did you have a different handle before who r u

thank you for your patience.

as soon as i was regaining motivation i suffered a loss and subsequent decline in mental health, and have lost much of my free time due to family members struggling with illness.

im ngl i was crashing out. i got off the internet for a long while without warning which wasnt right to do.

i apologize profusely for the delay and disappearing, and ask that you bare with me considering my current situation.

in the meantime check out @inverseinterpolate @spellscasted @devstacks

fuck the law fuck darrell fuck nekua fuck sackaride on my mothers mommas grave boy

i will release before 2026

then its time to evolve i got a microphone

evil

NOW ITS OVER

sum bs I had on private for a while kinda repetitive but might as well post it anyway

RED MOON #OURLOVEISNOTTHESAME 😿💔

[Jah$tar & Kear]
ALL ART BY PAUL LEHR & ROBERT MCCALL

INSPIRED BY GEN V

PORTALIS

1. x - @selfautopsy
2. music fantasy - @selfautopsy
3. sometimes when i cant sleep
4. forevermore - @n8g4

secret crush

Spotify - https://open.spotify.com/album/4G07vul24cdW2nYS0ILY6P
Apple Music - https://music.apple.com/gb/album/elevate-single/1846516934
YouTube - https://www.youtube.com/watch?v=Rf-UZusgA9Q&list=OLAK5uy_n23l_sFpoq3JD9dYDcV7pp39o-4hCHwjk

Elevate

Bmin140bpm if someone doesn’t make a banger with this then I guess my shit jus ass n trash

wintersky

₊˚｡⋆❆⋆｡˚₊

predict (+cybergossip)

dejection

@somanywishes
www.instagram.com/jaspersimeonmehler

blurer is a peripheral study exploring ways to perceive our surroundings beyond any focal point. The poetic text where the winds are coming from, invites contributing artists and musicians to collectively explore a world that has become unfamiliar yet again. Inspired by the moment Alice tumbles into Wonderland, it asks what it means to unlearn, relearn, and navigate within a world anew. Like Alice, this conceptual mixtape delves into places, things, and feelings that have been overlooked, ignored or seen as a backdrop. The text, tracks, and sounds of this compilation take us on an explorative journey—not to arrive somewhere, but to sense that what lies within the blur has always already been in the here:now.
(Lisa Walder, 2025)

Most music is used as a form of abstract translation. To unblur the personal, we abstract it and transform and transport it through familiar sounds. Through abstraction, the motives are essentialized to their core. In this, minimalism becomes a prioritisation. A blur can be more flexible. The reduction of elements could be optimistic or protective.
What this release does is observe the peripheral, to look for emotionality or personality within it, but also to create atmospheres that appear peripheral, yet are again included in the general blur.
When hearing the sounds of blurer, the focus of the compositions fluctuates and directs the listener’s perception to certain points within, not only to hear what seems essential but also to draw closer attention to the peripheral. Throughout the whole release, the procedures are very different. Some moments are vivid, almost narrative. There are deconstructed references to find, in both energetic and quiet forms. Occasionally, we pass by rearing, foggy drone walls or prancing, twirling, or scurrying melodies carried around, on synths or guitar strings. Blurer seems to harbor atmospheres of comfort in the cold, loops of spiraling memories or expressions of disorientation, that scamper around on the acoustic foundation created by the 19 artists.
(Elia Brülhart, 2025) 

Assembled by Periphery Serpentine
Commissioned Text by Lisa Walder
Mastered & Cut by Isabel Schröer
Artwork & Design by Dimitri Erhard

supported by GGG Kulturkick Basel-Stadt
ryser005 © 2025

predict (+cybergossip)

echo

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