Jane Benson, excerpt from System of Nature: Chapter 5.

Aeron Bergman And Alejandra Salinas - -Consuming Nature Excerpt

In episode four of Phoned-In, BOMB Magazine’s poetry reading by phone podcast, Ben Lerner reads a selection of his work.

Ben Lerner: Phoned-In #4

In celebration of Small Press Month, BOMB Magazine presents a serialized audiobook of The Shanghai Gesture as read by the novel’s author, Gary Indiana.

Gary Indiana Reads Chapters 1-3 of The Shanghai Gesture

Thelma Golden & Glenn Ligon in Conversation

Alina Gregorian

lynden polly eliza symposium

Folayemi_Wilson_Lynden

Text to Speech

Archive copy of “Get Weird: Charles Gaines/Terry Adkins Collaborative” audio file, 2009. Courtesy New Museum, New York.

Charles Gaines/Terry Adkins Collaborative,  "Get Weird," New Museum 2009.

Each installment of this ongoing portfolio series features an original audio recording by a musician, composer, or sound artist along with their commentary. Projects range from raw documentation of live performances to sound collage and experiments with aleatory music.

http://bombmagazine.org/article/0998721/field-recording

Che Chen: Field Recording #1

http://bombmagazine.org/article/463992/field-recording

Each installment of this ongoing portfolio series features an original audio recording by a musician, composer, or sound artist along with their commentary. Projects range from raw documentation of live performances to sound collage and experiments with aleatory music.

Zaïmph: Field Recording #2, "The Lost Now"

http://bombmagazine.org/article/0786104/field-recording

Each installment of this ongoing portfolio series features an original audio recording by a musician, composer, or sound artist along with their commentary. Projects range from raw documentation of live performances to sound collage and experiments with aleatory music.

Eve Essex: Field Recording #4

http://bombmagazine.org/article/46011014/field-recording

Each installment of this ongoing portfolio series features an original audio recording by a musician, composer, or sound artist along with their commentary. Projects range from raw documentation of live performances to sound collage and experiments with aleatory music.

Patrick Higgins: Field Recording #3, "Aletheia ReAmp"

Each installment of this ongoing portfolio series features an original audio recording by a musician, composer, or sound artist along with their commentary. Projects range from raw documentation of live performances to sound collage and experiments with aleatory music. Click here for more details: http://bombmagazine.org/article/2367121/field-recording

Crys Cole: Field Recording #5

Each installment of this ongoing portfolio series features an original audio recording by a musician, composer, or sound artist along with their commentary. Projects range from raw documentation of live performances to sound collage and experiments with aleatory music. Click here for more details: http://bombmagazine.org/article/09571210/field-recording

Chris Watson: Field Recording #6, "Orford Ness"

Each installment of this ongoing portfolio series features an original audio recording by a musician, composer, or sound artist along with their commentary. Projects range from raw documentation of live performances to sound collage and experiments with aleatory music. See more details here: http://bombmagazine.org/article/8198124/field-recording

Aki Onda: Field Recording #7

Read the BOMB interview with Ghédalia Tazartès:
http://bombmagazine.org/article/3278131/gh-dalia-tazart-s

Diasporas

Ghédalia Tazartès - "Un Amour Si Grand Qu'il Nie Son Objet"

In the seventh installment in BOMB’s Fiction for Driving Across America series, Joshua Furst reads his short story “Black Ice,” first published in BOMB 111.

"Black Ice" by Joshua Furst

Each installment of this ongoing portfolio series features an original audio recording by a musician, composer, or sound artist along with their commentary. Projects range from raw documentation of live performances to sound collage and experiments with aleatory music. Click here for more details: https://bombmagazine.org/articles/field-recording-3/

Lea Bertucci: Field Recording #8

Each installment of this ongoing portfolio series features an original audio recording by a musician, composer, or sound artist along with their commentary. Projects range from raw documentation of live performances to sound collage and experiments with aleatory music.

Click here for more details: http://bombmagazine.org/article/610168/field-recording

Alan Courtis: Field Recording #12, "Osaka Pachinko"

Each installment of this ongoing portfolio series features an original audio recording by a musician, composer, or sound artist along with their commentary. Projects range from raw documentation of live performances to sound collage and experiments with aleatory music. Click here for more details: http://bombmagazine.org/article/9212619

Bill Orcutt: Field Recording #11, "Crossroads (2009)" & "Auckland Hotel Room (2010)"

Recorded at the New Museum of Contemporary Art, New York City
Fall, 2002

Rackstraw Downes and Philip Lopate in Conversation

Each installment of this ongoing portfolio series features an original audio recording by a musician, composer, or sound artist along with their commentary. Projects range from raw documentation of live performances to sound collage and experiments with aleatory music. Click here for more details: http://bombmagazine.org/article/276296

Byron Westbrook: Field Recording #13, “Silo and 224 Centre Synth”

An excerpt from the writers' chat for BOMB Magazine. Read the interview: http://bombmagazine.org/article/5107/binyavanga-wainaina

Binyavanga Wainaina & Rob Spillman in Conversation

An excerpt from the artist's interview for BOMB. 

Read the rest here: http://bombmagazine.org/article/5992/lisa-yuskavage

Lisa Yuskavage interview

Lisa Yuskavage & Mónica de la Torre in Conversation

Read the full interview: http://bombmagazine.org/article/5991/peter-eisenman

Peter Eisenman & Carlos Brillembourg in Conversation

Pioneer Works RHI After-School Program collaborated with BOMB Magazine to create a 10-week workshop for high-school students examining the major concepts central to collecting, documenting, and preserving the stories of distinguished visual artists of the African Diaspora in New York, through the study of oral history. As a culminating project, students interviewed two NY-based artists, Chloe Bass and Salome Asega, and developed a podcast to capture their stories, you can listen to their projects here.

Salome Asega: Oral History Project

Pioneer Works RHI After-School Program collaborated with BOMB Magazine to create a 10-week workshop for high-school students examining the major concepts central to collecting, documenting, and preserving the stories of distinguished visual artists of the African Diaspora in New York, through the study of oral history. As a culminating project, students interviewed two NY-based artists, Chloë Bass and Salome Asega, and developed a podcast to capture their stories, you can listen to their projects here.

BOMB Magazine

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