calm music, mostly without lyrics
planing to make this playlist more melancholic and the pt2 energetic and happy

Wowk and focus

- Deep in Abyss by Riko (CV:Miyu Tomita) and Regu (CV: Mariya Ise)
- Made in Abyss OPENING OP
- メイドインアビス

Deep in Abyss

Made in Abyss (OP) [Made in Abyss Cast - Deep in Abyss]

- Tabi no Hidarite, Saihate no Migite (旅の左手、最果ての右手) by Riko (Miyu Tomita) and Nanachi (Shiori Izawa)
- Made in Abyss ENDING ED
- メイドインアビス
- 旅の左手、最果ての右手 [リコ&レグ&ナナチver.]

旅の左手、最果ての右手

Made in Abyss (ED) [Made in Abyss Cast - Tabi no Hidarite, Saihate no Migite]

メイドインアビス OST 

Made in Abyss   Episode 1, 8, 9 Insert Song 
Vocal: Takeshi Saito
Composer: Kevin Penkin
Lyricist: Takeshi Saito

Made in Abyss OST - Hanezeve Caradhina (ft.Takeshi Saito)

Made in Abyss Original Soundtrack

Made in Abyss - The First Layer

Made in Abyss OST by Kevin Pekin, I dont own anything, yada yada yada

Reg's Power

Made In Abyss

Indoor Voices

Discover The Abyss

Days In The Sun

Classroom

Beni - Kuchi - Nawa

Adventure Through The Light

2 Months

おやすみ

Chocolate Lemon [Free Download]

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-----------------------------------
"Old Graffiti" by Bibio

Curated by: Mike Floeck

Spotify: http://bit.ly/OldGraffitiBibio

Genre: #indierock

Stephen Wilkinson has figured out a thing or two about timing and tempo: Ribbons is Wilkinson’s tenth album as Bibio, and although his tenure resulted in a bit of diversion and experimentation, his predominant lane resembles folk music and experimental electronica without breaking a sweat about the comparison. Ribbons sits right in this lane: “Old Graffiti” settles down like a fresh spring rain shower of medium density, pattering against the windowsill, drops randomly striking at different angles and intensities. Wilkinson’s voice apparates from seemingly nowhere, echoing short syllables that he coos and barks through the song.

Bibio has credited phonemes as influences for his uniquely bizarre lyrical phrasing and articulation. Phonemes, per Merriam-Webster, are “[members] of the set of the smallest units of speech” that separate and identify one syllable from another. An example is when two words end in different consonants yet sound phonetically similar, e.g. “tad” and “tab”. The phonemes would be the “d” and “b” sounds, distinguishing the two words but just barely. You feel the tension of the “p” hanging on Wilkinson’s lips as he sings “makeup” and the word echoes rapidly behind; you sense the restraint as he transitions from the hard “e” sounds in “graffiti” into a yodel, howling over the plains of his percussion-driven arrangement.

Speaking of percussion, Bibio says “Old Graffiti” began with it whereas most of his compositions begin on guitar. He was “inspired by listening to old Batucada and Capoeira recordings,” both influenced by African percussion and native to Brazil. This broad-reaching influence lends an exotic air to “Old Graffiti”, a lost gem in a modern world.

Bibio - Old Graffiti

A Promise Is Made

Petrified

Komorebi

OATH

My try at some chill waltz song

Listen on Spotify: https://open.spotify.com/album/2hd8H45qL9hCBD0PRk5lkg

-Bedhair-
My Spotify: sptfy.com/4K58
My twitter: twitter.com/BedhairMusic
My Youtube: www.youtube.com/channel/UCzwlNxyVq5vU6aqKKH2u4NQ
My Discord server: discord.gg/4KkxEnp

Wowk and focus

Bliwi