Chris Olsen - Everything Is New

I don’t wanna lose my time
It looking n laughing to you, keep us going

I lose all offer,lit
It could be mausoleum
Bluesy in pj’s lit
I’m falling on money house

We’re on the street,everywhere

every ‘Go’
every ‘No’
know what you meant for

Free ur soul
Drown in whatever you seen
I feel it  I desire wound getting near
And I touch my eyes here
Break it all I need tirade

I lose all offer,lit
It could be mausoleum
Bluesy in pj’s lit
I’m falling on money house

Mausoleum

[UUA-035]
Lunetten Shadow Banking - BLOODBANKING
credits
released December 17, 2022

vocals: £​$​₿

production:
track 1,2,12,13: £​$​₿
track 3,6,8,10: Supply Chain Sigil
track 4,5,7,9,11: pharfetchd

artwork: Hiroki Yamasaki

mix: £​$​₿

master: Dane Burge

Recorded in August - December 2021. Finalized in 2022.
This Album was initially created for a performance at the Gaudeamus Festival,
inspired by a visit to their Archives in Amsterdam.
Here we were invited to play and record anything we picked out of their vast collection.

Track 4 samples music from:
Jorge Antunes - Cinta Cita (1975)
Donald Knaack - Metal Music (1996)

Track 9 samples music from:
Michel Pascal - ‘Diffractions’ & ‘Portrait du Trio à cordes de Paris' (2000)
Michelle Boudreau - Ma Magie (1992)

Special Thanks to Stranded.FM, Matthijs Mantel, Ditmer Weertman, Loma Doom and Hiroki Yamasaki.
license
all rights reserved

BIG THINKING ABOUT BLOODBANKING

We Laugh So Much

6495 - colorless (Moto added Guitar)

Full doomload here : https://vaaticanrecords.bandcamp.com/album/garbage-spell-kid

Garbage Spell Kid

Doin' The Same Thing & That's Safe

ahdh (nu ssd)

` + . * ,` + . * ,` + . * ,` + . * ,` + . * ,` + . * ,` + . * ,
tracklist:
ayla - ayla (dj taucher mix)	:00
heavenly music corporation - nautilus	5:28
gl00my - 	cy-gen	6:20
plummet - damaged (antillas remix)	10:22
tim hecker - the piano drop	17:46
foie gras - post birth	22:01
belmont girl - cut me down	25:01:00
hiver & hammer - 5 million miles (exael ambient edit)	27:19:00
torus - deep mid	31:15:00
pjusk - det som aldri forsvinner	34:35:00
demen	- niorum	39:13:00
florian t m zeisig - VI	43:18:00
respira	- kasmir	47:20:00
sef - no weaver	47:55:00
grouper - headache	54:58:00
` + . * ,` + . * ,` + . * ,` + . * ,` + . * ,` + . * ,` + . * ,
— midsummer musings —

special special loving s/o to everyone who shares new music / codes / software secrets / feedback / excitement w me ; you are so/too good and you make me want to be so/too good!!!!!!! :')

brighter / shine airs live on Beloved Radio (https://beloved.wtf/) every third sunday of the month @ 2 pm central time. archives: https://beloved.wtf/brighter-shine
beloved.wtf on ig : https://instagram.com/beloved.wtf

me and my other stuff in other places:
bandcamp: https://37735i6.bandcamp.com/
soundcloud: https://soundcloud.com/37735i6
instagram: https://www.instagram.com/37735i6/
twitter: https://twitter.com/37735i6

brighter / shine with giselle | august 20 , 2023

Nostalgia ft.wlidi,L.O.R.D.

Blank Forms' Lawrence Kumpf and Adrian Rew are joined by Graham Lambkin, Oliver Lambkin, and Joe McPhee for two hours of music and conversation surveying Graham and Joe's individual careers as well as the chance meetings that prompted their collaborative practice.

Joe McPhee has been a deeply emotional composer, improviser, and multi-instrumentalist since his emergence on the creative jazz and new music scenes in the late 60s. Inspired by the music of Albert Ayler, he taught himself the saxophone and proceeded to cut two records that remain defining monuments to the civil rights era: the out free jazz of Underground Railroad and avant-funk of Nation Time. His odyssey since has taken McPhee through Deep Listening collaborations with Pauline Oliveros and countless left field improv sessions both within and way outside of the jazz tradition. Graham Lambkin is a multidisciplinary artist who first came to prominence in the early 90s through the formation of his experimental music group The Shadow Ring. A sound organizer rather than music maker, Lambkin looks at an everyday object and sees an ocean of possibility, continually transforming quotidian atmospheres and the mundane into expressive sound art using tape manipulation techniques, chance operations and the thick ambience of domestic field recordings.

In 1993 one of the chief concerns of Graham Lambkin’s then fledgling Shadow Ring was to emulate, on a cheap Casio keyboard, the electronic textures of ’70s Joe McPhee collaborator John Snyder’s ARP synthesizer. Twenty-two years later Lambkin and McPhee recorded their Chance Meeting album using chimes, whistle, pocket synthesizer, tape, Baoding balls and other objects. The recording is marked by the jovial spirit and wry humor that characterizes their collaborative dynamic, both in performance and friendship. Self-reflexively commenting on the process of creation as it unfolds, their weeklong residency will provide a rare public forum for the latest chapter of the Lambkin-McPhee drama. They now happily share the same branch of Stop & Shop in Poughkeepsie, NY and Prismatic Park will mark the fourth of their public appearances as a duo.

Lambkin & McPhee's Prismatic Park residency runs from July 25th to July 29th, 2017 at Madison Square Park. It is free and open to the public.

Blank Forms #18: Graham Lambkin & Joe McPhee, Prismatic Park

Kiss session

Non-profit curatorial platform for ⏳-based art.

Blank Forms #18: Graham Lambkin & Joe McPhee, Prismatic Park

Blank Forms

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