caught in da mix

We close out this 10-years of Avenue Red mini series with a debut mix from veteran crate digger and deep house & techno specialist, Tomas Bexton from Maidstone in Kent, England. A vinyl-only session. This is mostly comprised of some of our all-time favourite oldskool deep house gems, mixed with utmost smoothness! 10/10.

"I am not a professional DJ or a music producer, you could call me a long-standing vinyl collector of electronic and (mostly) house music since the 1990's. This mix focuses mainly on deep house with a definite nod to a couple of decades back at least.

My aim is to let the records and music do the work, with (hopefully!) a smooth mixing style. I want to feel a sense of peace through the records, maintaining the deep feel throughout. Electronic and minimal influences are of course also thrown in. Honoured to be allocated a podcast slot! I hope people enjoy the mix to round off the 10-year celebrations mini series." Tomas Bexton, December 2023

https://soundcloud.com/user-916038456

Avenue Red Is 10... Tomas Bexton

Leave It All Behind

End Of October

MAJOR

Relax in English.

Original track produced by Ilias Katelanos & George Dellis. Additional production by Nikos Fragomanolakis.

Hammock Dreams (nikosf. All Day I Dream Remix)

Episode 43 comes up next from Moscow artist R.Hz aka Roman Hertz , and is yet another fine guest mix in the series. 

Roman is definitely a busy man of late and his name seems to be appearing in and around the Deep and Dub Techno scene - he has also recently released EP on the excellent Hello Strange label which you need to check out.

This set features 10 tracks which all showcase Roman’s own productions, and all have that real nice quality to them.   This mix works it’s way through deep , dubby and sometimes dark techno grooves

Love this....

TRACKLIST :
R.Hz - Illusion (Ubertrend Records)
R.Hz - Circulation (Moira White)
R.Hz - Chemical Reaction (10PO Rmx) (Superordinate Dub Waves)
R.Hz - Clouds (Deep Electronics)
R.Hz - Anabiosis (Moolsaasa Rmx) (Superordinate Dub Waves)
R.Hz - Atmosphere (Ubertrend Records)
R.Hz - Storm (Toxic Recordings)
R.Hz - Insight (Askance Discs)
Cranker R - Baltico (R.Hz Remix) (Division Palescente L&S)
R.Hz - Night (Teol)

BIO / LINKS
Roman Hertz (R.Hz) is a Moscow artist sound designer. Prefers deep, dub and ambient sub genres of techno. 

https://rhzmusic.bandcamp.com/
residentadvisor.net/dj/rhz
facebook.com/RHzOfficial
soundcloud.com/r-hz
https://hearthis.at/r.hz/

Poisonoise Music - Guest Mix - EPISODE 43 - R.Hz

schulz audio - [ soundcloud.com/schulz_audio ] + 
[ https://deceleratemusic.bandcamp.com/album/decelerate-with-schulz-audio ]

TL:
CV313 - Subtraktive (Remastered Original Mix)
Altone - Buoyancy 
El Choop - Render 002 Proximity 
Gradient - Harmonic 04 
Ohrwert - Forsyth (Third Reduct)
Mr. Cloudy - Without You (Version)
Deepchord - Vantage Isle (DC Mix I)
Grad_U - Evening At Vikshtelee 

strange instagram - www.instagram.com/hello.strange
facebook - www.facebook.com/hellostrangelabel
bandcamp - www.hellostrange.bandcamp.com
telegram - t.me/hellostrange
blog - vk.com/hello_strange

Our releases

schulz audio - hello strange podcast #430

undrwtr (prod. mixed matches & lukrative)

Instrumental: https://soundcloud.com/tapeheadloops/scars-instrumental

Remixed and remastered.
Beat, scratches, mixing and mastering by Tapehead.
Vocals from ‘Wrong Side Of Da Tracks’ acapella by Artifacts.

Visuals: https://youtu.be/pOjlZugLeQE
Free Instrumental Download: https://tapehead.bandcamp.com/track/artifacts-chat-instrumental

It’s always fun remixing this song, Artifacts have so many gems, I really can’t decide between their two albums, both have so many stand out tracks all I can say is they’re both worth listening to. They also released some dope singles under different names like Brick City Kids, and were regulars freestyling on the Stretch and Bobbito show years before they dropped their first album. What I’m getting at is as a crew they represent a pure dedication to hip hop culture, and this song being dedicated to graffiti writers shows that clearly, that element of hip hop definitely seems to get acknowledged the least in the music.

This is a rework of the first beat I ever recorded a song over back in December 2017. (https://soundcloud.com/tapeheadloops/scars) I felt like it was necessary to remix and remaster it this weekend, given the track that I’ve recorded over the beat @hightopsfeed sent me last week, to be released on Wednesday. Recording over this beat back in 2017 was a huge moment in my life, in terms of working out what I really wanted and who I wanted to be. I was bugging back then, but that experience opened a lot of doors mentally, and helped me rediscover a passion which I think I’ve properly explained and demonstrated in that new track, which I’m too happy about. This beat was actually really difficult to remix and remaster, the levels on the original flip are really really bad so it took a lot of work to get it to fit with the sound of my newer drums, which are mixed in a very different way. I think it paid off though and I’m a lot happier with how the beat sounds, especially the way I layered the sample in the chorus to give the track a bit more variation, because it is just a 2-bar loop, so I decided to filter it for most of the track and bring in the highs occasionally, so the loop didn’t get boring.

Peace.

Artifacts Chat

Red Prod focuses on releasing Soundscape, Experimental , Electronica, Deep  music , Boom bap and Ambient . 
CLC CORPORATION SINCE 2007

Leave It All Behind

Bonnie McRed

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