THE ORKUSTRA: Experiments in Electric Orchestra from the San Francisco Psychedelic Underground, 1966 - 1967.

Bombay Calling

Bouzouki Blues Experiment

Dancing In The Park

Freeform Improvisation

Gypsy Odyssey (Practice Session)

Hungarian Stomp

Bobby's never before published 30-year-old recording, OM's Law, that showcases his invention, the Syntar.

Om's Law

Angel

It is said that at Samhain the membrane that separates the ones who are living from the ones who have gone before stretches to its thinnest, and may even become so insubstantial that voices and visions and other strange things will pass between.  A spooky, high-spirited romp, like a wolf dancing and howling at the moon, in celebration of the only question that, ultimately, is worth asking.

The Wailing On Witch Mountain

The deeply haunting melody is performed by Bobby on electronically bowed guitar. This composition was originally slated to be part of the actual Lucifer Rising soundtrack but was preempted by a live performance recording.

Penumbra

Flash Gordon

An original arrangement and rendition of the classic song first recorded by Bo Diddley in 1966. Sung and performed by Bobby accompanied by Jon Rhoads (bass), Shawn A. Harris (elect. guitar, rhythm) and David Michael (maracas).

Who Do You Love

An oddball collection of psychedelic electronica. Produced at Oregon State Penitentiary, 2012-2014, and including some musical collaborations with prisoner musicians at the Penitentiary.

Plausible Denial (formerly Denial With Element66)

Proto Monkey

Creaking Timbres

Swamp Gas

BOBBY SEZ:

Hello and welcome to my music channel. Thank you for your interest in checking out my stuff. Here you will find virtually all of my music recordings that I’ve deemed fit for sharing publicly. You will also find some live performance videos, as well as some short films, some of them produced by friends.

Some of you who encounter this channel will already be aware that I have been in state prison for all of my adult life. More than a half century ago I committed a terrible crime, that of taking the life of another man. This crime became connected to subsequent dreadful and tragic events, adding the complexity of political sensitivity to my personal situation. 

In interviews for some film documentary and literary projects I have been forthright and forthcoming regarding the events that brought me to prison, and the associated events. When it comes to sharing my work in the arts with the world at large, however, I have made it my policy to refrain from doing so within a context that includes the criminal history, to the extent that may be possible. I have chosen this approach out of a deep desire for my work to be heard and experienced on its own merits, by virtue of its value as art.

If you like anything you find on this channel, please share it with your friends. And subscribe! The channel is not monetized at this time, so it won’t cost you a thing. There is a lot more on my website, so you might want to check that out too.

— Bobby BeauSoleil
www.bobbybeausoleil.com

Bobby BeauSoleil

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