France’s own DJ Suspect presents “Love Injection”, a spontaneous live mix of some of his favorite 45s. A great DJ, record collector, and an all around good guy. Catch DJ Suspect at gigs around the world and be sure to find your way to his other mixes.

Follow DJ Suspect:
Instagram: @soulbrother_suspect
Facebook: Soulbrothersuspect

BCR Radio 040 - Love Injection

BCR Radio Episode 040 - DJ Suspect - Love Injection

Myele Manzanza Trio - "Montara" by Bobby Hutcherson
Recorded March 2014 at Studio Faust Records, Prague CZ.

Mark de Clive-Lowe - Keys and effects.
Matt Dal Din - Bass
Myele Manzanza - Drums
#OneTakeWonders

"Montara" - (Bobby Hutcherson)

The title track from Jose James' new album out now on Brownswood Recordings.

Itunes: https://itunes.apple.com/fr/album/blackmagic/id547333074

Bandcamp: http://brownswoodrecordings.bandcamp.com/album/blackmagic

Amazonn: http://www.amazon.fr/Blackmagic/dp/B008OCN95E/ref=sr_shvl_album_1?ie=UTF8&qid=1370355304&sr=301-1

Jose James - BLACKMAGIC

Recorded live at Worldwide Awards 2010 on 6th February at The Garage, London.

The Robert Glasper Trio

"Now Hear This" is a podcast that spotlights the legendary artists of Blue Note Records & gives an introduction to their catalogs. Dig deeper into The Finest In Jazz Since 1939:
http://itunes.com/bluenote
http://www.bluenote.com
https://www.facebook.com/bluenote
https://twitter.com/bluenoterecords
https://www.instagram.com/bluenoterecords
http://www.bluenote.com/subscribe

Now Hear This: Robert Glasper

Rye Lane Shuffle

About “The Egyptian Second Line” 

In the spirit of reclaiming that which colonization sought to destroy, I'm releasing the first single from my upcoming album Afro-Caribbean Mixtape at the top of Columbus Day weekend. Like a piece of African patchwork, this track is comprised of a lot of different elements — some old, some new. The main body of this record was constructed from the end vamp of a tune I wrote for Dr. Greg Carr (chair of African-American studies at Howard University) called, “Kimathi.” In fact, throughout the piece, you can hear my turntablist, DJ Lady Fingaz, scratching a sample I chopped from one of his interviews. I constructed a new work by cutting and pasting the best moments of Kevin Hays and I playing keyboards on top of the extended jam, and superimposed that over the groove laid down by bassist Vicente Archer, drummer Joe Dyson, and percussionist Daniel Sadownick. I did this with the help of my mix engineer, Blake Leyh (The Wire, Treme). 

Towards the beginning of the piece, you'll hear a chant from vocalists Yolanda Robinson, Jolynda Phillips, and Christina Machado. It's from a thing my father made up while walking through his childhood neighborhood of 13th Ward New Orleans back in the 1940s, “Na-na ni-ta ho-ho. Left, right. Left, right.” Thirty years later, as an elementary school band teacher at McDonogh #15, he had us chant this whenever we marched in second line parades. It recalls the syllabic prayers of ancient languages used in modern dance songs like Mani Dibango's “Soul Makossa,” of which Michael Jackson borrowed for “Wanna Be Startin' Something.”  


The centerpiece of the single is my recitation of a poem I wrote back in 2006 in the aftermath of the flood commonly referred to as “Katrina.” It's called “The Egyptian Second Line.” The gist of the poem toys with the theory that somehow Africans submitted to slavery in an attempt to become better versions of themselves. After the ladies chirp the hook, I step away from the keyboards and embrace the instrument I'm most known for — the trumpet — and blow a few before we take it out. With this song, I am channeling the energy of the ancestors to help give Africa back to herself in the best way I know how, through the power of music. 


In New Orleans, a “second line” is the procession where we dance in the streets to music played by a brass band to celebrate either life or death. When I think about what an Egyptian second line looks like, I think of the imagery of that photo of Louis Armstrong serenading his wife, Lucille in front of the Sphinx — again Africans giving Africa back to herself.
credits
released October 7, 2016 

Nicholas Payton: trumpet, spoken word, Fender Rhodes, Hammond B-3, Clavinet 

Kevin Hays: Fender Rhodes 

Vicente Archer: acoustic bass 

Joe Dyson: drums 

Daniel Sadownick: percussion 

DJ Lady Fingaz: turntable, sampler 

Yolanda Robinson: background vocals 

Jolynda Phillips: background vocals 

Composed by Nicholas Payton (BMI) 

Produced by Nicholas Payton 

Recorded, mixed, mastered, and designed using the PAYTONEsonic™ programming process 

Recording Engineer: David Stoller 

Assistant Engineer: Emily Eck 

Mixing Engineer: Blake Leyh 

Recorded at The Shed, New Orleans, LA 

Mastering: Michael Fossenkemper, Turtletone Studios, NYC 
turtletonestudio.com 

Art Direction: Nicholas Payton 

Cover Painting: Ayanna Bassiouni 

Cover Design: Ayanna Bassiouni

The Egyptian Second Line

Subdued EP

Where Are Your Branches? (Where Is Your Fruit?)

Yussef Kamaal - String of Light (Live @ Jazz Cafe) ::: Mixing / Mastering (2016)

Chris Dawkins is renowned for his work as a session musician and co-writer, penning and playing for Nightmares On Wax, touring and writing with Jimi Tenor and Maurice Fulton, collaborating with Dub pioneer Adrian Sherwood, and co-writing the blockbuster Oceans 11 Soundtrack with David Holmes – to name just a few of his career highlights.

It's now finally time for Dawkins to take centre stage and debut his own body of work... We proudly present to you his glimmering debut solo LP - 'Hero's Journey' - featuring Chris' signature Jazz landscapes, atmospheric trip-hop tips, and groove laden ditties.

Chris describes the thirteen track LP as his very own sonic diary. Each track has something attached for him emotionally. His peers have suggested it has a sound of something like Saint Germain or Air, which is praise indeed, whilst his own summation of this work harks back to his days with George Evelyn, with Chris stating that the listener is sure to hear echoes of his work over the past two decades with Nightmares on Wax on this particular album.

Most of the tracks here are solely of Dawkins’ own creation, however there are two notable mentions on Hero’s Journey. ‘Rootsman In Space’ features the extravagant production skills of Finnish-born Jimi Tenor, who is known for his works with Tony Allen and releases on Warp Records, whilst ‘Signs’ is graced with the delicate vocals of singer- producer-songwriter, and Released mainstay, Jorgie.
When Dawkins makes music he wants it to be colourless, genderless, ageless, wanting people to not think about who’s made it; not to judge it, but more to think about what they’re getting from the music itself... We’d say he’s done an excellent job in representing that ethos with this, his debut LP, ‘Hero’s Journey’.

Exclusive Premiere: Chris Dawkins "Rootsman In Space" Ft. Jimi Tenor

ARTIST : Christoph El Truento
TITLE    : Sunflower 
LABEL  : WONDERFUL NOISE
Cat #   : WN12027  
format : 7inch Vinyl（40g vinyl w/Sleeve）
Available Now / 発売中

Track List 
side A 
1) Sunflower
Music by Christoph El Truento,Horns by Isaac Aesili,Additional Guitar by Si-Res,
Additional Drums by Julien Dyne,Additional Vocals by Christoph & Waiata

side B 
1) Insect
Music by Christoph El Truento,Vocals by Groeni

B2) Birds
Music by Christoph El Truento,Vocals by Groeni,Sax by Adam Page

all songs produced by Christoph El Truento
Mastered by Benny Tones (Organik Muzik Workz/ www.organikmuzikworkz.co.nz )
Artwork by FJD (藤田二郎/ www.fjd.jp ) 

昨年リリースしたデビューシングル「EP01」は、ここ日本を経由しヨーロッパ各地のビートシーンでも話題となり、瞬く間にその名前を知らしめたニュージーランドの若きビートメーカー／プロデューサー＜クリストフ・エル・トルエント＞、注目のセカンド・シングルはなんと、「ジャズ」。黒人音楽や実験音楽、電子音楽、ブラジル音楽の影響をつよく受け、彼が持つ音楽的な豊かさとヴィジョンがビートミュージックという枠を超え、これまでどのビートメイカーも思い描かなかった圧倒的な世界へと導く本作。現在のビートシーンが突入した新次元の表現のあり方を象徴的にあらわした作品と言えだろう。参加ミュージシャンにはニュージーランドのビートシーンの旗手、ジュリアン・ダインがドラムスにホーンにはFunkommunityとして活動するIsaac AesiliのWNアーティストが全面強力バックアップ、予想を遙かに越えたビートメーカーが描く現代進行形の「ジャズ」、絶対聴き逃すな！ アートワークはNujabesをはじめとするHydeout関連のジャケットも手掛ける、FJD（藤田二郎）による本作をイメージした幻想的で美しい世界観を描いたデザインを採用。

● Christoph El Truentoプロフィール
クリストフ・エル・トルエント（Christoph El Truento）はニュージーランドのオークランド出身の音楽プロデューサー、DJ。おもにビートミュージックを手がけるが、ジャズやエレクトロ・ミュージックの影響をつよく受けており、強い重低音と特異なリズム、ときにはミニマルなビートを作り出すのが特徴的である。デビューEPはグルーブマン・スポットなどの国内トップ・プロデューサー達も注目しカルト・ヒットした。近く発表するアルバムではSUN RA、Alice Coltraneなどにインスパイアーされ実験音楽〜エレクトロミュージック〜ジャズへと消化しビートミュージックを超越したアルバム「What We Used To Know」をリリース予定。

Christoph El Truento - Sunflower (WN12027) [7"]

Official SoundCloud account for Blue Note Records
www.bluenote.com

Now Hear This: Robert Glasper

bluenoterecords

Recent comments

•⚡️Flash⚡️•

Neo Chayanne

user956175041

Arthur Lane

Related tracks