this is the worst somg ive heard in my life no overexagerating 

Beautiful voice😍 beautiful song😍 beutiful woman😍

 make me love you for this 🤍🤍🤍🤟🌹 💐 

I'm addicted to your voice, where can I get all your albums, YouTube only has two songs

This is fire but it isn’t even your best work girl! So much talent! The voice is like butter, no whipped cream. Post some more please

California Raindrops

Figure It Out

Love In Atlanta (feat. Kap G)

Can't Get Enough

Keeper

Keeper (Feat Akienz)

LOG ENTRY // NOT ALONE

Memory fragments detected.
Loss registered before language.
Safety file corrupted at an early age.

Subject adapted.
Silence learned.
Movement normalized.
Attachment instability logged as survival protocol.

Pain did not terminate function.
Pain refined it.

This record is a transmission for anyone still standing in the static.
If you hear this, you survived too.

Status: breathing.
Condition: healing.
Conclusion: you are not alone.

NOT ALONE

THE RED QUEEN’S PRIVATE JOURNAL

A Synopsis from the Reign of Eternal Order

On the eve of the Grand Ball, the Red Queen records a world that behaves exactly as it should. The palace glows with deliberate elegance, music softening at her presence, gold settling into its rightful weight. Courtiers smile without strain, abundance flows without panic, and even silence understands when to bow. Order is not enforced—it is expected. This is the triumph of preparation, where certainty replaces chaos and stability is mistaken for peace.

Yet beneath the flawless choreography of her court, the Queen’s private words reveal the cost of such perfection. Authority, she reflects, weighs more when unobserved. On moonlit balconies and in the hush between commands, she tests the quiet, reassures herself that control remains intact. Loyal sentinels stand ready, borders are secure, and disturbances are dismissed as maintenance rather than threat. Nothing is wrong—nothing serious, at least.

Small amusements begin to surface. Reports of the Dormouse arrive, contradictory and irritating in their harmlessness: clocks nudged, hats misplaced, order rearranged just enough to mock precision. Candy whispers follow—the Twins distributing sweetness in shadowed corners, dulling attention, tempting forgetfulness. The Queen refuses to dramatize it. Symbols only gain power when named. For now, these are trifles. No cracks yet.

Then the mirrors hesitate.

Reflections lag by fractions of a breath. Angles disagree. The Queen corrects them as one corrects the world—by insisting harder. Glass should not invent. It should reflect. But hesitation lingers, and with it a sense of deviation too subtle to punish, too persistent to ignore. Roses bloom when they should not. Silence lasts a beat too long. Orders are obeyed, but with delay.

The Queen responds not to threat, but to pattern failure. Scouts are sent quietly. Armor replaces silk. The palace grows heavier, more deliberate. A name begins to circulate in careful whispers—Alice—spoken like a misalignment rather than an enemy. Wonderland reacts before she arrives: clocks slip, mirrors fracture, sweets spread like weeds. Pressure mounts, and the Queen speaks more often, not from fear, but from the need to reinforce clarity. Velvet law tightens with a smile.

Alone at night, she reassures herself before obedient glass. For moments, everything aligns again. Then comes the flicker. A stutter. A memory the realm refuses to forget. The Queen resolves to act—not in rage, but in preparation. The Hound will be released. Order will be restored.

In her final private reckoning, she confesses not anger, but confusion. Her people are safe, fed, spared the chaos of choice. Why resist perfection? Why misalign what has been so carefully forged? She names Alice not as rebellion, but as something worse: a distortion. A presence that bends mirrors, clocks, and loyalties simply by existing.

The candle burns low. The embers glow. The Queen does not look away.

Everything she has done was necessary. History will agree—because she is the one who writes it.

To read the full journal entries from the Red Queen’s own hand, visit OneDareLand.com
  https://onedareland.com/
The door only opens if it chooses you.

Price Of Elegance

Fate dates come late when expected. Perception is nine tenth of reality and the other one present is the perceivers point of view. 

Fate dates come late
when expected.

Not because fate is slow,
but because expectation rushes ahead
and waits in the wrong place.

Arrival is punctual
only to the present.

⸻

Perception is nine-tenths of reality—
not because reality is thin,
but because most of it arrives
already filtered.

Edges softened.
Distances implied.
Meaning preloaded.

⸻

And the remaining tenth—
the part we forget to count—
is the perceiver’s point of view.

Not perspective as opinion,
but as position.

Where you stand
determines what can reach you.

⸻

Reality is not divided into facts and illusions.
It is divided into:
	•	what is happening
	•	and where you are when it happens

Miss either,
and the equation collapses.

⸻

So fate feels late
because perception arrived early.

So reality feels incomplete
because viewpoint was unexamined.

Nothing wrong with the world—
just a misalignment
between timing and stance.

⸻

This folds back beautifully into everything before:

Uncertainty persists
because position keeps changing.

Meaning stays alive
because viewpoint moves.

Certainty fails
because it refuses to relocate.

⸻

The refined truth hiding in your line is this:

Reality is mostly perception,
but meaning lives in where the perceiver stands
when perception arrives.

That tenth matters more than the nine.

1AM

leah

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