_Modular-Synth_References - 2

Quaristice

Altibzz

Windowlicker

Nannou

Pye Corner Audio presents his debut for the label with 2 EPs of Acid touched live jams. Martin Jenkins main electronic project, here he detours that on-going journey, the mysterious current of foggy soundtrack inspirations and fragments of techno, deep and dark 303 fuelled experiments, that are oft aimed at dark dancefloors.

After decades of experience working in London recording studios, his recent time near the South Coast has born fruition, with releases on a who’s who of electronic labels – Ghost Box, Type, Ecstatic and Lapsus – that showcased a fragility of electronics, mixing Radiophonic and Library sounds, touches of post punk aesthetics and the deep pulse of the 4/4, Jenkins (aka The Head Technician) has offered a series of timeless albums notable the heralded Black Mill Tape series.

Recording while the world was in lockdown, these EPs update Jenkins moody, retro-futuristic sound with a clear love of Acid House that can be traced back to halcyon raves of his youth.

The sparse sounds and spatial dub are all there, the favoured stripped back collection of equipment, often including the very first synth he owned, were pulled even further to be the crucial Roland RE-501 (Space Echo), Roland TR-06 and TR-08 drum machine, the audio alchemy of the Make Noise Stada and the all-important Cyclone TT-303.

Recorded live to reel-to-reel, then bounced back at half speed, lightly edited and transposed down an octave, the dark and murky acidtronics join the signature audio visual meets vintage touch.

From the pure club acid trax of opener Dust Acid to the deep 303 experiments of the aptly titled, Wanna Show U Acid and Magnetic Acid Four, Pye Corner Audio covers the cinematic, the psychedelic, to the dark, the basement throb, as only this master technician dreams.

B1. Pye Corner Audio - Wanna Show U Acid

A2. Pye Corner Audio - Magnetic Acid Two

Pye Corner Audio presents his debut for the label with 2 EPs of Acid touched live jams. Martin Jenkins main electronic project, here he detours that on-going journey, the mysterious current of foggy soundtrack inspirations and fragments of techno, deep and dark 303 fuelled experiments, that are oft aimed at dark dancefloors.

After decades of experience working in London recording studios, his recent time near the South Coast has born fruition, with releases on a who’s who of electronic labels – Ghost Box, Type, Ecstatic and Lapsus – that showcased a fragility of electronics, mixing Radiophonic and Library sounds, touches of post punk aesthetics and the deep pulse of the 4/4, Jenkins (aka The Head Technician) has offered a series of timeless albums notable the heralded Black Mill Tape series.

Recording while the world was in lockdown, these EPs update Jenkins moody, retro-futuristic sound with a clear love of Acid House that can be traced back to halcyon raves of his youth.

The sparse sounds and spatial dub are all there, the favoured stripped back collection of equipment, often including the very first synth he owned, were pulled even further to be the crucial Roland RE-501 (Space Echo), Roland TR-06 and TR-08 drum machine, the audio alchemy of the Make Noise Stada and the all-important Cyclone TT-303.

Recorded live to reel-to-reel, then bounced back at half speed, lightly edited and transposed down an octave, the dark and murky acidtronics join the signature audio visual meets vintage touch.

From the pure club acid trax of opener Stregan Acid and Thermionic Acid to the deep 303 experiments of the aptly titled, Magnetic Acid One and Magnetic Acid Three, Pye Corner Audio covers the cinematic, the psychedelic, to the dark, the basement throb, as only this master technician dreams.

B2. Pye Corner Audio - Magnetic Acid One

B1. Pye Corner Audio - Thermionic Acid

RAVE SESSION IN LA TORNA DEL TRICHURU

Who the hell can keep up with the trend?  Not me.

Now She Wants it at Night

Geogaddi

You Could Feel The Sky

Tomorrow's Harvest

Transmisiones Ferox

White Cyclosa

Gemini

The Campfire Headphase

Satellite Anthem Icarus

Semena Mertvykh

Split Your Infinities

Shofar

Acid

mostly modular recorded in one-shot sessions, often hybrid produced and sometimes crafted just “in the box”, all in a bedroom-studio. everything hobby, everything amateur but with passion and enthusiasm 🔥.

Boards of Canada is a Scottish electronic music duo comprised of brothers Mike Sandison (b. 1 June 1970) and Marcus Eoin (b. 21 July 1971). 

They have released a number of works, most notably Music Has the Right to Children and Geogaddi, with little advertising and few interviews. Their sound has frequently made reference to sounds of the 1970s and the 1980s. It recalls, amongst other things, the warm, scratchy, artificial sounds of 1970s television, and indeed, band members Michael and Marcus admit to being inspired by the documentary films of the National Film Board of Canada, from which the group's name comes.

White Cyclosa

Boards of Canada

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MUSHROOM1985.MP3 🍄👁️🌈 ^q^

raisinlove

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