EDDIESLIST

Check TikTok for exclusive content: https://www.tiktok.com/@drwickofficial
YouTube: https://www.youtube.com/@DrWick-kd3fr/videos

New release every weekend thru September on Soundcloud, YouTube, and TikTok

Piano Sample : Chopin Scherzo No. 2 (1837)

Beat for sale

Twitter: @TheRealDrWick
Free Download: https://soundcloud.com/somebodycalldr/how-i-went-crazy-rap

Deadly Combination - Tupac, Biggie, Big L remix by Dr. Wick

Natureboy Flako

Devil's Gun

The Trammps-The Night The Lights Went Out (M.Maurro)

simple cppy & paste edit with longer intro and outro for easy dj use

B.T. Express - Do It (Till You're Satisfied) (The Schwinn Edit) *** free dl

2pac & Easy E- This Is How We Do (Remix)

CeybiI Meets Colonel Abrams in Trapped - Love So Special Mash Up Remix - DJ Top Cat . 2015
all rights are reserved to their respective owners

CeybiI & Colonel Abrams in Trapped - Love So Special Mash Up Remix - DJ Top Cat .

Deep Grooves

Love Is the Message (Love Groove Bonus) [feat. The Three Degrees]

John Morales 1 hour of slamming disco, boogie funk tracks turn it up 
..... 1!!!!!!

John Morales Boogie Mix Live

Let Me Blow Ya Mind Vs Juicy - Biggie Smalls & Eve (Vana Mashup)

Aretha Franklin - Jump To It (Groove Delivers Old School Remix)

Download: http://www.mediafire.com/file/s4g2z56vs97qd3q/Aretha_Franklin_-_Jump_To_It_%2528Coutel_Edit%2529.mp3/file

Aretha Franklin - Jump To It (Coutel Edit)(Free Download)

My absolute favourite funky break....loooooove it!

R. I. P. Jimmy

Jimmy Castor - Just Begun (DJ Mila instrumental rework)

A Juicy Intro - The XX Feat Biggie Smalls

Edit of the lovely Jean Carne song "Was That All It Was." First in the series of Editude City productions, this one by me.

Was That All It Was (Disco Crystal Edit)

Runnin' With Biggie  [Tupac & Biggie Smalls Mashup]

Omar Abdallah Live In Trenton, N.J. Feb. 2020.MP3

I put a bunch of songs together, that are part of the Newark, NJ party scene.

Newark, NJ Club & House Music (Part 1).MP3

Instrumental version part 1 

John Morales presents The M + M Mixes Vol. 3
NYC Underground Disco Anthems & Previously Unreleased Exclusive Disco Mixes

“The original process of 're-mixing records' was intended to provide an alternative listening experience which had been optimized for people who went out to dance at Discos. John was one of the early pioneers who loved music, understood his craft and HAD RESPECT FOR THE CREATIVE WORK from which his mixes were derived” 

Patrick Adams – Super Producer. Writer of more than 30 Gold and Platinum records and back to back winner of ASCAP Songwriter of the year award 1996/1997

 This compilation is John Morales’ third for BBE. Few can match his contributions to the world of Dance Music be it soul, funk, disco, to today’s house music.

John Morales is considered one of the true legends of the mix. And his work some thirty years later continues to be cutting edge and inspiring. His epic mix of Universal Robot Bands boogie anthem “Barely Breakin Even”  is the source from which BBE Records got its name.

No attempt has ever been made to summarise the pinnacle of Johns work. This third release on BBE continues that history lesson that John has forged in dance music. He formed The M+M Mix with his late partner Sergio Munzibai, in 1982 till 1990 whose output of over 650 mixes will be unmatched today. John continues The M+M legacy.

From the Rolling Stones to Gloria Estefan, The Temptations, Barry White, Marvin Gaye, James Brown, Hall & Oates, Teena Marie, Aretha Franklin to BBE – we have all been molded by Johns everlasting mix influence, love for his work and his Music..  This superb triple CD presents some of John's finest works, and takes the M+M Mix legacy to yet a higher level. CD1 & 2 feature some of the greatest tracks of all time from the Start of CD 1 and Barry White’s “Never, Never Gonna Give You Up” , to the classic rework of Marvin Gaye’s “I Want You”  which closes out CD2, there are no sleepers here. CD3 also features some of the best from the vaults of the Salsoul and West End labels, anthems like Loleatta Holloway’s – “Hit & Run” to legendary Paradise Garage favorite Loose Joints “Is It All Over My Face?”. 

 This is the legacy of the M+M mixes.




03 Was That All It Was (M+M Instrumental)

WBLS MIX 2 NYE  2020 - DJ TALL GUY

Buy the album: https://orcd.co/teenamarie

Producer extraordinaire John Morales returns to BBE Music, celebrating the life and work of R&B / soul legend Teena Marie with a double album full of brand new remixes, lovingly crafted from the original studio tapes, entitled ‘Love Songs & Funky Beats’.

“Teena is somewhat underrated, and people don’t really know much about her.” Says Morales. “I set out to immerse people in her music and represent what she really did. That meant for me a dive into more than her R&B hits, to dig into her ballads and dance cuts. People know she was talented. I don’t really think they really knew the depth of her abilities, her complete confidence to take it upon herself to do everything – singing, producing, arranging, songwriting. Teena Marie was the total package.”

John Morales had the pleasure of mixing many of Teena Marie’s original records over the years, so it felt natural to dig into the archives and select his favourite cuts to rework, extend and subtly update in his own distinctive style. While by no means a definitive collection of Lady Tee’s expansive musical catalogue, ‘Love Songs & Funky Beats’ represents a fitting tribute to a multifaceted and important voice in popular music, by one of the most storied mix engineers and remixers of our age.

Jumping into the music industry deep end in 1979 with a three-year mentorship from Berry Gordy & Rick James at Motown, Teena Marie then spent seven fertile years with Epic, which yielded her greatest commercial successes (including the classic album ‘Starchild’). After founding an independent label ‘Sarai’, Marie took a ten-year hiatus which ended in 2004 in a deal with hip hop label Cash Money Records; a less unlikely partnership than some might assume, given that Teena was one of the first ‘mainstream’ artists to perform a rap verse, on 1981’s ‘Square Biz’.

Teena Marie Brockert forged a unique path through the industry, an artist in-charge of her own destiny, influencing (and heavily sampled by) both the hip hop and R&B sounds of the 90’s and early 2000’s. Her 1982 lawsuit against Motown records resulted in “The Brockert Initiative”, which has benefitted literally thousands of other artists by making it illegal for record companies to ‘shelve’ artists by keeping them under contract without releasing their material. She continued to tour regularly and deliver commercially successful, expertly sculpted music, right up until her untimely passing in 2010.

EDDIESLIST

Bogartt