Slightly unsettling with that descending tune but when it resolves into the next section it really shines. What is that instrument that’s playing along……violin? Strange and ghostly. Love it! Beautiful track .

Crysis

Electricchills

Zen in linen shirts
They sap upon the day
Like every other morning star
Acceptable and fey
December dismembered my instruments
I can’t tell you that now
But I say

No Jared Leto
No Jared Leto
No Jared Leto
Anyway
No Jared Leto
No Jared Leto
No Jared Leto
Go away
Go the fuck away

Implicated 
I don’t know
I said myself a dozen times
Once or twice I fell below it
I remember bottom lines
But never being like you
Never being like you
I won’t “peace out, dude”
Away with you

Jared Leto
No Jared Leto
No Jared Leto
Anyway
No Jared Leto
No Jared Leto
No Jared Leto
Go away
Go the fuck away

No Jared Leto

Spotify

https://open.spotify.com/album/5f7XcizVs2FeruhPjku9rI?si=-zWO_ywiSiaQmp_fZrCVhQ

Apple Music

https://music.apple.com/jp/album/at-the-aquarium-single/1638106070

At The Aquarium

An ode to my time in Konstanz.

https://linktr.ee/unterhvnd

Grauer Sand

where you are,
there you are,
near is near,
far is far,
there's no forgiveness,
just whispering ears,
my head is a bony bag,
of broken mirrors,

summerset, 
can't forget,
all strung out,
fingers fret,
invisible friend will be keeping the time,
deep in the slake of my slither-pit mind,

the imaginary world that grew from our love,
sleeps in the deep dreaming of the above,
cold and indifferent the cynical skies,
heart that won't start and a head full of lies,

how I love you,

make believe,
starts to rot,
the story world,
you forgot,
whispering ears or a silence so cruel,
borrowing tears on eternal renewal.

I love you,

you left me here, all whispering ears,
the shadowless Queendom that you used to rule,
sleeps in the deep 'neath a silence so cruel,
and I'm laying to rest,
the skipped beat in my breast,
and the hiss of my whispering ears

           ....

happily never after,
a moment of sad sobbing laughter.

well, you know my head's a squat house,
and I've boarded up the eyes,
so that no one else can see,
that I'm fooled by my disguise,

happily never after,

        ...

how I let them in,
and how they piss on the floor,
deep in my squat house head,
drowning in my powdered rapport,

I only live one day in eternal refrain,
it's a Burmese repeater, again, again, again, again,

are you a beautiful melody,
with horrible words?
there was a sermon of insects,
and it was all I ever heard,
bestowed a blessing of filth,
and I was high on the stain,
it's a Burmese repeater, again, again, again, again,

Burmese Repeater...

Whispering Ears/Happily Never After/Burmese repeater

NonDisquiet For Peaches (disquiet0569) by Daniel Burke.
Was reading a piece in a magazine at the end of a long trip up the Oregon River in 1997 about gratitude. The punchline was “the key to contentment is an attitude of gratitude”. Still working that 25 years later but grateful to have come across it, as it was needed and I have found it works. I continue to try to recognize and acknowledge as much as possible. This piece is dedicated to my wonderful wife Laurie who was delivered to my doorstep (literally) by some guardian angels (almost literally) just in the nick of time. Its a great story I won’t bore you with but suffice to say she is the best thing that has happened for me this lifetime and I express that as often as I can.
I started out thinking to make a piece as gentle and kind as she is, with a nod to the magical & beautiful music of the 1988 album Plux Quba by Nuno Canavarro, which we both love. Music that inspired Oval, Microstoria the rest of the A-Music crew in Germany.
https://nunocanavarro.bandcamp.com/album/plux-quba
The piece quickly moved towards the Eno/Budd/Frippery I am increasingly falling into... Started with the Roland Jupiter-6 lovely marimba like patch and developed a theme which was played around with and replicated/altered with another track of digital piano. Added in an Arturia Analog IV Synclavier patch for a few slight synth/stringish swells, finally added 2 guitar overdubs and a few very distant field recordings made in Mexico and Spain.

More on this 569th weekly Disquiet Junto project — Think Thank (The Assignment: Make music inspired by something or someone you’re thankful for) — at: https://disquiet.com/0569/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0569-think-thank/

Nondisquiet For Peaches (disquiet0569)

COBRA

Orbpneust Sublime

Done around 1980, recorded in the front room, the music all recorded to two tracks on a Fostex 4 track cassette deck, which I still have. The drums were in the downstairs bathroom, behind the front room, surrounded by microphones. The vocals were added later but are only rough. Never got round to recording them properly; when I find the original music I will record them properly. The tape this recording is taken from is damaged, so it is cutting out, but I do still have the original Fostex recording.
>
The band was called TALKING ABOUT LIFE, Mark Harrington and I shared lead vocals, and I played keyboard; if we had been based in Manchester rather than a nothing town like Crewe, it would have been a different story, we might well have broken through, instead, the band disintegrated, although Mark, myself and Steve Lomas continued to do stuff together. 
>
Steve wanted me in a later band of his called Sensibility, because he wanted to bring in more variation, but the lead in the band didn't--that band didn't last long either--a pity, it had real potential, but stuck the same style, which wasn't at all good for Steve, a brilliant guitarist playing in a limited style that, in truth, wasn't him, was beneath him, tantamount to putting handcuffs on him.
>
Tragic that Steve died at such a young age, and I was told Mark committed suicide, but I still haven't been able to confirm that--I continue to pray the information was wrong, but have a feeling it was true. If Steve was still living today that's who I would be in a band with. And what a pity the drummer quit drumming, which is the main reason why the band came to an end!

Boys Don't Cry

BloodTooth

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Jonathan Runcie

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