadine Shah Album trailer: http://found.ee/R8JCe

On Tour: http://found.ee/DdzNV
Website: http://found.ee/aW3EK
Music Glue: http://found.ee/DdzNV
Facebook: http://found.ee/dJycT
Spotify: http://found.ee/p6GmY
YouTube: http://found.ee/AB5Tb
Soundcloud: http://found.ee/OH0nE

TOUR DATES: 
Tickets: found.ee/DVpf7
Friday April 10th Brighton Haunt
Sat April 11th Gateshead Old Town Hall
Sun April 12th Travel day
Mon April 13th Glasgow King Tuts
Tues April 14th Manchester Deaf Institute (travel after the show)
Weds April 15th Day off london
Thursday April 16th london Olso 
Friday April 17th Bristol Exchange 
Saturday April 18th Birmingham Rainbow
Nadine Shah announces new Single Fool and Album Fast Food

Having earned an early reputation for that uniquely rich, soulful voice; Nadine Shah released her debut album Love Your Dum and Mad to critical acclaim in 2013. A stint on the road with Depeche Mode followed whilst opening for Bat for Lashes and playing live at Vivienne Westwood's Red Label London Fashion Week show provided notable highlights on an extensive tour. Created with trusted collaborator and producer Ben Hillier, the excellent follow-up Fast Food is out on 6 April via Apollo / R&S Records.

Born from a fervent two-month writing session, Fast Food exists on a knife-edge – every bit as dramatic as we’ve come to expect from Nadine but with a sharpened eye for all things hook laden; retaining a brooding grandeur in its musical movements. 

Building on the bruised honesty and charm of its predecessor, Fast Food rings with the confidence of an artist completing their most coherent musical chapter to date. “The last album took so long to make that by the time it came out it didn’t feel like it was a very clear representation of where I was musically, but this time it’s different,” Nadine explains. Fast Food is a more concentrated effort: it is the sound of Nadine Shah as she is now, stepping out from behind the piano and growing with immeasurable confidence.

Nadine admits that Fast Food is a reflection upon short lived, intense, complicated relationships. "I suppose it's a coming of age album of sorts lyrically. Rejecting the romanticised idea of 'perfect' love and maturing in respects to relationships and accepting partners pasts".

With love comes heartbreak: “But it isn’t begging for your sympathy, it doesn’t wallow in self-pity” adds Nadine. “It’s unapologetic and, I hope, empowering.”

Speaking of the scarcity of keys on the new album Nadine says: “I felt quite restricted just sat behind the piano all the time on stage, so touring really catered for the way this record sounds. Everything started on guitar whereas last time Ben re-wrote piano parts for the guitar.” All the more addictive for their rarity, the piano provides light relief to Nadine’s all-important, enigmatic vocals. Yearning and tender yet billowing and aggressive; they weave a tale full of anxiety, vulnerability and nightmares. 

Setting the pace with this beguiling and exhilarating listen, Fast Food cements Nadine Shah as one of the UK’s most exciting and enthralling talents. Whether it’s the brutal honesty of the love stories, the brooding, crystalline guitars or even the rich, soulful vibrancy of her voice, Fast Food is an immediate, lavish and wholly vital album for 2015. 

‘Fool’ is the album at its most bitter, but like everything Nadine touches there is a wry humour and sweetness beneath the poised menace of its guitars and spitting lyrics. “When I mention damn Nick Cave and Kerouac, I’m pointing out someone’s predictable nature, but Kerouac is my favourite author and Nick Cave is my favourite musician” she explains, tongue firmly in cheek. 

Fast Food

Fool

A Different Arrangement

Unrelated

Weight Against the Door

On My Head

Backwards

Static

Strange Pleasures: 10th Anniversary Edition (2023 Remaster)

The Trip - 2023 Remaster

Shinkansen No.1 / New Ways is the second release from CC DUST, a new duo from Olympia, Washington featuring Maryjane Dunphe and David Jaques. Shinkansen No.1 introduces the record with a more industrial, harder edge than much of the group’s debut 12” (CC DUST – S/T), a fast paced, urgent song powered by by fast kick drums and Jaques’ bassline acrobatics. CC Dust opened every show on their recent European tour with this salvo, a dark energy that spirals upwards, with Dunphe’s vocal giving the production space to build into a crescendo.

New Ways on the other hand, is perhaps Dunphe’s finest moment yet set to disc. Dunphe is a performer who battles restraint, her every vocal performance a tour de force and New Ways is one of the most emotional and transcendent performances imaginable. With a terse retraint in the verses, the chorus here erupts into an anthem for doomed youth, with every crack in Dunphe’s voice hitting the listener square in the chest.

A light that casts shadow, CC Dust is doomed, romantic music anchored by Jaques’ live bass and the powerful performance values Dunphe has honed both in her punk group Vexx and in various film and performance projects. Musically, CC Dust’s precedents might be considered the European synth pop originators of the early 80s, there’s also an abundance of low-end hooks played on baritone and bass guitars that teases the ear like early New Order productions, but in Dunphe’s passionate vocal performances there’s a close-to-the- 
bone reality that bypasses cool detachment.

CC Dust play and write real songs lived. A desire for desire. What is it? How does it manifest? Is it all worth the tumult? CC Dust offer no answers as there are none, but they ask the right questions in a life-affirming way. Doomed, romantic, unanswerable and vital.

On My Head

BLACK MARBLE

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