Chill Indie

We Are Sound

Where The Kids Are

Available now on iTunes!
http://smarturl.it/10K

Produced by Kennedy http://kennedykarate.com

twitter.com/bornsmusic
facebook.com/bornsmusic
instagram.com/garrettborns
youtube.com/bornsmusic

Candy

10,000 Emerald Pools

Written and produced by Oh Wonder
Debut album OUT NOW!

Available on iTunes: po.st/OWDebutAlbum 
Buy signed CD/Vinyl: po.st/OWStoreSoundcloud

Apple Music: po.st/OWAppleMusic
Amazon: po.st/OWAmazonYT
Google Play: po.st/OWDownloadYT 
Follow Oh Wonder’s official Playlist on Spotify: po.st/OhWonderPlaylist
Follow Oh Wonder’s Radio Playlist on Spotify: po.st/OWRadio

Website/Live: po.st/OhWonderWebsite 
Facebook: po.st/OhWonderFacebook 
Apple Connect: po.st/OWAppleMusic 
Twitter: po.st/OhWonderTwitter
Spotify: po.st/OhWonderonSpotify
Instagram: po.st/OhWonderInstagram
LYRICS
You got diamonds in your eyes tonight
Throwing fire, trying to make it right
You’re getting higher than the ceiling lights
And falling hard enough to lose the fight

Not in it for the money, just in it for the thrill
Living in the moment, paying for the kill
Golden grill of sadness, mid-life wasted youth
Always ends up like this, always gonna lose

Dazzle me, dazzle me, dazzle me with gold
You’ll never be what you wanna be with all that money, that money
Dazzle me, dazzle me, throw away your gold
You’ll never be what you wanna be with all that money, that money, that money

There’s a human in your heart of hearts
Hiding true colours made you fall apart
In the mirror you’re a work of art
But this is real life, real life

Not in it for the money, just in it for the thrill
Living in the moment, paying for the kill
Golden grill of sadness, mid-life wasted youth
Always ends up like this, always gonna lose

Dazzle me, dazzle me, dazzle me with gold
You’ll never be what you wanna be with all that money, that money
Dazzle me, dazzle me, throw away your gold
You’ll never be what you wanna be with all that money, that money, that money

Give me neon lights, roll me paper highs
I can feel the dice, cooling me
See the plastic life through my bloodshot eyes
I am wild alive, I am wild alive

Not in it for the money, just in it for the thrill
Living in the moment, paying for the kill
Golden grill of sadness, mid-life wasted youth
Always ends up like this, always gonna lose

Dazzle me, dazzle me, dazzle me with gold
You’ll never be what you wanna be with all that money, that money
Dazzle me, dazzle me, throw away your gold
You’ll never be what you wanna be with all that money, that money, that money

Website: http://po.st/OhWonderWebsite 
Facebook: http://po.st/OhWonderFacebook 
Twitter: http://po.st/OhWonderTwitter
Spotify: http://po.st/OhWonderonSpotify
Soundcloud: http://po.st/OhWonderSoundCloud 
Instagram: http://po.st/OhWonderInstagram 

Dazzle

Order our album

Wolfgan Amadeus Phoenix

Lisztomania

give me a <3 @ hypem.com/track/26d5p/Jutty+Ranx+-+I+See+You+-+(Pretty+Pink+Remix)

my deep house remix of the italian summer anthem by jutty ranx enjoy! :)care and share! 
Beatport: beatport.com/release/i-see-you-remixes/1405473
Video: youtube.com/watch?v=xPs5M8uuV

click ♥ like and follow if you like this tune ☛ more on: facebook.com/prettypinkmusic

Pretty Pink made a move on "Jutty Ranks - I See You”  and turned it into a carefully balanced Deep-House track. She is one of Germanys most accepted Deep-House Artists and brings light into dark and packed floors around the globe. This summer, Jutty Ranks, the LA home based band got in touch with her and requested an up grown Deep-House mix. She manifested her style with driving and overwhelming baselines.
_____________________
You were never young, my love
I can tell, not by the way that you smell
But by the way you move your tongue, my love
Somebody shake me
What can I do?
Am I in love with The Night? Am I in love with you?
Will you take what I've got?
Will we die on the spot?
Too soon to say
What's your name, anyway?

You make me make moves
I see you, you know I see you
I break through to get to you
It's so true, it's so true
I see you, you know that I see you
And you know that it don't cost a thing
For us to see this through

When you came into focus
How could I pretend I didn't notice?
An incision when you looked back
You gave me tunnel vision right through the pack
Will you take what I've got?
Will we die on the spot?
Too soon to say
What's your name, anyway?


Download

Jutty Ranx - I See You - (Pretty Pink Remix)

"Vad Händer Ikväll?" är en personlig och introspektiv rocklåt som fångar känslan av social ångest och tvekan inför att ge sig ut på kvällen. Med sina emotionella gitarrsolon och eftertänksamma text skapar låten en ärlig skildring av den inre kampen många upplever.
Berättelsen följer huvudpersonen under en fredagskväll, fångad i ambivalensen mellan ensamhet och social interaktion. Vi möter personen sittande stilla hemma, trots att vännerna väntar och sms strömmar in. Den inre monologen om osäkerhet och självtvivel blir tydlig när berättaren står framför spegeln, försöker bygga upp mod och repetera enkla fraser som "Hej, vad händer ikväll?"
Musikaliskt är låten centrerad kring uttrycksfulla gitarrsolon som speglar de känslomässiga svängningarna i berättelsen. Den inleds med försiktigt gitarrklinkande som gradvis byggs upp med bluesinfluerade gitarrsolon, vilket skapar en perfekt ljudbild för den känslomässiga resan från tvekan till beslutsamhet.
När låten når sitt slut har huvudpersonen äntligen tagit steget över tröskeln och är på väg ut, vilket signalerar en liten seger över den sociala ångesten. Den avslutande raden "För att ha kul ikväll" med gitarren som enda ackompanjemang ger en känsla av försiktig optimism.
"Hej, Vad Händer Ikväll?" är en relaterbar låt som talar till alla som kämpat med den subtila kampen att våga ta sig ut ur sin bekvämlighetszon - en vardaglig men viktig kamp som ofta förbises i populärmusiken.

Vad Händer Ikväll?

Lyrics:
You’re not twenty and detached now
Way too easy to push your chest out
Well I’ve been watching you
From way across the room
I like the way your body moves
They’re pushing like a riot
Acting like you like it
I would leave if I were you

But I won't let you down
(I said) I won't let you down

I wear glasses so that I can see you better 
I put shoes on so that we can walk together
Late at night when all I see are spinning faces
I wear glasses so that I can see you better

Wait, don't just sit down
Here's your drink, come and dance now

I've been watching you
from way across the room
I like the way your body moves
You don't need anyone
To tell you that you're done
You know just what you wanna do

I won't let you down
(you know that) I wont let you down

I wear glasses so that I can see you better 
I put shoes on so that we can walk together
Late at night when all I see are spinning faces
I wear glasses so that I can see you better

Facebook: facebook.com/matingritualsounds
Twitter: twitter.com/ritualmating
Instagram: instagram.com/matingritual
Spotify: open.spotify.com/artist/4ZeB1hzT2mSZrf7wszOqHs

Mixed & Mastered by Jason Suwito
Drums by Rob Humphries
Additional Vocals by Lizzy Land
Written by Ryan Marshall Lawhon & Taylor Lawhon


I Wear Glasses

Bear Hands' new album, You'll Pay For This, out now

CD/Vinyl: smarturl.it/bearhandsshop 
iTunes: smarturl.it/youllpayforthis-I
Google Play: smarturl.it/youllpayforthis-gp
Amazon: smarturl.it/youllpayforthis-a
Spotify: smarturl.it/youllpayforthis-sp

bearhandsband.com
facebook.com/bearhandsband
twitter.com/bearhandsband
instagram.com/bearhandsband
youtube.com/bearhandsband

Welcome to Your Life

Big Mess

Good Morning

Played around with this great MIA (via The Clash) tune in rehearsal one day, so decided to dust off the banjo and record the Appalachian version. Just sayin.

iTunes

Paper Planes - Beautiful Small Machines

Episode I

Electrified

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

Where The Kids Are

Blondfire

Recent comments

LilShmokeJoey

Pelikanė

LilShmokeJoey

Dj Goth Barbie

Related tracks