Bliss Point Archive

Hi friends,

This week we have a mix from Sobriety, LYL Radio resident and host of Manifold and WAIFU, a queer + femme party in Tokyo, where she resides. Lately I’ve been getting lost in Sobriety’s LYL residency, The Greater Good, a genreless and consciousness expanded monthly offering, where guest DJs are encouraged to embrace the possibility of sonic landscapes.

When I’m feeling particularly heady I like to imagine my own consciousness as a landscape. It comes to me looking like the cover of Unknown Pleasures: a varied field of sensory data floating forward in time, generated by my body and translated into meaning by some shrouded internal mechanism. You have to wonder what Peter Saville was thinking when he converted a range of radio signals into a data plot for the iconic cover, capturing a chaotic pattern that’s become a ubiquitous image of modern life. The record is amazing but I’m not sure the music sold all those t-shirts!

Any time I’ve taken long stretches of chemical-free living, I’ve been struck by the feeling that the landscape of my everyday consciousness becomes a more exciting thing. Without regular chemical spikes (fun as they are), the amplitudes of daily living grow large, and I find myself riding a range of tiny, unexpected pleasures woven tightly into the fabric of the everyday. It’s a good time! And I like the reminder that sobriety can in fact be quite psychedelic.

A range of unexpected, psychedelic pleasures is exactly what Sobriety provides in her Bliss Point mix. She’s blessed the series with another of her imagined landscapes, unfolding at various speeds over a horizon of 83 unpredictable and deeply enjoyable minutes. It’s my pleasure to welcome her to the series.

Enjoy!
Max

@sobrietymusic

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Sobriety | May 7, 2021

Hi friends,

I’m very excited about our mix today - it comes from Catalina, a DJ hailing from Romania, now based in Brussels. 

Catalina’s propulsive, break heavy and future-focused mixes are an enormously good time. She has a modern digger’s ear for unearthing some of the tastiest club workouts, and remains unafraid of allowing otherworldly sonics to enter from stage left. 

Catalina honed her craft in London, holding court in clubs like XOYO, Corsica Studios and Printworks, as well as community stations Balamii and the late 199radio. Now back in Brussels, she continues her contribution to the vibrant local scene, mixing for Kiosk Radio, the Word, and collectives Club Dramatik, Queer Future, C12 and nacht. In addition to her mixes, Catalina has begun making tracks of her own, the first of which will appear on a Greenpeace x DJs for Climate Action compilation out later this summer. 

Bliss Point is very glad to welcome Catalina to the series with 82 minutes of the DJ and budding producer in top form.

Enjoy,
Max

Tracklist:
PAS1 -- Overpowered
Cabasa -- Al Chase
Masha -- Doris Day
Yaleesa Hall -- Daisy Wright
Mor Elian -- Move Like Atoms
Korzi -- Basmati Bandit
Bolam -- Honeycomb Kiss
Innapau -- Dcassab
Adam Pits -- Variation 2
Lisene -- Mind Palace
Oblique -- Faulty
Rassan -- Rota De Fuga
Briki -- Call from UFO
Awo Ojiji -- Ridicoloum
Billy2Chips -- Trieste

@djcatalina

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Catalina | May 21, 2021

Hi friends,

This week’s Bliss Point mix makes its way to us from Melbourne, Australia, provided by local selector DJ Reg. Reg regularly contributes to Kiss FM with his show contact radio, which effortlessly spans genres and originally caught my ear.

DJ Reg’s Bliss Point mix is quite the journey in just over an hour - he starts off with laidback hip hop and downtempo breakbeat, and seamlessly guides us into the upper regions of club sounds without ever losing the thread. 

It's quite an efficient slice of euphoria, and one you’ll have no problem throwing on for another go. I’m on round three. Chef's kiss.

Enjoy, 
Max

@regcooper

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DJ Reg | June 4, 2021

Hi friends,

Ron Like Hell is my favorite DJ. He's also a truly kind soul, a consistent source of inspiration, and a friend.

I met Ron at the Lot Radio several years ago, during his tenure as buyer at Academy Records. It was almost summer and already hot. I remember seeing a tall figure with a large brimmed hat cutting a dark shape in the sun, like a friendly Jordowosky character arriving with a big bag of records from the horizon of Norman Ave. His set that day was mind expanding for me, psychedelic, jamming and guitar forward, yet revealed almost nothing of the damage he could do to a club system. This is the miracle of Ron's DJing: his uncanny ability to deliver a jaw dropping plethora of sounds, between mixes and within them; to be comfortable in an enormous range of styles, and yet always true to himself. It always sounds like Ron.

Among the club memories that kept me going through 2020 was one of hearing Ron play at Wrecked, the music-first queer dance party he runs with collaborator Ryan Smith, during their Basement residency. It was a slamming journey that kept me dancing into the morning hours (the party goes to at least 6am). Memories of the club's flood lights rushing the darkness periodically throughout the night, revealing the bodies around me, locked with me in sound, became a touchstone of hope in a quiet and difficult year.

Ron approaches a DJ mix as an assemblage, aligning sound with emotion, focusing on texture to create psychedelic soundscapes, imaginative spaces for comfort and surprise spectators with an unexpected crafty transition, many of which you will hear many in his Bliss Point mix - a "light sweat / mushroom tea in the woods" vibe, in Ron's own words. Beyond this mix, you can hear Ron play monthly on his Lot Radio residency, at  the off-the-wall Pride party he will be playing this month, or find him and Ryan on the coveted cover of the latest Love Injection fanzine, celebrating their ten celebrated years as Wrecked.

There's so much I could say about Ron and his work. It's more than I can fit in a newsletter, but when we meet on one of his dance floors, I'll be glad to tell you the rest. For myself and so many other DJs in NY he has been a beacon of passion, professionalism, and a true loving-kindness, the best kept secret you could never keep to yourself. 

Enjoy,
Max

@ronlikehell   

Tracklist:
Mecánica Clásica - Columnas De Agua
NRLSD -He Got Game
Nueen - Hum
Hoshina Anniversary - Michinoku
Spacemen 3 - Hypno-Beat
Angela Werner - I Gotta Little Love (Leo Young's Cosmic Edit)
Naum Gabo - Feln
Clarinets - Afternoon
Don Carlos - Alone (Social Disco Club edit)
YS - Kinetic Love
the Phenomenal Handclap Band - All of the Above (Frisvold & Lindbaek mix)
Spin (aka Groove Armada) - Cowbell Rock
Iglew - Caffeine Dream
Martin Solveig - A Few Words (Of Norway Bootleg)
the Orb - Vuja De (Living City remix)
Fra Lippo Lippi (Til Lippo Lippa edit)

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Ron Like Hell | June 25, 2021

Hi friends,

This week we have a mix from Alyssa Stowers, a NY based DJ who I had the pleasure of sharing a bill with at Secret Friend, a local night run by Noah Prebish and Michael Rudinski. The party was over Memorial Day Weekend, kicking off their monthly residency at Queens club h0l0. It was the first real night out for most of us, and we were doing our best to make sense of suddenly being back, readjusting to the once familiar feeling of other people and a sound system in a darkened club space. 

Alyssa’s set that evening was two hours of deep dug funk and disco gems, full of heart and built with care to please a dance floor. I remember turning to my friends and commenting on how it was exactly the kind of spirit lifting music I’d missed so much, and how pleasant and surreal it was to be back, hearing it loud and with others. The crowd was having a blast, and a number of dancers were keen to ask Alyssa for IDs as she slid records back in their sleeves. Who could blame them?

For her Bliss Point mix, Alyssa has provided us with an hour of meandering soul and laidback, heartfelt song, all supported by tight, percussive grooves. It's a mix that has kept me at the perfect tempo every afternoon this week - I highly recommend taking it for a walk or to the park in these dog days of summer.

Enjoy! 
Max

@alyssastowers

Alyssa Stowers | August 6, 2021

INTERVIEW + MIX > https://inverted-audio.com/mix/eden-aurelius

For the 393rd edition of the Inverted Audio Mix Series, we are thrilled to present an hour-long sonic journey from @edenaurelius. Currently based in New York, Eden’s spent many years immersed in the DIY and club scenes of NYC and Chicago, her previous home before relocating two years ago.

Last year’s debut ‘Pleateau’ was one of our favourite releases of 2024. A potent mixture of ambient and dub techno, ‘Pleateau’ has only gotten better in the spin around the sun since it was released. It hooks you in with its unhurried rhythms that pulse with a vibrant spirit. The album feels like a welcome time out from the anxieties of constant connections and endless news cycles.

Along with recent output by Purelink (who are friends and collaborators), Eden’s work feels like an essential new chapter in the long, winding story of ambient dub. As Summer takes control, we caught up with Eden to talk about her musical beginnings, all time and current favourite albums, and upcoming projects.

Read

IA MIX 393 Eden Aurelius

Relaxer presents aka-Sol for two hours of exceptional psychedelia.

https://www.instagram.com/aele___
https://soundcloud.com/acaciabaila



Tranquility Base with aka-Sol @ The Lot Radio 07-26-2025

2.5 hrs of B+ b2b Annette sent from heaven

B+ b2b Annette live at Exposé Noir x Giegling (July 6 2025)

Dance Yrself Dirty

Part Of: Nagasawa
Catalog: BP011
Release Date: 05.09.25
Buy Link: https://blisspoint.ffm.to/nagasawa

Bliss Point
SoundCloud | https://soundcloud.com/bliss-point-sound
Bandcamp |https://blisspointsound.bandcamp.com

Release Text: 
boys be kko is back!

Having established himself as one of the most exciting contemporary dance producers with a string of stellar EPs and LP HENSA, Japanese producer boys be kko returns triumphantly with Nagasawa, four floor cuts bursting with emotion, shimmering in Tokyo technicolor, and perfectly at home on Bliss Point.

Nagasawa kicks off with a bang. “ChuKii” is a peak time heater: breaks, chopped vocals and punchy toms sear over a low end groove that proves body music can funk. Melodic acid explodes like a firework mid-track, taking the dance floor to psychedelic new heights.

The club psychedelia continues with “Mold Mold”, a minimal, subterranean system roller adorned with swells, bells, and deep, guttural growls dubbed to the vanishing point.

“Sant Esteve (kko Edit)” is melancholic and contemplative jazz house, eschewing cliché and twinging with nostalgia for that moment you felt most free.

“Humor is an important part of my music”, boys be kko reflected over lunch as Izakaya smoke billowed past his face. “Oignon”, the fourth and final track on Nagasawa, is an airy and joyful slice of sampledelia that makes good on this promise. An enormous smile of a track, it sends listeners off with a ray of sonic sunshine and, dare we say, hope.

Bliss Point is proud to welcome boys be kko to the label, and to share with you this incredibly special release. 

-------------------------------------------------------------------------------------------------------------------------------------

Berlin House Music
Instagram | https://www.instagram.com/berlinhousemusic
YouTube | https://www.youtube.com/c/berlinhousemusic 
SoundCloud | https://soundcloud.com/berlinhousemusic

PREMIERE: boys be kko - ChuKii [Bliss Point]

Two hours from Bliss Point chef Max In The World 

https://www.instagram.com/blisspointnyc
https://www.instagram.com/maxinthe_world

https://soundcloud.com/bliss-point-sound



Bliss Point with Max In The World @ The Lot Radio 08-04-2025

The mastermind behind Basic Channel, Hard Wax and Rhythm & Sound doesn't do mixes. For RA.1000, he made an exception.

Trace Mark Ernestus's path, and you trace the evolution of electronic sound itself. The timeline of contemporary Berlin is unimaginable without him. At first, that meant Hard Wax, the crucial hub that shaped the early era of the city's techno revolution. Carl Craig once said it plainly: "Mark was ground zero."

From there, Ernestus never stopped. There's the birth of dub techno and the near-flawless catalogue that followed through Basic Channel and Rhythm & Sound. There's his immersion in Senegalese mbalax with Ndagga Rhythm Force. Lately, that means Open Ground the Wuppertal bunker that's letting people hear music as never before.

As part three of RA.1000, Ernestus has kindly supplied his first studio DJ mix. As you might expect, it's technically immaculate, but more than that, it feels like a substantial and generous conduit to one of the world's most vital genres.

Amapiano remains underexplored in music media. Publications like our own are still learning to keep pace with the South African sound's global pull, animating millions across the globe. 

You'll hear the range and richness of the genre across the near two-hour mix, from the gothic, percussive stomp of Caltetonic's "Bambela"  to the devotional glow of GemValleyMusiq's "Something Spiritual."

Through all of this, Ernestus has remained understated. He lets the music speak for him, with a quiet honesty that lies in decades of opening doors—creating the conditions for new sounds and scenes to flourish and carry the culture forward.

@opengroundclub @hardwax 

Find the tracklist and interview at ra.co/podcast/1011. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Mark Ernestus

For RA.1000, DJ Sprinkles' first mix in over a decade is a powerful meditation on the genocide in Gaza.

Dance music often relies on simple narratives: release, escape, unity. But those narratives can often feel inadequate, and even at times, hollow. Or, as Terre Thaemlitz might bluntly put it, just "shitty."

For her first mix in around 15 years, Terre Thaemlitz AKA DJ Sprinkles, challenges us to think differently. "I felt this 1000th podcast should reflect the moment in which it was made," she told us in her Q&A.

And what is this moment? Every day since Israel's 2023 assault on Gaza began, an average of 28 children have been killed. That's an entire classroom, every day, for over 600 days (at the time of writing). It's a staggering figure that only captures a fragment of the listless cruelty imposed on the strip.

Faced with such a genocide, what can music really do? How political can it truly be?  For their RA.1000, Thaemlitz gives us an unflinching rebuke to the idea that music should provide escapism. The mix weaves ambient fragments and jazz passages, woven around samples from Israeli media and the voices of outspoken Jewish critics like Gabor Maté and Norman Finkelstein. 

The result is not just a protest, but a document of our time. For Terre Thaemlitz, music is never just music. Her RA.1000 serves as a reminder that in an age of relentless suffering, the most political act is to reject the illusion of escape, and search for something greater.

Read the interview and find the tracklist at ra.co/podcast/1013. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Terre Thaemlitz / DJ Sprinkles

The producer behind RA's #1 album of 2009 starts off the year with an acoustic-electro ambient mix.


RA.188 Terre Thaemlitz

Laurent Garnier - Essential Mix, 2000.08.06, Space Ibiza,.mp3

Hi friends,

Today I'm pleased to share a mix from Ak:ra, a Barcelona based DJ and Noods Radio radio resident whose monthly Cooking With Ak:ra show has become a favorite of mine.

I love Ak:ra's mixes because no matter the genre, they bounce. Even when leaning into heavier moments, there's always buoyancy - you can tell he's the kind of DJ adept at keeping dancers up on the balls of their feet for much longer than they expect to be.

I first listened to Cooking With Ak:ra while carrying a bunch of laundry back from laundromat on another weekday afternoon, deciding on it after a prolonged dig into my cell phone. I was pulled in more or less immediately. It was a good one, a really good one, with life in it. I remember chuckling. The best music is like a good joke, it's immediate and undeniable, and when I hear it I'm often shaking my head with an incredulous smile, like how 'bout that, can you believe it, they got me again!

I'd really love to see Ak:ra play out sometime, either in my city or at one of his Stop Making Sense parties, once all this is done. Until then, I'll be cooking with him, knowing I can rely on this mix for the laundry, or heading to the post office, or boiling the potatoes, or any of those moments when I'm in search of the good push, the music I've always needed plenty of, now mostly in headphones on the way to the bank but no less at the center of my life.

Enjoy,
Max

@neo-akira

Ak:ra | October 30, 2020

Bliss Point is a label, party, and mix series from New York.

LABEL:
https://blisspointsound.bandcamp.com/music
https://linktr.ee/BlissPoint (EU)

MIX:
@thelotradio every 4th Monday 10-midnight EST

NEWSLETTER:
Mixes and thoughts from NY
https://tinyurl.com/4sm7ck6u

Ak:ra | October 30, 2020

Bliss Point

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