"SPINNING AWAY is a very easy one for me to talk about, because it has a feature that I like a lot, and that I have used before as well. I like very much to have contrasts of speed. For instance I like to have very very fast staccato rhythms, chopped-up rhythms, which very liquid vocals running over the top of them. Maybe the best example of this is not on one of my records, but on the Donna Summer song "I Feel Love" with Georgio Moroder playing. The synthesizer part on that is very very technological and mechanical, Kraftwerk almost, but her singing over it is just like a beautiful liquid feeling going on over the top. Anyway, I have that kind of feeling in Spinning Away, something of two very opposing qualities: a rhythm that is staccato, off-balance slightly. If you listen to the way the drums begin on that song, they have a strange, off-balance feeling. Their sound is crisp. The vocals on the other hand, and the violins are not played in the same mood, they're in almost a different musical universe. They float on top of this sea of action, you know, this sea of activity. And the violins play in a different time signature: dam dam dam dam dada over taka tak taka taka taka tak taka taka... Well, actually I'm not very good at talking about that particular piece of music (laughs)." -- Brian Eno, interviewed by Michael Engelbrecht.

Brian Eno & John Cale - Spinning Away (totallywired edit)

Gordon Hempton – Atlantic Sunrise

Mariah -      (Shinzo No Tobira)

The Neutral Zone

Bryter Layter

World Galaxy

A Love Supreme

Love Streams

Obsidian Counterpoint

Good Luck and Do Your Best

Pink and Green

Dedication

Natalia's Song (feat. Reark)

White Label Classics

Functions On the Low

The One EP

Cuz You're the One

Fountains Of Youth

Frail State Of Mind

Chilly Gonzales - Overnight

Wild (Reworks)

Bunny (Meitei Remix)

Elixir (Mary Lattimore Version)

I Can Hear the Birds

Brockley

Lxury’s heady, ecstatic dance music has been championed by the likes of A-Trak, Four Tet and Caribou for good reason. His hazy take on house is perfect for headphones and festivals alike, channeling the hands-in-the-air energy of rave history without any of the retro trappings. The perfectly titled No Real Rush EP collects four new future classics from a producer who knows that time is a flat circle (that spins at 45 RPM as loud as possible).

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Christaen.