This recording by William Parker is a solo recording from June 2014 at les ateliers claus.
Willam Parker has been a fiery and creative fountain of consistent improvisational brilliance. William Parker never disappoints and his solo performances are a luxury to all those fortunate enough to appreciate the gift of sound.

William Parker was born Bronx, New York City. He was not formally trained as a classical player, though he did study with Jimmy Garrison, Richard Davis, and Wilbur Ware and learned the tradition. Parker is one of few jazz bassists who regularly plays arco. He also plays several other instruments from around the world, including the West African kora.

While Parker has been active since the early 1970s; he has had a higher public profile since the early 1990s. William Parker first came to public attention with pianist Cecil Taylor. He has long been a member of saxophonist David S. Ware's quartet and in Peter Brötzmann' s groups.
He is a member of the cooperative Other Dimensions In Music. Together with his wife organizes the annual Vision Festival in New York City.

Recorded by Etienne Foyer, 18th June 2014.

LAC015 - William Parker Live Ateliers Claus "Part 2"

from the album CWSM - Country Western Space Music
sparkybonehead.bandcamp.com/album/cwsm

A Long Way From Home (from CWSM)

Hello Hisaichi lol

dusty ice crystal by artist Θ (theta)
3 tracks of MEGAfm

Θ (theta) - dusty ice crystal

Musica / https://soundcloud.com/montunodanoite
Voz y letra / https://soundcloud.com/moritavargas

Limbo

Sideways Knowing Glance is the debut single from London based experimental pop duo the mermaid café, out on the 10th of July 2020.

The track emerged from improvisation and experimentation using voices with loop pedals; through collaborative development, it’s grown into a 10 minute dream-pop cloud of honeyed vocals, rich and complex textures, glitchy synthesis, and intricate, intimate storytelling.

Whilst the song has been in gestation for a long time, this release was predominantly recorded and mixed whilst in lockdown in Newcastle. Whilst remaining honest to the mermaid cafe’s roots in DIY and intuitive music making, this single represents a turn towards pristine post-production shimmer in their sound.

This release is the culmination of two years of the mermaid café performing, writing, and improvising together, developing their songwriting practice. the mermaid café represents exciting, fresh collaborative thinking, bringing together many layers of artistic influence: both Ruari and Joanna do work ranging across songwriting, experimental and contemporary classical composition, multi-instrumental and vocal performance, research, activism, and visual art. Joanna is currently studying Composition at the Guildhall School of Music and Drama in London, and Ruari is working as a freelance musician and writer.

This track was mastered by Jeremy Warmsley, and the group has worked with graphic designer Emily Tonkinson-Sharp to develop the cover art and merch for this release.

All music & mixing by the mermaid café
Lyrics by Ruari Paterson-Achenbach
Master by Jeremy Warmsley
Artwork by Emily Tonkinson-Sharp

Sideways Knowing Glance

⟿ . ⇋ REC:on . ↭ recon {clıcª} @reconsonic www.rec-on.org twitter: @reconsound ⇢ a new space {inflection} for political sound work & political listening ↣ derived from a compositional technology of ⥉ growing sound ⤹ growing connections ‡ ⁜ ⁂ ⁁ ※ growing networks ✸ how the networks ➽➽➽ sound as a form of organizing, accretion ⋰ ⋰ ⋰ ⋰ ⋰ collective audio conciousness ⤽ undertone series ⥂ low frequency vibration ⋻ because we know listening and sound is a way of knowing the world ⥁ a way of orienting ourselves ⥈ ⅲ sound art as knowledge production ⥈ sound can show us where to go ☆ before we can imagine ⚘ with a tone of voice ↺ the intonation ☊ cadence ❤ lilt ❰ inflexion ↂ ↹ the sonic is everything you can’t see ↭ it requires openess ☱ acoustic imagination has not boundaries ♾ listening is a practice, a political act ⟴ subharmonic bass waves ↯ soundlike ⤧ ☛ ☛ ☛ #soundasgrowing — > listen forward to it!

recon - rec-on.org ƒollow @reconsound

peut etre est ce tout de suite

Shaking Studies is available at blankforms.org/publication/judit…aking-studies-lp/

For her first album releases as a soloist, nomadic Australian cellist and composer Judith Hamann presents two collections of her sonic inquiries into shaking and humming. Her LP, Shaking Studies, is a collection of iterative cello performance that foregrounds shaking as a generative subject. In addition to an arsenal of techniques for registrable shaking, Hamann’s conception of the term emphasizes micro and macro pulsing, including tremors, vibrato, wolf tones, and complex partial activity. Hamann begins with a sphygmological reading of the pulse of her cello, inciting it to shake audibly and visually as a symbiotic basis for determining the rate of her own left hand’s tremor and consequent direction of resonant frequencies. Following a thorough harmonic investigation of her shaking practice in two parts, she directs us to look outwards, combining beating chordal structures with electronics and recordings of real world shaking. From inner pulse to more macrocosmic quaking, Hamann’s alternative conception of shaking rejects measurement and regularity, order and control, instead alluding to a more responsive and intuitive mode of convulsive sounding.

Judith Hamann undertook her doctoral studies with renowned cellist Charles Curtis, with whom she is currently engaged in a discourse based project, ‘Materialities of Realisation.’ She has additionally demonstrated a superlative capacity for improvisation and engagement with sonic arts through work with artists Dennis Cooper, Éliane Radigue, Áine O’Dwyer, Ilan Volkov, Toshimaru Nakamura, La Monte Young and Marian Zazeela, Golden Fur, Jessika Kenney, Anna Homler, Yvette Janine Jackson, and Lori Goldston, among others. Her recorded appearances include Tashi Wada’s Duets, Graham Lambkin’s Community, Alvin Lucier’s Illuminated By The Moon, and Gossamers, with Rosalind Hall.

Shaking Studies‘ sister release, Music for Cello and Humming, includes an essay on both recordings by Nora Fulton.

Judith Hamann - Pulse Study - Part I

Derek Baron is a New York based artist whose quotidian and diaristic work quietly fizzes with creative energy.  With field recordings, text-based works, chamber ensemble works, solo piano works and various other techniques, their deft hand has scribed a compelling set of both stripped-back and collage-based releases on the likes of Penultimate Press, Recital, Regional Bears and their own label 'Reading Group'. For this new release they’ve treated us to a series of musical vignettes; uncovered fragments of memories and offering us tiny glimpses into their personal world. Tender, haunting and beguiling - these works burrow deep.

"Fourteen Latches of Heaven and Earth is a collection of fragments from the last decade or so of my thinking about harmony and performance. "J&C" was a collaboration with V Haddad; "Herr Gott, dich loben wir" was recorded with Dominic Frigo. "Choral Arrival" is a group learning of the Franciscan Salve Regina, sung at the co-incidence festival in Boston in January 2019. "Choral Arrival" is named after a phrase by Annika Finne." - Derek Baron

TR072 - Derek Baron - Mach's Proof Of Asymmetry (1871)

noix de saint jacques

Non-profit curatorial platform for ⏳-based art.

Judith Hamann - Pulse Study - Part I

Blank Forms

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