The rewind button brings the tape back several times and, with it, The Buttshakers. From the tape to the studio, the décor changes to an America lost in its own reverie, the America that Ciara Thompson left in 2008 to settle in Lyon, France. Untethered from the idealistic veil of her childhood, this America, her America, now appears in its crudest reality: disfigured by violence and racism, the streets transformed into a make-shift shelter for those without a home.
Black Lives Matter, Not In My Name, #metoo and other red flags light up the soundboard without stopping this desperate and breakneck race to darkness.
Yet, when everything darkens, there is always an afterglow that cannot be extinguished, that final ember capable of rekindling on its own a brazier of hope. This is soul music.
Arcadia, “the land of delights,” a perfect world as described by the poet Virgil. This land where all is beauty and perfection becomes, for The Buttshakers, the place to rally, to unite, a moment of resilience. Not a place of retreat, an escape from reality, but a goal towards which to reach.
On their previous album, Sweet Rewards, The Buttshakers offered a soft light on the romantic side of soul. With Arcadia, they explore its conscious face. The one which, in the heyday of the 70's, shone thanks to the albums of Gil Scott-Heron, Marvin Gaye or Curtis Mayfield.
Creation influenced by the political and social events of our times. The form that meets the content in a music that is visceral and raw yet full of finesse and delicacy.
If over-worked productions tend to kill first intentions, The Buttshakers knew, with a skillful movement of the hips, to avoid diluting their intentions in layers of production, always preferring to be as close as possible to the natural source of their music to keep the fire burning. Here we find the sound of a group who has found a solid balance between soul music, its roots and its offspring : blues, rhythm and blues, funk.
A group led by the rugged feline presence of Ciara Thompson who’s vocal prowess, here put on perfect display, finds itself flawlessly balanced between a generous horn section and a devilish groove. A feat, yet once Ms. Thompson takes a step back, the void is quickly picked up, leaving room for the guitar and organ to reverberate, the trombone appropriating the last bars for a funk to the bone solo. With Arcadia, the listener is ushered through the kalediscope, letting the groove drift into an instrumental trans where the robotic beat takes control and sinks into a voudou-psychedelic mystique from which we can only be drawn out by the intervention of the brass section. The dust of a six-string western incantation embedded in the groove like a muffled groan, an explosion that is always on the edge, and which the vocals masterfully contain and amplify. 
Leaving behind the compositional automatisms that could have hampered a band that has been playing together for over a decade, Arcadia is their most successful album so far by the sheer audacity of their compositions. With each member of the group participating in the writing process, the richness of each idea put forward illuminates and guides the listener.
Dark and yet still luminous, Arcadia remains true to the spirit of soul : hope out of struggle, light out of fear; even when the cracks expose the darkest side of humanity, soul music has always given us the assurance that out of this chaos, a better day will come. A philosophy on which they built their discography and their stage presence; founding principles that the group has always been faithful to: to awaken the listener, to ignite the fire, to bring the dance.

Arcadia

Hear Me

THE BUTTSHAKERS Hear Me

Switchstance Recordings is celebrating it´s 20th anniversary this year and we would like to present to you a fine selection of hot and dirty Reggae tunes that we released over the years. KINKY REGGAE is our label compilation from the World of Reggae, Dub and Dancehall.

From the Ancient Astronauts collaboration with UK Reggae veteran Tippa Irie or Jamaican lyricist Monsoon to Protassov´s “I Wonder feat. Bajka” up to the collaboration by Kabanjak and Fat Albert Einstein or a Dub Remix of a Deela song with Spanish singer Maria Garcia Lora, here are some of our bass-heavy Reggae gems. 

From soulful messages to instrumental skanks, it´s all there. 

ONE LOVE

KINKY REGGAE

Stream & Buy

I Wonder feat. Bajka

Flip Ya Lid- Nightmares on Wax

Akalé Wubé songs from the album "Sost" available for streaming.

Anbessa (feat. Manu Dibango)

El Joven – Reggae Infused by The Jamaica Band vs Al Jonson is a cross‑genre reinterpretation that bridges Latin ballad tradition with Jamaican reggae grooves. Al Jonson’s emotive vocal style, rooted in romantic and folkloric Spanish‑language songcraft, is set against The Jamaica Band’s signature reggae framework of syncopated guitar skank, rolling bass, and laid‑back percussion. The album transforms youthful themes of longing and identity into a global soundscape, where the passion of Latin song meets the universal rhythm of reggae. It’s both nostalgic and fresh—an exploration of how cultural storytelling adapts when carried by reggae’s pulse.

El Joven - Reggae Infused

La Banda De Efraim Jones - Reggae EDM Radio Edit

lil off

Artist: Quantic Presenta Flowering Inferno
Album: Death Of The Revolution
Release date: 2008
Label: Tru Thoughts

Death of The Revolution

Quantic Presenta Flowering Inferno - Westbound Train [United Kingdom, 2008]

Ernest Ranglin - Surfin'

Jeep ( Higher Light ) - Cookies & Café 

Composed by Jeep  
Mix by Jeep & Lil Slow
Master by Blanka
Artwork by Pio & Dizziness Design

01 - Jeep feat Dappa Ruk - Tek Flight
02 - Jeep feat Kid Eastah - 夢想 ( Dreaming )
03 - Jeep feat Kid Eastah & Miscellaneous - 信 ( Believe )
04 - Jeep feat Niawy - Last Longer
05 - Jeep feat Prendy - Empress
06 - Jeep feat G Rhyme General - Warm My Soul Remix ( Blundetto feat Courtney John )

Warm My Soul Remix ( Blundetto Feat Courtney John ) - Feat G Rhyme General

From: Thievery Corporation - It Takes A Thief - 01/04


Thievery Corporation - Amerimacka

Today's premiere comes in the summer-ready shape of Blundetto's "Fly High". Perfect for hot & hazy dreamy days.

Ten years had passed since Blundetto's debut 'Bad Bad Things’, so he's celebrating a decade by reviving the same state of mind.   This time with additional collaborations, atmospheres, and musical styles. 

The old circle of friends remains (Hindi Zahra, General Electrics & Chico Mann) and this first slice into newer more sophisticated openings of Blundetto, comes in the offering of 'Fly High' featuring Hindi Zahra on vocals.  

This first single from his LP 'Good Good Things' due in June, shows us once again that Blundetto's knack for blissed out production is ever present, along with the of excitement that more good good things are in store.

Flip Ya Lid- Nightmares on Wax

bludingo2

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