brilliant. fantastic for the morning commute 

New Order Re-Orders

House People - Godfather of House [Maslow Unknown Re Vibe]
FREE DL:
https://hypeddit.com/track/ea3gti

Free Download

Godfather Of House (Maslow Unknown Re Vibe) [PHREEK015]

Bizarre Inc's 1991 classic gets the scissor treatment

P W K (MASLOW UNKNOWN EDIT) [PHREEK016]

90s Piano House Banger gets the disco adjustment treatment :):)

OG:
https://www.discogs.com/Electric-Choc-Shock-The-Beat/master/171412

SHOCK THE BEAT(MASLOW UNKNOWN RE EDIT) [PHREEK019]

Dance Mania edit from waaaaaaaaaaay back ! Props to the originators Gary "Jackmaster" Wallace & Eric Duke.  Released on Dance Mania in 1989.  Still bangs sum 30 odd years later !
OG:
https://www.discogs.com/release/127304-Gary-Jackmaster-Wallace-Featuring-Eric-Duke-House-Has-Taken-Over-Me

HOUSE HAS TAKEN OVER ME [MASLOW UNKNOWN EDIT]

Funkyjaws Music launches a new edits series here with four absolute dons of the form on one vital 12". It's Lay Far that kicks off with 'Never Ever Edit' which is all horn-led excitement and upbeat disco claps and kicks before Admin's 'Moon Trippin' takes a more slow and soulful approach. When it comes to edits few are more essential than Chicago's Rahaan who kicks off the B-side with 'Gonna Get Ya', a leggy funk number infused with cosmic synth rays and warm piano chords. Delfonic shuts down with the loose percussive jumbles and jazzy vibes of 'Let's Dance The Spank'. A fine start to the series with volume two already in the works.

PRE ORDER:
https://www.juno.co.uk/products/lay-far-admin-rahaan-lets-dance-vol-1-vinyl/973075-01/

PREMIERE: Admin - Moon Trippin' [Funkyjams]

Release Date: Monday 6th November

First copies available to email subscribers - eepurl.com/cmRZ_f

A: High Above The Clouds (K&F Edit)
B: Akiwowo (K&F Edit)

Order Here

PERSIE EDITS 009

Patrick Cowley - Get A Little Love (Andy Buchan Edit) 2024 UPDATE

With the heartbreaking news of Danielle Moore’s death, it only seemed appropriate to dedicate Paper Air Waves to her. It is a two hour celebration of love, joy and music that shines a light on an incredible talent and amazing human being. Keep on dancing xx

1. The Bionics - Love Chains
2. Crazy P - Scrap The Book
3. Danielle Moore - I Feel For You
4. Flash Atkins - Make Your Move feat. Danielle Moore
5. Crazy P - Something More
6. The Revenge - Just Be Good To Me feat. Danielle Moore
7. Crazy P - Stop Space Return
8. Crazy P - SOS
9. Crazy P - Hear My Song
10. Crazy Penis - Give It Up
11. The Bionics - Song and Dance
12. Crazy Penis - Do It Good (Crazy P’s ‘We Found The Parts’ Mix)
13. Hot Toddy - Freekend (Ron Basejam Mix)
14. Crazy P - Wishing For
15. Crazy P - You Started Something
16. Crazy P - The Come On
17. Crazy P - Witch Doctor
18. The Bionics - Time To Get It Right (The Bionics Remix)
19. Crazy P - If Life Could Be This Way
20. Crazy Penis - Keep On (Daniel Wang & Brennan Green Mix)
21. Crazy P - You Got The Love
22. Prince - Sign ‘O The Times

Paper Air Waves - Sept. 24 - Danielle Moore Tribute

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. This one's special.

When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 scintillating minutes of arpeggiated chug and slow-cresting climaxes: a moment when the resting heart rate of dance floors plunged lower than any comparable point in the 21st century. A masterclass, entirely self-contained in audio form.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like an F1 car.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. Full send.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan (Editor, RA)

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

Manchester producer Bobby Ganoush gets his hands on New Order’s greatest hits. The result: two club-ready reworks you didn’t know you needed, until now. 

Taking on two tracks from one of the most critically acclaimed and influential bands of the 1980s is no easy feat. But, with over 30 years experience in the dance music industry, Bobby Ganoush delivers a pair of punchy, high octane tracks; both of which have been tackled with the utmost respect, handled with an attentive ear and never lose the essence of the seminal originals. 

With a musical history producing under a number of different monikers, previously remixing The Clash and Bob Marley, whilst engineering and mastering tracks for a range of artists, Bobby Ganoush is no stranger to the needs of a dancefloor, something which is reiterated with this release. 

His take on ‘True Faith’ doesn’t stray too far away from the quintessential eighties sound, beginning with an elongated, synth-heavy instrumental intro, we’re then introduced to Bernard Sumner’s instantly recognisable voice as the track begins to peak. This rework uses the best bits of the Shep Pettibone vocal and dub mixes, alongside explosive percussion and a reinforced bottom end to give it more weight, whilst using just three verses. This setup undoubtedly lends itself more to a club - with a steady pace and a warmth of familiarity, this track will ensure a hands-in-the-air moment on many a night out.

Bobby Ganoush’s rework of New Order’s biggest track is of a similar considerate vein. Opening with extended elements from Kraftwerk’s ‘Uranium’ (which was originally sampled for ‘Blue Monday’) alongside Kraftwerk’s ‘Numbers’, he adds even more substance before blazing into the fundamental ingredients of the original, iconic track. The unmistakable “How does it feel?” echos as tumbling drums and broken beats take the lead, before it’s ignited again with signature synths. With Bobby Ganoush's deep rooted association with Manchester's dance scene, it’s no surprise he’s taken a standout approach to reimagining one of the Hacienda's most iconic records.

New Order - True Faith (Bobby Ganoush Re - Order)

Manchester producer Bobby Ganoush gets his hands on New Order’s greatest hits. The result: two club-ready reworks you didn’t know you needed, until now. 

Taking on two tracks from one of the most critically acclaimed and influential bands of the 1980s is no easy feat. But, with over 20 years experience in the dance music industry, Bobby Ganoush delivers a pair of punchy, high octane tracks; both of which have been tackled with the utmost respect, handled with an attentive ear and never lose the essence of the seminal originals. 

With a musical history producing under a number of different monikers, previously remixing The Clash and Bob Marley, whilst engineering and mastering tracks for a range of artists, Bobby Ganoush is no stranger to the needs of a dancefloor, something which is reiterated with this release. 

His take on ‘True Faith’ doesn’t stray too far away from the quintessential eighties sound, beginning with an elongated, synth-heavy instrumental intro, we’re then introduced to Bernard Sumner’s instantly recognisable voice as the track begins to peak. This rework uses the best bits of the Shep Pettibone vocal and dub mixes, alongside explosive percussion and a reinforced bottom end to give it more weight, whilst using just three verses. This setup undoubtedly lends itself more to a club - with a steady pace and a warmth of familiarity, this track will ensure a hands-in-the-air moment on many a night out.

Bobby Ganoush’s rework of New Order’s biggest track is of a similar considerate vein. Opening with extended elements from Kraftwerk’s ‘Uranium’ (which was originally sampled for ‘Blue Monday’) alongside Kraftwerk’s ‘Numbers’, he adds even more substance before blazing into the fundamental ingredients of the original, iconic track. The unmistakable “How does it feel?” echos as tumbling drums and broken beats take the lead, before it’s ignited again with signature synths. With Bobby Ganoush's deep rooted association with Manchester's dance scene, it’s no surprise he’s taken a standout approach to reimagining one of the Hacienda's most iconic records.

New Order - Blue Monday (Bobby Ganoush Re - Order)

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Feedback in the comments and reposts is always appreciated. 
Cheers, Scott.

New Order - Blue Monday (Bobby Ganoush Re - Order)

Bobby Ganoush

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