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Sakura

Fantasy Football Podcast for November&nbsp;6,&nbsp;2015.&nbsp;Week 9 preview part two! &nbsp;The Fantasy Footballers deliver your daily dose of fantasy football knowledge, including special DFS insight from FNTSY Sports Network's Chris Meaney (and Pat Mayo) and we are breaking down the week 9 fantasy football match-ups. Get everything you need to know to make smart lineup decisions, start/sits, trade questions, waiver decisions and more. &nbsp;The #1 podcast for a reason, tune in to the Fantasy Footballers to get exactly what you need to dominate your fantasy league.&nbsp;
&nbsp;
What's the fantasy future of Jameis Winston?
What's the status of Brandon Marshall, Kendell Wright, and others?
Will Andrew Luck struggle yet again?

Fantasy Football Podcast 2015 - Week 9 Matchups, The Daily Dose, & TNF Review

Deep Waters

From Live at the Belly Up out now via BellyUpLive.com

Check out the full album here: http://bellyuplive.com/shows/martin-sexton/549

Syracuse native Martin Sexton got his start singing in the streets and subways of Boston in the early 90’s. Still fiercely independent with nine studio albums, headlining venues from The Fillmore to Carnegie Hall, and performing at festivals from Bonnaroo to New Orleans Jazz Fest, he has influenced a generation of contemporary artists. His songs have appeared in television series such as Scrubs, Parenthood, Masters of Sex and in numerous films, though it’s his incendiary live show, honest lyrics, and vocal prowess that keep fans coming back for more.

Recorded on January 19, 2017 Live at the Belly Up showcases Sexton’s award winning songwriting and his infectious live show. Highlights include “Diner,” “Glory Bound,” and the closing track; a soulful rendition of “This Little Light of Mine.”

Live at the Belly Up

Diner (Live)

We're happy to share the first single off our upcoming album! Out now on Blue Élan Records.

Artwork by Rhett Dashwood

Tip Of My Tongue

Produced by Chris Keys and Daoud Anthony @daoudmakesmusic
Written by ASTU
Recorded at AfterOurs Studios 
Mixed/Mastered by Gabriel Masterson at 25th St Recording

ASTU, Eritrean R&B/soul singer-songwriter out of Oakland, CA, discusses sex, love and all the complications that follow in her premiere EP-Patterns. Honest, raw lyrics are lifted by synth-filled rhythms and soulful melodies. ASTU captures the modern romance in all its vulnerability and volatility. “‘Patterns’ is my attempt to dissect the stories my generation repeats and the lens we view love through, in hopes to break the hollow patterns that hold us back from it.” Written by ASTU and produced by Daoud Anthony, who is known for his current work with up and coming Chicago-rapper SABA, Patterns is promising to  be one of the most anticipated releases of 2018.

Roots

PRE-ORDER VINYL/CD - https://www.wharfcatrecords.com/store/public-practice-distance-is-a-mirror
PRE-ORDER ON BANDCAMP - https://wharfcatrecords.bandcamp.com/
PRE-ORDER ON APPLE MUSIC - Chttps://itunes.apple.com/us/album/distance-is-a-mirror-ep/1429919731

The debut EP from New York band Public Practice, Distance is a Mirror, is a confident, juried testimony of love steeped in dark optimism. Dry, dead pan vocals chant over skittish guitar and danceable 70s grooves—songs snapping like rubber bands—seesawing between post-punk and its insomniac twin sister disco. With contradicting references as overt as Talking Heads (without the shoulders), but as specific as Haruomi Hosono of Yellow Magic Orchestra (with some polka dots), the band is carrying a funky torch that does not get lit too often. 

The four members of Public Practice—singer Sam York, guitarist Vince McClelland, synth/bassist and vocalist Drew Citron, and drummer/programmer and producer Scott Rosenthal—are no strangers to song writing. A Brooklyn DIY super group of sorts, Public Practice combines members of freshly-dead punk project WALL and local pop band Beverly. Public Practice backs their ambitious song writing with serious chops, their live shows already pulling them into the sharp foreground of a scene growing all too warm-and-fuzzy.

Sam York’s lyrics reflect the city and it’s contradictions—they are personal, funny, cryptic and surreal, but never truly pessimistic, rotating around an individual’s toxic but symbiotic relationship with perception. Songs like the sarcastically-titled “Foundation” deep-fry Beach Boys guitars in ice-cold-but-somehow-funky Scritti Politti grooves. Add a dead pan David Byrney vocal, and Public Practice remind us again how integral it is to use honesty and self-reflection to bring some of life’s double-standards to light.

By the end of the short and bitter-sweet 4-song EP, punctuated by Sam York’s sign-off of “no you can’t take it back now,” Public Practice anchors themselves as a new band with wisdom like their influences, bringing songs distinctly fresh as they are familiar. Public Practice will privately change your mind about where guitar music is going. Tired of the familiar? Seeing dots? Wake up! 

Recorded and produced by Public Practice. Mastered by Carl Saff.

20 Miles South Of Wrong

Blue Élan Records

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