The BBC Introducing Mixtape 🔊 (BBC 6 Music) - 2

Forbidden Feelingz

Part Of Me

New album 'When Will We Land?', released 20 October 2023 on Ninja Tune: https://barrycantswim.lnk.to/wwwlSo 

Taken from the EP 'More Content', released 24 June 2022 on Ninja Tune imprint Technicolour: https://barrycantswim.lnk.to/contentSo

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Fiorucci Made Me Hardcore

Please use headphones for this track. All hand-built by me and FL Studio.

FUTURE RAINS

Johnny’s on the Water was learned from the singing of Appalachian folk singer Jean Ritchie (1922 - 2015). It twists the archetypal story of a woman left behind by a sailor, the singer rejecting grief and finding empowerment: ‘if he can live without me, I can live without him’. This line became the heart of our arrangement. 

We created this arrangement in residence at Snape Maltings in 2022. In slowing down the tempo, destabilising the rhythm, and replacing Ritchie’s sparse dulcimer accompaniment with an ensemble of modular synths, guitars and affected strings, we explore the way that the open sea warps our understanding of time and distance. The trumpet solo was played by Lissie Daly, a tireless campaigner for women in brass.

Musicians:
Lauren Spiceley - fiddle and vocals 
Joseph Woods - guitar and vocals
Martha Wiltshire - cello and vocals
Denis Wouters - electronics and vocals
Lissie Daly - trumpet
Tom O’Connor - fretless bass
Florence Brady - vocals 

Trad. arr. by Lauren Spiceley, Martha Wiltshire, Joe Woods, Denis Wouters, Lissie Daly, Tom O’Connor and Hannah Jacobs
Recorded at Pony Studios by Upcycled Sounds
Mixed by Denis Wouters
Mastered by Felix Davis
Artwork by Floortje Kattemölle, photographed by Martijn Petrus

Johnny's On The Water

Have you ever seen those chains hanging down at the harbour? Thick as fists, they are. Covered in lichen and slime, hanging so heavy, so immovable and dead, determinedly pulling downward despite the salty westward gales ripping by. This song was written on a day where I waded down at the harbour, aching with depression and grief. It’s inspired by the chains, because they remind me of what it is just to exist, when ‘exist’ is all you can do. And in the likeness I found in those chains, with links like fists, I found a moment of peace.
Sonically, this track is inspired by Ben Howards music in the album ‘I forget where we were’, based around an electric guitar riff with a solid delay. The lyrics are an absent minded conversation with late friends.

Links Like Fists

Part 3 of the trilogy dedicated to Pfizer.

The saga so far.

1. The former head of research at the Human Genome Project Kevin McKernan, discovers high levels of DNA contamination in the mRNA vaccines. Further research shows that the DNA plasmids used in the manufacture of the vaccines contain the SV40 promoter sequence which hitches a ride into human cells via the Lipid Nanoparticles encapsulating the mRNA.

2. Drug regulators and fact checkers around the world deny there is any DNA contamination.

3. More scientists confirm the finding of DNA contamination and the presence of the SV40 promoter sequence. One of these scientists was Dr. Phillip Buckhaults who, as an advocate of the mRNA technology, intended to debunk the claim but ended up confirming it. Others include German Professors Prof Dr. Brigitte König and Prof. Dr. Jürgen Kirschner.

4. Regulators including the FDA, EMA and Health Canada finally confirm that the findings are correct but, without any research, state that there is no cause for concern.

5. Crucially, it is noted that Pfizer did not include the SV40 component of the manufacturing plasmids in their documentation supplied to the FDA prior to the Emergency Use Authorisation.

6. It has been known for many years that the SV40 promoter binds to the human tumor suppressor gene p53. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5288138/

So to quote Kevin here, 

"We have billions of molecules of SV40 Promoters being injected and if they are a sink for p53, then that gene is wasting its time on decoys.

Any non-disclosed contaminant in the vaccine that resembled prior vaccine debacles (like SV40 in the polio vaccine) and also bound to p53 would be grounds for enough people to say.. yah OK… maybe we should consider some precaution here? This is easy to eliminate and easy to track and monitor. Why are we not being cautious here?

It’s as if every contaminant instantly becomes a beneficial adjuvant the moment its found."

A Plausible Mechanism For p53 Binding.

A Plausible Mechanism For p53 Binding

Taken from the forthcoming new album from India Electric Co. 
Released 5th April 2024.
Cole Stacey & Joseph O'Keefe.
After four years in the making India Electric Company present their third album Pomegranate.
From the grips of an underworld without concerts and shared experience comes to the surface an album built in the heart of the West Country describing a life very much in motion whilst in the grips of standing still.
It weaves through their musical heritage combining their traditional folk roots, their dalliance with electronic analogue synths along with rhythms cultivated in lands further afield and an unadulterated love of pop.

Pomegranate

India Electric Co. - Pomegranate - 06 - Balancing Act

SummitQuest: Tram to the Peak (past  stage theme in 1930)

Chimpanzee’ is the earliest written track on the album, inspired by country influences and Bonneville’s experience of moving away for the first time. Looking out of a high-rise flat in Oxford Street Manchester, Bonneville felt like the chimpanzee shot into space in the 1960s. Many will relate, floating away on this melancholic melody and meeting the Chimpanzee and Bonneville in these feelings of being lost and confused.

Chimpanzee -Clean

I know you’re disappointed 

When you don’t get what you wanted 

And I find it kinda funny 

To see you cry 

 

Now I don’t have no heroes 

To me you all are zeros 

And the only way I can hide it’s 

With alcohol

When I’m numb 

I don’t really care if you’re dumb 

I don’t really mind if you’re scum  

When I’m numb

Numb

Devil Dressed In Disguise

box in my brain

Written & produced by mokusla
Recorded at Green Door Studio, Glasgow.
Mixed by Ronan Fay
Mastered by Samuel J. Smith 

The first single from mokusla's upcoming EP 'lovely people here, but it's just not the same' releasing 23rd October 2024.

lovely people here, but it's just not the same

ghost

Composer: Jacob Van Eyck: (1590-1657)
Book: Der Fluyten Lust-hof (Vol. 1)
Soprano Recorder

Onse Vader in Hemelryck (modo 5)

goldfish bowl

We arrived just past noon...
in the gravel lot
follow the curlin fingers...of cigars and 
liquor...yea
...and baby it was thick outside but
inside it's thicker...
came upon the barn doors...
as they're swingin wide...open up like
a carnival...with the auctioneer -
as barker...invitin' us ringside...
and it was a summer I turned gold
then bronze...'neath a fair blu sky
yea, and in my closed up fist
deep in my front pocket...
two oily crumpled twenties...
destined for the docket
when a hush fell upon us...
a silence as the gavel fell
and now the cashier's ringin' her bell
a cadence with demands that its people
take command...as imagination...as a Rave
a hook upon my soul...
to tempt the savings I now hold
O yea
up up up goes my hand...O lord,
I was wishin' that was planned
yea
sittin past the barn doors as they
swing out wide...
sounds just like a carnival
with the auctioneer as barker
callin' me...back inside
O and baby
that smoke sure was thick outside...
but inside it was thicker
follow curlin' fingers
of cigars and liquor

Devil Dressed In Disguise

Blood Wizard

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