A PORT OF CALM

Jazz Fusión (from Málaga (Spain)) -> RECOMMEND USING HEADPHONES.
- Carlos Fuentes Castillo: Guitar, Keyboards, Composition, Programming, Mixing and Mastering.

Cuando me haya ido

Main parts --- nylon and steel string acoustic with some electric guitar overdubs later. A kind of study, with some almost experimental electric guitar ornaments. Recovered the acoustic guitar files, fixed them up, and glued it together! A bit of unevenness in the quality means best on earphones I think.

Step into the Light

This is a re-recording of an old song of our old band from the early 90s. I couldn't convince our singer @user-20931549 to sing on it yet (or any other member to record their parts), so all done by myself few years ago, for now as an instrumental. Anyway, I like it ;-)

Guitars, Bass, Drum Programming: @bonetender
Music: https://soundcloud.com/maersk-dddb/lovely-lemon-tea

©vonLieblos & Bonetender (& others) 2022 All Rights Reserved

Lovely Öemontea

Lovely Lemontea

Ventotene, a small island in the Mediterranean. Under a breathtaking starry sky, waiting for the dawn.
Thanks to @RosinDust for her gorgeous violins. I am always grateful for her willingness and enthusiasm.
In the last period I worked a lot on things written some time ago, so I had not composed anything new for a few months and, as always happens in these cases, I was a little afraid of having run out of creative vein. That's why, with this new piece, I'm happy and ready for the next time when I'm definitely going to ask myself, once again, "oh my god, is this over?" :)

Here the other collaborations with Tatiana:
soundcloud.com/francescocartocci/sets/grazie-tatiana

In the photo, of course, Ventotene.

Composition and all arrangements: Francesco Cartocci

It's almost dawn - with Rosin Dust

Instead of mine

Been working on this one for a little while, nice to finally post it!

Reverberations

Marco Lucchi : electric organ and tape

9 febbraio 2023

questa è la mia personale interpretazione del "Four organs" di Steve Reich .. non la considero una versione definitiva, ma giusto un primo approccio, un tentativo .. se qualcuno è interessato a condividere con me il piacere di lavorare su quel bellissimo pezzo mi faccia sapere .. sono ben accetti sia rielaborazioni che parti vocali o strumentali da aggiungere .. su Bandcamp, in forma di 'bonus track', trovate anche il brano originale
https://marcolucchi.bandcamp.com/album/notre-dame

***

Four Organs is composed exclusively of the gradual augmentation (lengthening) of individual tones within a single (dominant 11th) chord. The tones within the chord gradually extend out like a sort of horizontal bar graph in time. As the chord stretches out, slowly resolving to the tonic A and then gradually changing back to the dominant E, a sort of slow-motion music is created. The maracas lay down a steady time grid of even eighth-notes throughout, enabling the performers to play together while mentally counting up to as much as 256 beats on a given cycle of sustained tones.


Four Organs is the only piece I am aware of that is composed exclusively of the gradual augmentation of individual tones within a single chord. From the beginning to the end there are no changes of pitch or timbre; all changes are rhythmic and simply consist of gradually increasing durations. This process of augmentation was suggested by the enormous elongation of individual tenor notes in Organum as composed by Perotin and others in the twelfth and thirteenth centuries in Paris at Notre Dame Cathedral. Tenor notes that in the original chant may have been equivalent to our quarter- or half-notes can take several pages of tied whole-notes when augmented by Perotin or Leonin.


Four Organs was composed in January 1970. It was first performed at the Guggenheim Museum in New York City by myself and members of my own ensemble later that same year. It also turned out to be one of my first pieces to be heard by a large concert-going public when Michael Tilson Thomas invited me to perform it with him and members of the Boston Symphony Orchestra in Boston in 1971 and at Carnegie Hall in 1973, where it provoked a riot.


—Steve Reich

Bandcamp

Notre-Dame

Music composed and piano performed by @tom-r-gnier
Guitars performed by @juswel
Vocal, Organ, mix and lyrics by @conover
© 2023 Conover/Régnier

She tamed the lips
Extraordinary hips
and when she went home
She left it on the shelf
and I knew her well
St. Thomas bridge is where I met her
and on Saint Valentine's Day, she was gone gone gone
It's cold out there..... bundle up

The St. Thomas Bridge is a 1,500-foot-long suspension bridge, crossing Los Angeles Harbor in Los Angeles, California, linking San Pedro with Terminal Island. It is the only suspension bridge in the Greater Los Angeles area. The bridge is part of State Route 47, which is also known as the Seaside

St. Thomas Bridge (Conover/Régnier/Welin)

This was another beautiful project in which producer Morten Jeamland sent me the music and I sang the vocals. 

We share the love for nature and feel that it is a vital part of wellbeing. People can be very disconnected from nature these days, which is a worrying development. It is good to go back to the roots.  And protection of nature and all the living species should be at the forefront of any decision making in the world.

Remix and production by Morten Jeamland @mortenjeamland

Lyrics and vocals by Heidi K

Whispering Forest

Whispering Forest - Remix by Jeamland & Heidi K

Unbekanntes Album (15.12.2006 21:20:10)

Titel 3

Alternative, Indie, Psychedelic, Rock and stuff.

Lovely Lemontea

Bonetender

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