A recording from an Opera Projects Sydney Study Group of Die Zauberflöte by Mozart in May 2016 with Soprano - Jessica Harper, Baritone - Soonki Park, and accompanied by Bradley Gilchrist. 

Terzetto - Du Feines Taubchen

Comfort Ye and Every Valley from Handel's Messiah

Tenor - Blake Parham
Conductor - Peter Guy
Christ Church Camerata 

Live recording form Dec 2017 at Christ Church Cathedral Newcastle.

Comefort Ye and Every Valley

Here I Stand from The Rake`s Progress by Igor Stravinsky

Tenor - Blake Parham
Piano - Bradley Gilchrist

Blake and Jess

Here I Stand

The fifth song from the cycle Letters of a Black Snake. 
Composed by George Palmer
Text by Ned Kelly

Tenor - Blake Parham
Piano - Jonathan Wilson

LIVE RECORDING

In Conclusion

Stornellatrice

From the song cycle Letters of a Black Snake

Music by George Palmer
Text by Ned Kelly

Tenor - Blake Parham
Piano - Jonathan Wilson

LIVE RECORDING

Bullock Creek

Tenor - Blake Parham
Piano - William Cole

Live recording from the Dartington Music Festival - 2019.

Girls Were Made To Love And Kiss (Lehar)

Tenor - Blake Parham
Dartington Festival Orchestra

Composed by Benjamin Britten

Live recording from the Dartington Music Festival

The Prolouge from The Turn Of The Screw

Blake Parham was a young artist at the Lisa Gasteen National Opera School in 2017 and a young artist with Pacific Opera from 2014-15. He holds a masters degree in music from the Elder Conservatorium with a dissertation entitled Sir Andrzej Panufnik: Migration and Music. He is currently a music lecturer at the Avondale Conservatorium in Australia and a PhD candidate at the Sydney Conservatorium researching fellow émigré Roman Palester. Blake has performed the roles of ‘Toby’ in George Palmer’s Cloudstreet (State Opera SA - Workshop), ‘Remendado’ in Carmen (Queensland Symphony Orchestra), ‘Pedrillo’ in Die Entführung aus dem Serail (Opera Bites), ‘Basilio’ in Le Nozze di Figaro, ‘Vasek’ in The Bartered Bride, and ‘Pluto’ in Orpheus in the Underworld (Rockdale Opera), ‘Goro’ in Madama Butterfly (Opera Projects, Sydney), ‘Monostatos’ in Die Zauberflöte (Opera Laboratory), The Messenger in 'Aida' on a 23 city tour of China, and ‘Tinca’ in Il Tabarro (Beaches Productions). He has also appeared in the chorus for several productions with the State Opera of South Australia including Australian premières of Moby Dick and Hamlet.

Blake’s concert repertoire includes Handel’s Messiah and Dvorak’s Stabat Mater (Illawarra Choral Society), Bach’s Cantata BWV182 (Avondale and Sydney Conservatorium), Haydn’s St Nicholas Mass (Port Stephen’s Singers), Walton’s Façade (Vacation Chamber Orchestra – England), Jenkins’ The Armed Man and Gounod’s St Cecelia Mass (Adelaide Philharmonia), Schubert’s Mass in G (Sydney Conservatorium), and Mozart’s Requiem (Central Coast Philharmonia). Additionally, Blake has appeared in concerts with the Australian Brandenburg Orchestra, the University of St Andrews, the Dundee Cathedral, the Polish Musicians Association (in the Warsaw Philharmonic Concert Hall), the Barossa Vintage Festival, Opera by Candlelight (Canberra), the Macquarie University Orchestra, the Beecroft Orchestra, and at the Sydney Opera House. Awards include the George Boland Scholarship, the 5Mbs Young Virtuosi Award, runner up in the Australian Vocal and Concerto Competition in Townsville, runner up in the Arnold Matters Scholarship, and an Arts SA Grant to study with Peter Coleman-Wright.

Blake Parham

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