Name: Water No Get Enemy - live @ Icehouse 5.1.13 by BlackMarketBrass in Random Set
Duration: 7 min 42 s
Description: Black Market Brass plays "Water no Get Enemy", one Fela's best and most popular tunes from the 1970's. Live at Icehouse mpls on May 1st 2013

You guys are amazing!
Am waiting for album!

Random Set

Barefoot Basement, a 10-piece Instrumental-Band from Eastern Austria. Exploring the depths of Roots Reggae, Ska, Dub and all the other usual suspects like Circusswing, Balkanlatin and Wiener Walzer.

http://www.barefootbasement.at/
http://www.facebook.com/BarefootBasement
http://soundcloud.com/barefoot-basement
http://youtu.be/64auE7P29lM

Storyteller

Beats, edits and re-works of classics from Angola, Cape Verde & Mozambique.

Available from:
https://itunes.apple.com/us/album/meu-kamba/id916179220
https://play.spotify.com/album/2U8azSEUS6RUH5BkBcxhba
http://www.deezer.com/album/8580776
http://www.amazon.com/dp/B00NH7TKXQ

There’s something about the old streets of Lisbon: you might be walking past a door and hear a bit of marrabenta and then, further down the street, hints of semba or funaná coming from the open window of a passing car. Lisbon is full of these sounds. And smells, and colours.
D-Mars, a producer who also goes by the name of Rocky Marsiano, grew up as an artist among these Lisbon streets, where he formed a hip hop group with direct ties to Cape Verde and Angola.
Africa was always close, always present. And hip hop taught him that vinyl records are pathways into the past and future, when put to good use in the hands of a DJ or in the inner circuits of an MPC sampler. D-Mars, now residing in Amsterdam, challenged Rui Miguel Abreu, a friend, an ally, a co-conspirator on many past adventures, to select some records from his personal collection.
The result is a batch of vinyl from Cape Verde and Angola, from Mozambique and São Tomé. D-Mars dove in, extracted the deepest grooves from the significant slabs of black plastic, and reimagined Africa with the help of his MPC. Meu Kamba is the result: re-edits with the soul of classic African vinyl, beats that try to answer the wildest of questions – what if b-boys danced to semba instead of funk?


iTunes

Rocky Marsiano -  "Selva Rainha"

Essa música fiz em homenagem a uma grande amiga,Sanae Shibata, com quem dei os primeiros passos para minha carreira solo.
Cláudio Negrão: arranjo
Márcio Oliveira: trompete
Léo Guita: guitarra
Cláudio Negrão: baixo
Bactéria: teclado
Hugo Carranca: bateria
Renato Nogueira: percussão



Samba Dub Sanae Som - Márcio Oliveira

After the success of their previous albums Owiny Sigoma Band’s forthcoming long player “Nyanza" continues to bring eclectic and intriguing musical ideas to the table.

Following from the release of "Changaa Attack", Owiny Sigoma Band bring fresh perspectives to cross-cultural collaborations. To make this record, master Luo musicians Joseph Nyamungu and Charles Owoko, invited the London contingent of the band to the Nyanza province of Kenya in the heart of a region called Luoland, to discover the roots of Luo Music. Travelling with a suitcase full of recording equipment the band set up studios on the fly. Louis Hackett the bands bass player produced this hypnotic response after a 12 hour changaa fueled session of hard Nyatiti soundclash. Utilising Owoko’s fierce Nyiduongue drumming and a one take vocal workout from Nyamungu, “Luo Land" is another wayward dancefloor workout for the late night freaks. 

Luo Land and Changaa Attack are available now as instant downloads with pre-orders on “Nyanza” which gets a full release on the 28th August. 

pre-order link
smarturl.it/owinynyanza

Owiny Sigoma Band - Luo Land

01 - Change Of The Guard

The second title in our Africa 45’s series http://www.mrbongo.com/products/moussa-doumbia-keleya-amadou-balake-super-bar-konon-mousso-7

Moussa Doumbia - Keleya

The second track from Moussa in as many records, and deservedly so.

Keleya is a organ lead, afro-funk bomb with Moussa in full James Brown effect. Taken from the LP of the same title, originally released in 1977 on Pathe, and on 7” by Ivory Coast label SID in 1974. Suffice to say, they are expensive and rare.

Released on 7” in 1974, but very hard to find, and expensive too!

Amadou Balake - Super Bar Konon Mousso

Razor sharp, percussion heavy, guitar lead afro-latin funk.

Taken from the LP of the same name, released by the legendary Sacodisc label run by Lassisi (from Ivory Coast). Sacodisc were the a groundbreaking label experimenting in Afro-Latin crossovers - Balake travelled to the USA in the 1970’s to record with salsa musicians - recording and releasing albums with the likes of Monguito, Labi Sosseh, the great Amadou and Sweet Talks from Ghana.

Amadou Balake - Super Bar Konan Mousso

Tim Maia, THE Brazilian Funk Soul Godfather was the real thing. His 1970 debut album introduced his audacious talent, as well as North American soul and funk musical influences, forever changing Brazilian popular music. His legendary appetites sought out carnal AND spiritual fulfillment in equal measure.  He bought 100 hits of LSD and handed them out to the staff of his record label. At the height of his mid-70s success he joined the Cult of Racional Energy; watching for spaceships while wearing only white clothes and playing only white instruments! Yet the two albums he recorded for the Cult are among his best. His songs search for love, and they dig into the existential. His own lyrics say it best: “I am so groovy now and I don’t care!”


Buy this track

Tim Maia - Nobody Can Live Forever

Letra: Domínio Público
Música: Pedro Dantas, Thomas Harres e Abayomy Afrobeat Orquestra
Arranjo:: Abayomy Afrobeat Orquestra
Produção Musical: André Abujamra

Abayomy Afrobeat Orquestra - Afrodisíaco

ALT DOWNLOAD: http://www.mediafire.com/?w02b2kc2nyx9llw

much luvv jeremih + FKI <3

www.facebook.com/pages/Shlohmo/21…843565?ref=br_tf
www.twitter.com/shlohmo

@wedidit-collective


Jeremih - Fuck U All The Time (Shlohmo Remix)

Woman's Hour - To The End / Our Love Has No Rhythm

Single out now on Parlour Records

Vinyl:
www.parlour-records.com

Itunes:
https://itunes.apple.com/gb/album/to-the-end-single/id602072804?uo=4

Download:
http://www.7digital.com/artist/womans-hour-1/release/to-the-end

Our Love Has No Rhythm

Following on from the success of their debut LP 'La Belle Vie' from earlier this year, the French duo have been busy in the studio producing La Beat Tape. 20 tracks deep, the release is aimed squarely at the DJs, with a succession of guaranteed party-starters. This is rounded out with some typically quirky interludes, jazzy beat excursions and blissed out trip hop.
Souleance are producer Fulgeance (Musique Large / One Handed Music) and DJ Soulist (What The Funk Paris?). Since releasing their debut EP (Le Monde) back in 2009, they have built a solid reputation for their idiosyncratic take on modern beats. With fans including Gilles Peterson, Danny Breaks, Lefto and Mr Thing, their debut album was the culmination of 3 years of beat-making, touring, partying and drinking too much Pimms. Whilst other producers would rest on their laurels after releasing their debut, Souleance got straight back into the studio to produce La Beat Tape - their sole aim to create tracks that they would DJ with themselves. The result is 20 tracks of pure dancefloor fire peppered with a smattering of chilled, lounge tracks in classic Souleance style.
Like any classic beat tape, variety is the key, and Souleance do not disappoint. La Beat Tape takes in heavy Turkish breaks (Sauce Samourai), Hammond funk (L'insouleance), tripped out western cinematics (Tout Doux), brooding jazz (Kipseli Street Interlude), Shadow-esque breaks (Strongest Love), Just Blaze-style horn-heavy hip hop (Como Estan Bitches), 80s synth-hop (Cocktail Time) and much much more.
The release is available as a budget-priced download with a limited edition 7" containing four tracks that we feel will be most useful for the DJs. With artwork by long-term collaborator Alice Dufay, it's sure to join their previous vinyl releases as a genuine collectors item.

<b>BOOKING: francois@lestontonstourneurs.com | www.lestontonstourneurs.com
INFO: sri@firstwordrecords.com | aly@firstwordrecords.com </b>

02. Sauce Samouraï

New Pleasure Principle lineup announced - http://pleasureprinciple.net
Show info - http://nmbrs.net/rinse/sunday-3rd-february-2013-legowelt-spencer/

@Legowelt-official joins Spencer for the Numbers show with a guest mix.

Danny Wolfers aka Legowelt, was responsible for one of our favourite albums of last year (The Paranormal Soul on Clone) and has a staggering workrate – clear from his numerous alises and projects over the years.

Legowelt releases a new 3 track EP on London’s Unknown To The Unknown on February 13th.

Legowelt Website - http://www.legowelt.com
Legowelt on Twitter DWolfers - https://twitter.com/DWolfers

Legowelt - Pleasure Principle x Numbers x Rinse FM

Black Market Brass plays "Water no Get Enemy", one Fela's best and most popular tunes from the 1970's. Live at Icehouse mpls on May 1st 2013

Water No Get Enemy - live @ Icehouse 5.1.13

Black Market Brass slings old school afrobeat, free jazz, and a touch of that Minneapolis soul. Off of Secret Stash Records this 11-piece ensemble brings the sensibilities of analogue afro-funk to the modern age with heavy doses of each members' musical sensibilities. 

Mitch Sigurdson - guitar
Hans Kruger - guitar
David Tullis - congas/percussion
Cameron Kinghorn - trumpet
Jared Jarvis - tenor/alto sax
Cole Pulice - bari sax
Ryan Splinter - trombone
Charlie Bruber - bass
Sam Carlson - keys
Murphy Jaansen - drums

Booking: Mitch Sigurdson
email: blackmarketbrass@gmail.com

get at us! we love exploring new territory

Water No Get Enemy - live @ Icehouse 5.1.13

BlackMarketBrass

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