'I don’t have a proper job, I'm a metamodern skank'
Varrick Zed's insouciant introduction sets the tone for 'Very', a taut new assault on the dancefloor from NYC avant-pop miscreants, Strange Flesh.

Taking aim at societal expectations as to how a life ‘ought’ to be lived, ‘Very’ is an anthem for those on their own deliciously precarious path, the soundtrack to beloved but ill-paying employment, affordable decadence, no children, and a healthy disregard for the future. 

Underpinned by a pulsating bassline and minimal electro-funk beat, the track’s wickedly catchy sonic palate is peppered with deconstructed synth hooks and subtle ambient flourishes, which, together with Varrick’s ice cool sprechgesang vocals, turn ‘Very’ into a full-blown pop leviathan. 

While we're feeling nebulous, 'Very' is backed by the darker, galloping strains of 'Sugoku', an accelerated club belter that complements its predecessor very well, before the EP's title track is hacked to pieces and rehewn by Digital Equipment Co. into a dementedly hiccupping new beast.

Last of all, legendary New Zealand DJ Stinky Jim elongates 'Very' into a jawdropping eight minute dub extravaganza, closing out this sizzling EP with aplomb.

For the as-yet-uninitiated, Strange Flesh comprises native New Yorker Varrick Zed, and London expatriate Ed Zed. The duo is based in Brooklyn, where they craft left field pop music out of whatever they find lying around in their apartment and their ravaged minds.

Very

Sonskrif takes Dust Mite to the dark side with the Dustification mix.

Dust Mite - Sonskrif (Dustification Mix)

In this episode of Breaking History, Matt and Sean break down the roots of the Behaviorists managing the Biden administration and the fascist roots of behaviorism which played into a false opposition to the Freudian school of psycho-analysis on individual levels as well as on group dynamics.

The two recent essays produced by Matt which shaped this discussion are below:

https://canadianpatriot.org/2021/02/15/how-conspiracy-theorizing-may-soon-get-you-labelled-a-domestic-terrorist/
_
https://matthewehret.substack.com/p/joe-biden-and-the-revenge-of-the

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Breaking History Ep. 11: The Evil of Behaviorism and Statistical Thinking

Broken Boards In Bmin

Lectern is the first single from Rosie Tee's new mini-album, 'Night Creature' out on 26 April via Kikimora Records.

Watch the visualiser here: https://youtu.be/kLHWaA0KkeA
Pre-order the mini-album: https://kikimorarecords.com
Follow on Instagram: https://instagram.com/rosietee

www.rosietee.uk

Night Creature

Lectern

More on this 621st weekly Disquiet Junto project, The Leftovers (The Assignment: Use recently discarded material to make something new), at: https://disquiet.com/0621/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0621-the-leftovers/

I'm In The House (disquiet0621)

‘Let Yourself Cry’ is a heartbeat to hold close to yours when you feel alone and desperate. It’s a song for everyone who’s experienced grief, pain, suffering. It’s words offered in solidarity and comfort.

Let Yourself Cry

‘The Man at the Party’ a striking alt hip hop dialogue between B and one of ‘those’ guys at a party…
You know the fella. Kinda offended by a woman having the temerity to disagree/ correct him/ have her own opinion. It’s a confrontation and catharsis in song form!

The Man at the Party

Every Loss

Ah ces poly-sons ! Ils sont complètement tirés par les plumes en saison sèche … car, quand l’appel du parapluie fait un sens averse, c'est une pluie d’oiseaux qui vient fredonner la polyphonie d’Azillanet.

"Goutte que Goutte" est une pièce sonore réalisée par la fusion de 4 gouttes de Belgique avec 5 gouttes de France. C'est une composition de sons glanés dans le village d'Azillanet et sa nature environnante, à différents moments d'une journée et d'une semaine, et aux hasards de rencontres avec les habitant.e.s, les oiseaux, les fluides, les végétaux et les lieux de vie. 
Elle témoigne autant de la diversité des sensibilités de ses créateurs et créatrices, que de la singularité de leur écoute poétique du monde. Ecouter le monde, c'est se relier à lui et en prendre soin, même en temps de pluies, alors coûte que coûte, les micros ont été sortis et les oreilles se sont ouvertes.

Les 4 gouttes de Belgique : Virgile Loiseau, Zoé Maus, Katherina Lindekens et Anne Versailles.
Les 5 gouttes de France : Marie Spiller, Nils Loret, Floriane Pochon, Anne Girard Esposito et Juliette Mariel.
L'espace temps de leur fusion : le merveilleux stage de field-recording organisé par Félix Blume, du 30 avril au 5 mai 2024. 
Merci à Georges, Nico, Stéphane, Anne, Mireille, Patrick, Ana, tous les habitant.e.s d'Azillanet, le rossignol, le Couvent, le Foyer Rural, la cloche, la mare aux crapauds, et bien sûr la pluie !

Goutte que Goutte

the Sea They Think They Hear
for soprano, flute, harp, piano, violin, viola and violoncello | 2021

Written for and performed by the Wet Ink Ensemble and Gelsey Bell
Recorded at Scholes Street Studio
Mix and Mastering by Murat Çolak

Text

The ocean, deep blue-green.
What we learn in the middle of the night is that the world makes us flinch. (Michel Serres, The Five Senses: Philosophy of Mingled Bodies)
Sounds an ocean, drinks it in.

Then everything became worse for the wear, damaged, used and used-up and ultimately destroyed.
More and more I made up for what was lost, I slowly improved myself, and I considered myself healed. (Ingeborg Bachmann, Malina)

I found myself trapped in a nightmare, standing alone at the sea. Everyday becoming more and more.
White and yellow and gray and horizonless. (Tove Jansson, The Summer Book)

the Sea They Think They Hear (2021)

Rapper and producer from Bristol. Delivering philosophically-inclined rap to you from the future, for all of womankind and our allies to enjoy with your ears and minds and bodies.

The Man at the Party

B of Briz

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