Name: Into Black by BLOUSE in Slow Dancing 2012-2014
Duration: 3 min 30 s
Description: The A-Side to our Captured Tracks single.

The fact it’s true…”ur like a picture, u know u will never be the same thing again”. 😔 life is so fucking sad bro we all just fading into black…..

big time throwback to working at urban outfitters 2013

i wish 8 year old me had been knowledgeable and cool enough to have found this song in 2011

💠🪶💠🪶♉️😂😂😂😆🐎🏃‍♂️🐎🐎

Slow Dancing 2012-2014

The A-Side to our Captured Tracks single.

Into Black

“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.”  -Trentemøller

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.

Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.

That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.

Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot. 

”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”

Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.

That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.

You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.

Lost

Trentemøller - The Dream (feat. Low) [Clip]

Undiscover (Original Mix)

Caught In Time, So Far Away

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BANKS "LONDON" EP Now Available - PURCHASE HERE: smarturl.it/banksep

UK HEADLINE TOUR // COACHELLA // GOVERNORS BALL and more tour dates up at: http://hernameisbanks.com/shows

Goddess

Brain

Buy on Itunes

Abducted

Cults - Abducted


found the song in a shoegaze Playlist and noticed it's not on SoundCloud so...
song belongs to Tamaryn 

Tamaryn - Love Fade

Released by Captured Tracks as CT98. Recorded by Jarvis Taveniere at Rear House. Painting by John Stortz.

Harsh Realm

cold spine (demo)

Widowspeak

Somewhere Somehow

01. 'Blood For Poppies' by Garbage [taken from the new album 'Not Your Kind Of People', out now via Stunvolume]
02. 'Ghost Of A Man' by Anna Ternheim [taken from the album 'The Night Visitor', out now via V2/COOP]
03. 'Russuan Attractions' by Sébastien Tellier [taken from the new album 'My God Is Blue', out now via Record Makers] 
04. 'Healing Music' by Zebra and Snake [taken from the album 'Healing Music', out now via 100%]
05. 'Other People' by Beach House [taken from the album 'Bloom', out now via Bella Union] 


05. Other People - Beach House

HOUSE OF SPIRITS
----------------
BREATHLESS ON THE OCEAN FLOOR
TIED TO YOUR CAR WITH YOUR FAVORITE SCARF
I DON'T BLAME YOU FOR DROWNING ME
& I'M GLAD YOU'RE IN THE CAR WITH ME

MY SOUL WAITED LIVES FOR YOU
MY LOVE I'LL DIE FOR YOU, IT'S NOTHING
MY SOUL WAITED LIVES FOR YOU

MY SAVIOUR I KNEEL BEFORE THEE
PERFECT LEGS THAT CONCLUDE IN GLORY
I COULDN'T TAME YOU EVEN I TRIED
BUT I'LL HOLD YOU TILL THE DAY YOU DIE
NAKED ON THE FLOOR ON FIRE, TASTING YOU
LIFELESS ON THE OCEAN FLOOR 
I'LL NEVER STOP HAUNTING YOU...

Continuum

House Of Spirits

Purchase Vinyl

Private Life

Peace of Mind

Lee Fields & The Expressions - Wish You Were Here

Taken from the AA side 12", out 14th Feb 2020. Pre-order here - https://smarturl.it/WhiteFlowers 

-----
On the third floor of an abandoned textile mill to the north of Preston, a wave of strange musical beauty is blossoming. Brought up on the sounds of 80s Manchester though too young to have experienced it first hand, White Flowers, made up of Katie Drew and Joey Cobb, make gloriously gothic dreampop that’s as ambiguous as it is beautiful and exciting.

On 15th January 2020, the duo release Night Drive the first track from their debut double A-sided single Tough Love Records which also features the track Portra.

Co-produced by Doves’ guitarist, Jez Williams, Night Drive’s guitars carry a Kevin Shields-esque drone, as they swirl above its fragmented arrangement. Apocalyptic in nature, it twists and turns - thematically covering anxiety, fragility and frustration, while reminding that, even in the lowest of moments, one should not lose hope. 

‘Creating and crafting the songs has always been a therapeutic outlet for us,’ Cobb stated. ‘It’s been a long process, but it’s been one which has helped us deal with the frustration, worries and difficulties that come with every day life. It’s definitely a very cathartic record. It serves as a kind of journal of growing up and maturing in the 21st Century.’

Having begun life as scraps of ideas on a laptop, the songs were carefully crafted by the pair, before Williams got on board. 

‘At times, it’s easy to lose sight of the bigger picture when you’re so involved in the song,’ Drew noted. ‘Jez was great at drawing out the most important aspects. A lot of the songs are first takes - recorded at home in a very lo-fi way, but Jez gave us confidence. He made us realise that the rawness and the accidents are where the magic is. As fans of Doves, we’ve always admired the soundscapes and sampling techniques that they use, so it was a privilege to work with him.
Prior to the release, White Flowers will be heading out on tour with Toy to celebrate Independent Venue Week. The dates are as follows:

25.01.20 – Independent – SUNDERLAND
26.01.20 – The Live Rooms – CHESTER
27.01.20 – The Boileroom – GUILDFORD
28.01.20 – The Cookie – LEICESTER
29.01.20 – The Smokehouse – IPSWICH
20.01.20 – Esquires – BEDFORD
31.01.20 – The Joiners – SOUTHAMPTON
01.02.20 – Ramsgate Music Hall – RAMSGATE

The double A-side single, Night Drive / Portra will be released on 12” vinyl on February 14th and is limited to 100 copies. It comes in a hand stamped sleeve and includes a ‘zine produced by the band. The band’s debut album will be released later in 2020.

White Flowers - Night Drive

Jewelry designer & music curator. Lover of all creative endeavors & kittens

Into Black

BLOUSE

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