techno

Mark Blair - One More Tune

Universal Consciousness EP

Kali

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Charlotte de Witte - Kali (Original Mix)

Satori

Charlotte de Witte - Satori (Original Mix)

Born Slippy (Heavy Rework)

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Revoxx - Born Slippy (Heavy Rework)

Drop It (Lucas Duggan Edit) [FREE DOWNLOAD]

blk. returns to Reboot Records IRE with a next level power driven hard techno EP entitled “luvs.u” that features 4 heavy hitting dance heavy tracks each with their own different elements which have been heavily influenced by old and new productions from various genres of the harder dance selection ⛓

This EP is a reflection of blk.’s self-crafted style which has been pieced together over the past 12+ months with much influential impact coming from the spaces and places he has seen/attended while touring across the world in a short space of time all while cementing himself as a name who is here to stay in the underground music scene

blk. - I Cant Fail

Please message or email myself or management if you would like this track to be removed for copyright reasons. This Track is NOT monetized and is shared for entertainment purposes only.
Contact: blacktrafficmusic19@gmail.com or rebootagencybookings@gmail.com

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Katy B - On A Mission (Black Traffic Remix)

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Groundislava - Feel The Heat (Indecorum Remix)

The Bells · Jeff Mills T.A.M.F. remix

Schranz and Its Connection to Jeff Mills’ “The Bells”

Connection to Jeff Mills’ “The Bells”: Jeff Mills’ The Bells (1997, Purpose Maker, PM-002) isn’t pure Schranz but heavily influenced its development. Its raw, hypnotic loop and pounding 4/4 kick resonated with the harder, minimal techno sound that Schranz built upon. Here’s how it ties in:
* Influence on Schranz Producers: Mills’ use of repetitive, functional loops in The Bells inspired Schranz’s stripped-down aesthetic. Its 140 BPM tempo and relentless drive aligned with Schranz’s ethos, making it a proto-Schranz track for DJs like Liebing or Boris S.
* Club Play: The Bells was a staple in late ’90s hard techno sets, bridging Detroit techno’s soul with Schranz’s aggression. Its iconic bell riff added a melodic hook that Schranz often avoided but still absorbed as a reference for tension-building.
* Remixes and Legacy: Later Schranz DJs (e.g., Eric Sneo, DJ Amok) remixed or drew from The Bells’ energy. For example, the 2006 10th Anniversary The Bells 12” (PM-020) had a louder, Schranz-friendly master that fit harder sets.

Original Pressing Context: As mentioned earlier, The Bells appeared on the Kat Moda EP (1997, Purpose Maker, PM-002, 12” vinyl). Its raw production—gritty kicks, unpolished mastering—mirrors Schranz’s unrefined edge. Schranz DJs likely gravitated to originals or early represses for their analog warmth, though the track’s quieter mix (compared to 2000s Schranz cuts) required DJs to crank the gain.

Where to Find Schranz-Inspired The Bells:
* Original 1997 Vinyl: Hunt on Discogs/Reverb for PM-002 ($20–$50). Check matrix: PM 002-A/B (RE I) NSC.
* Streaming: The 1997 version (on Spotify/Beatport) retains the raw vibe Schranz fans love.
* Modern Schranz Comps: Look for The Bells in hard techno mixes or CLR/Tresor compilations. Check X posts or SoundCloud for recent Schranz sets featuring it.

Schranz Today (Oct 2025): Schranz remains a niche but vibrant scene. Recent X posts highlight new releases on labels like Schranz Total or Hard Drive, with DJs like Fernanda Martins and Luciid pushing 150+ BPM bangers. The Bells still gets play in retro sets or as a remixed bootleg in Schranz raves.
Want me to dig into a specific Schranz artist, label, or a The Bells remix in this style? Or maybe check X for recent Schranz chatter? Let me know! 🔔

Deep Dive: Schranz – The Hard Techno Beast 🦖
Since you’re doubling down on Schranz, let’s go full throttle. This is the raw, pounding heart of German hard techno—no fluff, just facts, history, essentials, and where to score it today (Oct 16, 2025). The Bells connection? It’s the proto-Schranz blueprint—hypnotic loops + brutal kick = Schranz DNA. Ready? Gas it up!

Schranz 101: What the Hell Is It?
* Born: Late 1990s, Frankfurt/Germany. Evolved from Jeff Mills/Rene Pawlowitz-style minimal techno into a weaponized sound.
* Tempo: 140–160+ BPM (faster = harder life).
* Sound: Distorted 909 kicks that hurt, razor-sharp hi-hats, zero melody (unless it’s a stab), industrial noise loops. Think: a jackhammer in a warehouse.
* Name Origin: Chris Liebing (2001) called it “Schranz” to mock haters saying hard techno was just “schrammel” (grating noise). DJs flipped it into pride.
* Ethos: Anti-EDM, sweat-soaked, 6AM warehouse raves. No peaks—just relentless drive.

Schranz vs. Regular Techno:
Feature	Schranz	Standard Techno
BPM	145–160	120–140
Kick	Distorted, punchy AF	Clean, groovy
Melodies	Minimal/none	Hooks & synth

Vibe	Dark, aggressive	Hypnotic, soulful
Clubs	Berghain, Tresor	Fabric, Output
Timeline: Schranz Evolution
Year	Milestone	Key Track/Artist
1997	The Bells drops (Mills). Proto-Schranz loop energy.	Jeff Mills – The Bells
1999	Frankfurt explosion. Liebing coins term.	Chris Liebing – American Madness


SCHRANZ ON! 🦖🔔 Drop the needle—let’s destroy some speakers.

Recording 16-10-25, 11.48.40 am

Techno Shit

MIkael Jonasson - Mosaic (Luca Agnelli Remix)

blk. - 212

blk. - Pinging In Every Direction

blk. - i miss the warehouse (FREE DL)

Church of Clubmusic

Reinier Zonneveld - Hard Gaan (Extended Mix)

my retake on a classic 'bla bla bla'
hope you enjoy x

blk. - bla bla bla

Follow blk. > https://soundcloud.com/blkmusic

Get SOUNDS LIKE A GOOD TIME. III Exclusive on Bandcamp now - https://fanlink.to/CLIPP109

clipp.art are thrilled to bump the new year up a notch with the third “Sounds Like A Good Time” original music compilation. Having started as an event series in 2017 ‘SOUNDS LIKE A GOOD TIME. III’ continues to highlight underground producers from all over the world with a whopping 23 all-new original pieces, custom cut and curated for the people! Covering wide territory from acid breaks to downtempo and chilltronica, 808 electro, darkwave and raw house, this ambitious collection of musical deep-earth gems is a fine addition for both aural aficionados and dedicated disciples of the groove. We truly hope you find 'SOUNDS LIKE A GOOD TIME. III’ to be the rosetta stone for your 2020 journey into electronic newness. Enjoy.

Featuring various artists (in order of appearance): SHEE, Daao, Ezzy, code.pump, Harry Oscillate, Pretty Girl, PJ50, Microwave, il.soulful, Good Luck, Subishi, Riz la Ops, Patrice & Evra, blk., Skyboy, Charleeps, Keiju(JP), Toof, Namisoup, Maxy Cozy, Sesì, Váne, WELL BEING

Tracklist:

SHEE - The Undisputed Truth [CLIPP110]	
Daao - When She Wakes Up [CLIPP111]
Ezzy - Precious (Vocal Mix) [CLIPP112]	
code.pump - Lil Party at My Place [CLIPP113]	
Harry Oscillate - Fly Don't Run [CLIPP114]	
Pretty Girl - Rely (Vodka Lime and Sad Mix) [CLIPP115]
PJ50 - Distance [CLIPP116]
Microwave - Jubilee [CLIPP117]	
il.soulful - Cago & Troi [CLIPP118]
Good Luck - i Can B [CLIPP119]	
Subishi - 1995 [CLIPP120]	
Riz la Ops - Lithium [CLIPP121]	
Patrice & Evra - He's Not A Madting, He Works For The Revenue [CLIPP122]
blk.- I Need a Boiler Room [CLIPP123]	
Skyboy - Frames Of Paradise [CLIPP124]
Charleeps - Matabiau [CLIPP125]
Keiju(JP) - Awe of Tech [CLIPP126]	
Toof - Yster [CLIPP127]	
Namisoup - Kunming Central [CLIPP128]
Maxy Cozy - Cape Cozy [CLIPP129]	
Sesì - Civil War 999 [CLIPP130]
Váne - Libra Moon [CLIPP131]	
WELL BEING - Dreams of Reality [CLIPP132]


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Join the clipp.art fanclub - https://clipp-art.bandcamp.com/fan-club
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About clipp.art: Founded in 2017, clipp.art promises an ongoing series of semi-regular digital cuts focused firmly on the inner outer edge of raw electronica & dancing music. Complemented by artist management & label services alongside the occasional limited-edition 12 inch and really really good dance party. 

clipp.art events and tours feature headlines from Gerd Janson, FYI Chris, Breakbot, Ross From Friends, Bloody Mary, DJ Seinfeld, DJ Boring, Black Loops, Coeo, Seb Wildblood, Auntie Flo and Demuja, while supporters for clipp.art original music include: Andrew Weatheral, The Black Madonna, Optimo, Dusky, Laurent Garnier, Vin Sol, Skream, Tensnake, Phil Kieran, Pete Tong, Shaun J. Wright, Little Helpers, Honey Soundsystem, Monki, Horse Meat Disco, Larry Tee, Dixon Avenue Basement Jams, Jacques Renault, Nightmares on Wax, and many more. 

General Enquiries ☞ clippart001@gmail.com
000-919999-KETTY

blk. - I Need a Boiler Room

blk. - i miss the warehouse (FREE DL)

blk. / DJ 2QWIK2GRUV

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