MeloMamz

Shalipoppi x Zerry DL Type Beat - “Ginger” | Afrobeats Instrumental 2025

Key - F Minor 

Tempo - 121 BPM

Ginger

Tacca

"Épica Rítmica" is the first track ever released by @dfaux. A fully percussive journey through his fetishes such as tribal shouts and solemn drums.

D.Faux - Épica Rítmica

Bogdan Dražić – a consciousness saved from void

muzak for cycling w/ Reymour @ TESTFM

Tune in to Charlotte Bendiks mix, recorded for the day organized, planned and curated by Hugo Capablanca of Discos Capablanca for Mutant Radio.

Charlotte Bendiks [Discos Capablanca Takeover Vol:1]

"Greatestings" by L. Zylberberg
Limited Edition single sided 10" with unique artwork by Matthew Bohan
Record/Vinyl + Digital Album
Released by Noisekölln

BUY IT HERE NOW: https://noisekoelln.bandcamp.com/album/greatestings

Eight minutes of heartbreak and loss, hope and courage hiding in the slimy fog of a defective memory.

'Greatestings' is incidental music from a film you only half remember. A warped dream you long to have again and will chase for evermore.

Released on a single sided 10" each record has unique artwork by Matthew Bohan.

Recorded in Berlin in 2018/2019
credits
released January 17, 2020

All Music Composed by L. Zylberberg
Mixed and mastered by Konstantin Semionov
Artwork by Matthew Bohan
Noisekölln 2020

L. Zylberberg is a Sameheads resident Dj.

L. Zylberberg - "Greatestings" - Noisekölln Tapes

https://disk.bandcamp.com/album/k-r-balc-ak
https://soundcloud.com/k6r
https://soundcloud.com/d1sk

Kӣr - Zabran (Black Seed Remix)

Palanga Street Radio
presents:

🤲

Sidekick is a show about gratitude for routine of sparkle.
Zemenu & @yyoolia accompanying each other on a safe playdate stream from da studiolo!


👍
http://palanga.live

SIDEKICK #2 WITH YOOLIA & ZEMENU

Bernardino Femminielli is proud to present his first 2020 LP L’Exil. The album is composed of lost Plaisirs Américains sessions recorded in Montréal, Quebec. Lyrics were written and recorded in Paris and Berlin in 2019 and mixed again in Montréal in early 2020 by producer
Dominic Vanchesteing (Plaisirs Américains, Double Invitation). L’Exil is the “pre-conclusion” (Prequel / Part 0) to two other LP’s— Johnny 4ever (Part I) and Nobody’s Boy: Johnny (Part II)— which will be released later this year.

L’Exil (2020)

L’Exil, the album, the performance, the satire, took shape after the notorious arrest of Bernardino Femminielli by American border authorities during a US tour in 2018. Instantly, the American Pleasures, the American dream became obsolete, irrelevant, of the past. The showman and his anguished wife decide to abandon their failing restaurant, their debts and their meagre North American livelihood to wander the old continent in search of a fresh start.

L’Exil is an paradoxical anthem for the unsuccessful. An elegiac and lyrical autofiction in the form of a concept album. A satire of show business, a tribute to society’s outcasts and heroes— a story which tells of the financial, artistic and spiritual failure of the exiled American showman (Femminielli). We learn early that the showman has a desire to symbolize the contradictions of life. We learn that the showman is affected by a multitude of dissociativeidentity disorders. A visit of an angel named “Johnny” seems to make him believe in the existence of his double, who sadly does not come seeking camaraderie, but with malicious intentions. He's the employee, the boyfriend, the slave. The showman loves his wife because she looks like the showman. Johnny and the wife have become products of his tormented world. Spiritual and psychological cannibalism is rife, and all will be complicit in the showman’s atrocities.

The literary and cinematographic borrowings are here violently diverted from their proper meaning to tell the story in their own way. Pasolini’s Italy, Fassbinder’s Germany, The Years of Lead, Macronist France, police terrorism, paranoia, obsession with the double, substance addiction, money and marriage are all subjects touched upon with humor and despair. As the showman ominously cautions: You don’t argue with a sly dog, you break his teeth and his jaw.

Bernardino Femminielli, frustrated by his status as a misunderstood artist, has constructed a semi-fictional caricature of himself. A guy adrift, an anti-hero, the politeness of despair, a loser crooner who's lost his way. The album has many faces of the same distress: those of the victims of a system that marginalizes them. Repeated themes and catalysts present in the album:

One’s failure to achieve professional success can lead to unexpected volatility.

Exile is oppressive thus one must also transform into an oppressor.
Violence is a direct result of frenzied desperation.
Cannibal mechanics are often precipitated by financial devastation.
Self destruction becomes a means of self preservation.
Consumption always without moderation.
Money is earned, and then like life, it’s burned.

All music and lyrics by Bernardino Femminielli except Track 4 (D. Vanchesteing / Femminielli). Recorded in Montréal, Paris, Berlin and Copenhagen. Special thanks to Yair Elazar Glotman, John Katsav (CRAVE), Dimitri Dedonder chez Les Studios Mégaphone, Adrien Belkout and Elliot Berthault pour le hot tip. Artwork by Thea Govorchin. Insert art and layout assistance by Jesse Osborne-Lanthier.  

Produced by Dominic Vanchesteing
© 2020 Bernardino Femminielli / Éditions Appærent. All rights reserved.

La Ballade De Daddy & Johnny

Matteo Viani
1/2 Carne Tremula
General contact: 
blackseedacts@gmail.com

Kӣr - Zabran (Black Seed Remix)

Black Seed

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