Great title!  What's the story behind it?

Baltic Azure

Solace

Fix me, 
repair me,
I'm starting to get,
a little scary,
as an opening bet,
at odds and very,
handicapped,
imagine that,

oh, help me,
I'm always in trouble,
trying to burst,
my beelzebubble,
it's a catering curse,
I'm my own stunt double,
for what lies between,
these inaction scenes,

oh...fix me,

pain program winding me up,
like a clockwork beast,
another puzzle,
yearning for the missing peace,
keeping it still,
but my heart, 
it starts to suffocate,
goes where it will,
least until, 
it finds it's much too late,

oh fix me, I'm breaking,
stuck in the state,
I'm forsaking,
a little too late,
so I'm faking,
the plastic smile,
the slurping bile,

oh help me,
the scent of another,
the sky weighs so much,
it's set me to smother,
I'm cold to the touch,
and every other,
tragedy,
no one can see,

oh fix me,
fix me,
fix me,

I'm looking, 
above me,
why don't you?
why don't you love me?
and isn't this hate,
a part of me?
why don't I love myself?
I got no one else,

oh...fix me,

Fix Me

Code 9

VK3CFI,
U2MIR to Colac, Victoria

I’ll be there for you,
and you’ll be there for me too

Falling empire weighs me down,
packet radio I’ve found

Send me some news, please Maggie dear
Will you send me some news, Maggie please

[Words & Music - The Feckless]

one human at a time

VK3CFI

(I Am) Sleep Deprived

Composed, arranged, performed, and produced by:
Carlos Vivanco
https://youtu.be/kPe2z6JvQ1k

Oriental String Orchestra

Karuna

Doug Seidel https://soundcloud.com/douglasmseidel: bass, guitars, organs, saw blades, other stuff

todd: bass, drums, percussion, semi modular, voices, words

words:

I froze at the podium 
blinky blinky in my turtle shell
i got the hot wax anemia short circuit 
i almost fell
she asked me how can you live without sunlight
we turned our heads and we agreed
you tell me now the weeds we pulled out were stuck in tight
i said the recent rains made them easy to pull
she pulled up in a quick way and rolled down her window
I dropped the flowered bag in there and then she was gone
there is a scrungie on a fish 
there is a scrubber on that fish
you are delightful as a wish and I’m glad you’re gone
she asks how an you live without sunlight
we turned our heads and we agreed
frozen at the podium 
blinky blinky in my turtle shell

recent rains

More on the 648th weekly Disquiet Junto project, Shadow Boxing — The Assignment: Employ shadow boxing as a musical metaphor — at https://disquiet.com/0648/

Personality Shadow Boxing (disquiet0648)

Iron Skies

Multicultural, Diverse and Always Awake > BERLIN // The Sound of An Exciting City 
Peter Pasch @docfritz   	 - Drums, Percussion, Mix & Remaster
Ralf Wadephul                        - Keyboards, Synthesizer
Composed, Arranged and Performed by 
OESJ | ORCHESTRA OF ELECTRIC SPACEJAZZ | © 2022 all rights reserved // www.oesj.eu | post@oesj.eu

OESJ

BERLIN

Scored for string orchestra (3.3.2.2.1)

Completed 06/28/2019
Premiered 02/14/2020 by Jebat Kee and members of the Peabody Conservatory

Violins: Audrey Maxner, Nicolle Avila, Anna Pavlou, Sarah Thomas, Hanyu Feng, Adam Davis
Violas: Amy Tan and Daphne Bickley
Celli: Kyle Victor and Zoe Hardel
Double Bass: Patrick Raynard

Among my favorite pieces of music is Sibelius’s 6th Symphony. It is an extraordinary work not just for its contrapuntal elegance and formal innovation, but also for its remarkable treatment of time. From its gentle opening, the piece establishes a floating and ethereal soundworld that sounds almost unmeasured, despite its melodic and contrapuntal clarity. This image of well-formed musical objects floating, unimpeded by barlines, laid the groundwork for Minutes
Between. 

I sought to explore contrasts in the passage of time - slow melodic figurations over fast harmonic rhythms, wild arppeggios embellishing glacial chord changes, entirely unmeasured segments guided purely by musicians’ intuition, rigorously beat passages with sharply defined pulses. At many points, musicians are in entirely different tempi, stretching and playing with materials to create swirling textures at turns and dreamy counterpoint at others. 

At its heart, though, Minutes Between is guided by a romantic impulse, built as it is out of two main motifs - the soloist’s opening three notes of Sibelius’s Violin Concerto, as well as a descending scalar melody. The two intermingle throughout the piece against a persistent harmonic backdrop, recast in roles austere, contemplative, anxious.

Minutes Between, for chamber strings

Bobby Ge

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