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Music & Lyrics, Drums, Bass, Synth, Organ, Piano, Vocal : Jan Schonander
Music & Guitar: REKHA IYERN [FE] https://soundcloud.com/rekha-iyern-fe

Some rough’n’ready rocking with REKHA….

Too much time with over 300 passed away every day.

THE 300

A dependable man
Drives his kids to school
Takes his time from work
Doesn’t miss an event
Or a single bedtime story	

A standout woman
Young and old they need her
It’s her life’s work
Behind every event
And never needing glory

You’re gonna be
One of three hundred
You’re gonna be
One of the lucky
You’re gonna see
How you blundered
Didn’t have to be 
Three hundred
Two hundred
One hundred

Just a boy and a girl
A hand, a touch
A caress, a first kiss
Don’t miss a glance
Never straying afar

A curly haired child
Tent torchlight at night
An adventurous life
Doctor, astronaut, explorer 
A movie star

You’re gonna be
One of three hundred
You’re gonna be
One of the lucky
You’re gonna see
How you blundered
Didn’t have to be 
Three hundred
Two hundred
One hundred

They’re all together
The three hundred
They’re all together
The three hundred
They’re all together
The three hundred

You’re gonna be
One of three hundred
You’re gonna be
One of the lucky
You’re gonna see
How you blundered
Didn’t have to be 
Three hundred
Two hundred
One hundred

The 300

The 300 | REKHA-IYERN [Fe] 🎸

The light has gone out

On est encore et toujours
Pris dans l'entonnoir des amis pour la vie
Les franges de l'espoir sont parties dans la nuit
Les derniers trouillards, les premiers déguerpis
Cuit dans le brouillard, hey, la tyrannie du déni

Des fois les gens se reprennent
Arrivent à reprendre les rennes
C'est chaud c'est chaud
C'est plus facile d'oublier
De faire du cliché

On est encore et toujours
Pris dans l'entonnoir de la folie des avis
Perdus dans le noir du mépris sans sursis
Accessoire pour conjurer l'ennui
Peur de pas pouvoir, hey, la tyrannie du déni

À bat la mission
Je préfère ma pulsion
La dernière fois c'était pour un beau dicton
Plus de compromission
Fais bien attention
Je vais péter un câble

Et puis c'est reparti
Je sais bien que c'est un cycle
Mais je préfère dire que je suis comme cela
C'est tout un vice, c'est les prémisses
D'une chute destructrice
Quelque part ça me rend triste
Mais c'est bien mieux que l'ennui

Tout m'agace quand je m'ennuie
Tous trépassent quand je m'enfuis
Pousse et casse tout ce que je détruis
C'est bien mieux que l'ennui

Je fais comme ça depuis si longtemps
Je ne sais pas faire autrement 
Essayer autre chose me fait trop peur
Tout sauf avoir l'air faible
Oh

Des fois les gens se reprennent
Arrivent à reprendre les rennes
C'est chaud c'est chaud
C'est plus facile d'oublier
De faire du cliché
Oï


Et toujours
Pris dans l'entonnoir des amis pour la vie
Les franges de l'espoir sont parties dans la nuit
Les trouillards, les premiers déguerpis
Cuit dans le brouillard, hey, la tyrannie du déni

Pris dans l'entonnoir, de la folie des avis
Perdus dans le noir du mépris sans sursis
Accessoire, pour conjurer l'ennui
Peur de pas pouvoir, hey, la tyrannie te poursuit  
Oï

Calé Cosy

Pris Dans L'Entonnoir

Music & Lyrics: Francisco Repilado (popularized by the Buena Vista Social Club)
Instrumental performance: Wypernet
Vocal: Jan Schonander

Thanks very much to Wypernet https://soundcloud.com/wypernet for allowing me to add a vocal to his wonderful instrumental.

"Chan Chan" is a 1984 son composition by Cuban trovador Compay Segundo. It was first recorded in 1985 by Compay Segundo's own group. In 1987, he approached Eliades Ochoa, who agreed to record a version with the Cuarteto Patria. However, EGREM did not release these recordings until the second half of the 1990s. In November 1995, Compay recorded a new version in Madrid for his Antología, released on CD the following year. In March 1996, Compay Segundo, Eliades Ochoa and other veteran Cuban musicians recorded a new version of the song as part of the Buena Vista Social Club project. The song became the opening track of their eponymous album and the group's signature song, thereby achieving international fame.

Lyrically, the song is set on the beach and revolves around two central characters called Juanica and Chan Chan. The most complete explanation says: 'The song relates the story of a man and a woman (Chan Chan and Juanica) who are building a house, and go to the beach to get some sand. Chan Chan collects the sand and puts it on the jibe (a sieve for sand). Juanica shakes it, and to do so she shakes herself, making Chan Chan embarrassed. [...] The origin of this tale is a farmer song learnt by Compay Segundo when he was twelve years old.

The most recognizable part of the song is its chorus, whose lyrics are as follows:

De Alto Cedro voy para Marcané
Llego a Cueto voy para Mayarí

From Alto Cedro I go to Marcané
I get to Cueto, then head for Mayarí

Background from Wikipedia

Chan Chan

Chan Chan | Wypernet 🎸

Music & Lyrics: Jan Schonander
Guitar: Davy Vance https://soundcloud.com/skub1955

Resung, remixed & remastered. A different mic and less effects on the vocal make a big difference. Also went for a more intimate delivery.

ALWAYS ON MY MIND

My love
I hope you hear you this song
I can’t be without you for too long
And although, sometimes you’re on your own
You’re always, always on my mind

My love 
When you are far 
I can see your smile
I remind myself of your touch
You’re always on my mind

When I get lonely
I close my eyes
I think of you and then I smile

Always on my mind
Always on my mind
Always on my mind
Always on my mind

My love
Let me know you feel the same way
I wan’t to feel your love every single day
And although, sometimes its not so easy
Remember,  you’re always on my mind

My love, 
When you are near
I can’t lose, I lose all my fear
I know just how to begin
I reach out, I touch your skin

Into my arms, my arms my love
You’re my only love, you’re my only love

Yeah my darling, you’re my only love
You’re my only love

Always on my mind
Always on my mind
Always on my mind
Always on my mind

Holoda

BONGOBRASS

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