Anarchy

This is track no. 2 from Genocide Organ’s 1992 album, “A Functional Chapter of Sexual Process”

A Functional Chapter of Sexual Process © 1992, Genocide Organ




















There are no limits to human capability

Genocide Organ - Torn Into Pieces (repost)

The song you never want to hear when your at 5 AM

Freddy's Music Box

04. Silent Hill OST - Over

Who's Next

Baba O'Riley

Surrealistic Pillow

White Rabbit

The Very Best Of

Evidently Chickentown

Never Mind The Bollocks, Here's The Sex Pistols

Anarchy in the U.K.

The Doors

The End

Check Your Head

Jimmy James (Remastered 2009)

The Last Of The Mohicans

Promentory

Wagner: The World of Wagner

"Hojotoho! Hojotoho!"...Ride Of The Valkyries

The Belle Stars

Iko Iko

Kala

Paper Planes

Bodysong.

Convergence

Death to the Pixies

Where Is My Mind?

In 1976, Carrie made a star of Sissy Spacek, a bankable first-tier director of Brian DePalma, and a household name of horror writer Stephen King (on whose first novel the film was based). Newcomers John Travolta, Amy Irving, and Nancy Allen didn't do so bad for themselves either.

But like the solid efforts of many film composers, Pino Donaggio's work went largely unheralded at the time, though DePalma would reward him with no less than five more scoring assignments in the years to come. Ironically, Donaggio was the director's second choice; the first, Bernard Herrmann, died just hours after the final recording session for Scorsese's Taxi Driver in December, 1975.

For the Carrie, score, Donaggio descends from the breezy string and flute arrangements that introduce the innocence of the title character into a darkening orchestral maelstrom as the troubled telekinetic Carrie suffers increasingly harsh indignities at the hands of her schoolmates and madly fundamentalist mother. Like his peers Morricone and Rota, Donaggio often understates the most dramatic scenes of his projects; the famed school prom hell storm scene is accompanied merely by rumbling sustained chords from the strings beneath subtly disquieting electronic effects. Ryko's interspersing of dialogue clips is especially effective here, particularly the chilling rantings of Piper Laurie as Carrie's mother.

Anarchy

Bubba Coleman