just watched will & harper and this song being in it rly made it 10 times more emotionally potent, holy shit

emotions that you didn't know you had come out....

♥️🫶🏼💎BEAUTIFUL 💎🫶🏼♥️

So gay I love it 👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻

Nova likes this song, she is my rose 🌹❤️

Watch the lyric video here: bit.ly/thath-aslyricvid

Purchase Let's Be Still from www.theheadandtheheart.com

iTunes - http://smarturl.it/letsbestill
Amazon - http://smarturl.it/letsbestillamz
Sub Pop - www.subpop.com/artists/the_head_and_the_heart

iTunes

Another Story

Single from their latest album, Singles. Out March 25th.

Buy on iTunes: https://itunes.apple.com/us/album/seasons-waiting-on-you/id791124020?i=791124024

Seasons (Waiting on You)

Broadripple Is Burning Cover

Amsterdam

Sunday cover of Hozier. Hope you all enjoy :)

Cherry Wine

Buy Here :)

Hozier-Cherry Wine (cover)

Bandit - Where Is My Mind

Facebook: https://www.facebook.com/HollowCoves/
Instagram: https://www.instagram.com/hollowcoves

Mixed by Hayden Smith Productions
Mastered by Josiah Birrell (GOVS)

The Woods

Holocene

Produced by Real Miilk. All violin is Desiree Hazley.

Hallucinate

Blood Bank - Bon Iver

Future Islands - Tin Man

Foy Vance - "Be The Song"

Artist: Future Islands
Title: Tomorrow / Fountain 7”
Catalogue Number: UTR055
Formats: 7” / DIGITAL

Track listing:
A. Tomorrow
B. The Fountain

* * * RELEASE DATE / SEPTEMBER 3RD * * *

Since 2008’s ‘Wave Like Home’ debut album on Upset The Rhythm, Future Islands have gone from strength to strength, writing two classic albums of romantic yet melancholic synthpop for Thrill Jockey as well as exhaustively touring Europe and America to frenzied devotion. This new 7” on Upset The Rhythm ‘Tomorrow’ / ‘The Fountain’ sees the band at the top of their game, releasing some of their most compelling and sophisticated songs yet, building on the aching themes and poignant focus of their last album ‘On The Water’.

‘Tomorrow’ is a soulful swoon, its light tread is mesmerising amongst the slow burning synth cycles and relaxed bass progress. Samuel T. Herring’s ever-impressive vocal has never sounded more akin to Sam Cooke as he smoothly laments “I’m saying sorry every time we talk” before careening into a flight of sustained, arguably uncontrollable emotion. Some choice, additional vocals from Jenn Wasner (of Wye Oak), Lexie Mountain and Elena Johnston only make the song seem more impassioned; its ardent nature perfectly rendered into melody.

‘The Fountain’ meanwhile is a luscious narrative sunk into a slow dance. It’s a song that tells a tale of courtship, heady rush and leaps of faith. It’s a beautifully descriptive lyric, full of “shady groves”, “hanging gardens” and “human loam”, nodding a head to both Genet and Rilke as it passes. “I know my lines, and there’s a lot less space and a little bit of time… I know the way – It’s fine” sings Herring tenderly. Gerrit Welmers keyboard work here is stunning, the blooming chords and fluted air soaring across a landscape of crushed cymbals and quivering ambience, peaking with William Cashion’s deeply expressive, echoing bass ascent.

‘Tomorrow’ / ‘The Fountain’ was recorded and produced with long-term collaborator Chester Endersby Gwazda and mastered by Sarah Register (Talk Normal). Tyler Weeks provides the liminal, colourscape cover and the vinyl is heavyweight, white and limited to 1000 copies worldwide.

AVAILABLE HERE: http://upsettherhythm.bigcartel.com


Future Islands - 'Tomorrow'

Bon Iver is an art project based in Wisconsin.

Holocene

boniver

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