I beg you! Please let therythmic mainSynth in the Track so that's finally a genious work.

beg you! Please let the rythmic mainSynth in the beginning of the main parts be louder, so that's finally a much more genius work.

Exactly Here is the decaying swingback that I mean. App. 4-7 times rythmic melodic synth.

die Schönheit der Dunkelheit in der Rhythmik kommt hier sehr sehr sehr sehr sehr faszinierend zu tragen

Moderat's Milk (The Lonely Edit)

Nils Frahm is one of the best artists out there in my opinion, with pretty much the best live show I've ever seen. But aside from all that, this was just a really enjoyable remix to work on because the original is such a great piece of music, and seemingly so well suited to what I wanted to do with it - which was to try and turn Nils' instrumental jam on his Juno, into something house/techno/club/44 compatible, but still carrying the class and feeling of the original. It was one of those remixes that just seemed to fit and flow easily, with minimum strain and maximum enjoyment on my part - usually a good sign for a remix (the one's that have to be forced never seem to quite get there).

Big thanks to Billboard for featuring this remix, which is now available as part of my Balance 030 compilation:
https://www.billboard.com/articles/news/dance/8454339/max-cooper-nils-frahm-remix
http://smarturl.it/Balance030MaxCooper

Stream / buy

Nils Frahm - For - Max Cooper remix

Video : https://youtu.be/kkvxYlom8yk
Lost (Original mix)
Lost Older Files EP

Lost (Original)

YokoO - Amazonia

Helix / Två Fontäner, like his previous release, Snow Sketch / Visions, is a 17+ minute slow burning exploration of ambience and rhythm.  Taking cues from the likes of Floating Points, Four Tet and Beacon, the tracks melt Tartaglione's specific brand of atmosphere with a well rounded beat.

Like the shape of it's namesake, Helix twists clanging melodic lines around a mess of white noise and a persistent backbeat.  The track eventually evolves to calm with a sidestick, allowing Två Fontäner's energetic intro and droning background to follow.

Helix / Två Fontäner is the first of a number of releases this year for Planète - who looks to solidify his status as one of Australia's most intriguing producers over the coming months.

Free Download

Planète - Helix

Improvisation on the syntakt at the Abracadabra Diner in Queens, NY

Improvisation 1

New EP 'Sufi' is out now on @atomnation
More info: http://atomnation.net/ATM037-Polynation-Sufi-feat-Marlon-Penn
Purchase: https://atomnation.bandcamp.com/album/sufi

Polynation - Sufi Pt II (feat. Marlon Penn)

This October 2016, to mark its 10th anniversary Booka Shade will release an expanded re-issue of the era-defining and career-kickstarting LP Movements. 10 exclusive remixes from electronic music’s finest artists including Nils Frahm, Jonas Rathsman, Deetron, Eats Everything, Dennis Ferrer, Patrick Topping, M.A.N.D.Y, Andhim, Hunter Game and Chi Thanh of classic singles including “Night Falls”, “Mandarine Girl”, “Lost High”, “In White Rooms”, “Wasting Time”, and of course, “Body Language” will feature alongside the 2016 re-master of the original album.

Pre-order: https://BookaShade.lnk.to/BSM10so
Available on Boxset, 2LP, 2CD or digital. Out Oct 14 2016

Movements 10

Night Falls (Nils Frahm Rework)

Pre-order

LNT: http://po.st/olafurLNT  
iTunes: http://geni.us/LNTolafurarnalds
Bandcamp: http://po.st/olafurBC 

Standing at the intersection where techno meets classical music, Ólafur Arnalds directs the new Late Night Tales.

“When I was asked to do the next installation of the Late Night Tales series I thought "This will be fun and easy, only a couple of days work. No problem!". Six months later, I was still pulling my hair out in some kind of quest to make the perfect mix. As someone who has never really done mixes before, I learned a lot of things along the way and the whole experience was very inspiring. I decided to approach the mix in a similar way as I would one of my scores. This is the soundtrack of my life. I included songs from many of my friends and collaborators and tried to deliver a mix that represents who I am as an artist and where my influences are coming from - both personally and musically.”
- Ólafur Arnalds, March 2016

Follow Late Night Tales:
Facebook: https://www.facebook.com/latenighttales1 
Twitter: https://twitter.com/LateNightTales
Soundcloud: http://soundcloud.com/latenighttales
Instagram: http://instagram.com/latenighttales

Follow Late Night Tales:

Web: http://latenighttales.co.uk
Facebook: http://www.facebook.com/latenighttales1
Twitter: http://twitter.com/LateNightTales
SoundCloud: http://soundcloud.com/latenighttales
YouTube: http://youtube.com/latenighttalestv
Instagram: http://instagram.com/latenighttalesofficial
Spotify: http://goo.gl/Q98T7d
Apple Music: https://music.apple.com/us/curator/late-night-tales/1233898093
Bandcamp: https://latenighttales.bandcamp.com/

Late Night Tales: Olafur Arnal

Kiasmos - Orgoned (Late Night Tales: Ólafur Arnalds)

My remix of '00:26' by Ólafur Arnalds & Nils Frahm is now available on 
https://erasedtapes.bandcamp.com/album/erased-tapes-collection-viii
Taken from the album 'Trance Frendz' · www.arnaldsfrahm.com

Ryan Davis on Facebook: www.facebook.com/ryandavissound/
Ryan Davis on Instagram: www.instagram.com/ryandavismusic/
Booking under booking@ryandavis.de

Commencing the 10th anniversary celebrations with a free compilation entitled Erased Tapes Collection VIII, Erased Tapes also welcomes the iconic Penguin Cafe to the roster amongst tracks from new signing Daniel Brandt (of Brandt Brauer Frick) and Peter Broderick’s duo project Allred & Broderick. It also includes recent compositions by Rival Consoles, A Winged Victory For The Sullen, Ben Lukas Boysen, Douglas Dare and Immix Ensemble & Vessel, as well as a previously unreleased soundcloud.com/ryan-davis remix of Erased Tapes stalwarts Ólafur Arnalds & Nils Frahm which was recently favoured by Aphex Twin and an exclusive edit of Woodkid & Nils Frahm’s score for JR’s Ellis, with spoken words by Robert De Niro.

The Story before: 

When i heard the Album Trance Frendz of Olafur Arnalds & Nils Frahm for the first time, i directly felt a connection to the song they both started together at 00:26. The fine textures of the synths and the subtle evolution in this one-taker brought up the idea of having a version i can play in the late nights on the dance floor but which also would work perfectly for listening in your comfort zone. 

The drums and way of how the remix should flow came naturally and as i had the song standing i layered the original stems here and there to have the track playing in some kind of canon. As i was very happy with my personal version i sent it out to https://soundcloud.com/olafur-arnalds, https://soundcloud.com/erasedtapes & the rest of the participants of this project. Gladly Olafur picked up my remix and forwarded the song to the label which lead to having this unofficial version approved to share with you out there. I hope you like it and thanks to Erased Tapes and all involved for the support :)

More

Ólafur Arnalds & Nils Frahm - 00:26 (Ryan Davis Rethink)

Paradis - je m'ennuie

Berlin-based duo Booka Shade, aka Walter Merziger and Arno Kammermeier, have carved out a reputation as one of the most celebrated electronic acts to come out of Europe over the past two decades. 

With their beginnings in Frankfurt and their sights originally on synth-pop, the duo Booka Shade quickly gained a strong following within electronic music, and in 2002 the pairing formed the now legendary dance label Get Physical Music (together with M.A.N.D.Y., Thomas ‘DJ T.’ Koch and Peter Hayo), where they would have a platform for their own music. 

Three years later, in 2005, their EP’s ‘Mandarine EP’ and ‘Body Language’ - the latter co-produced with M.A.N.D.Y. - launched Booka Shade into the stratosphere with both EPs becoming international successes, whilst the following years soon welcomed an extensive body of work featuring a combination of stand out albums and singles that quickly achieved further global success.

Since their break-through performance at Sónar in 2005, Booka Shade have earned huge recognition with their innovative live shows, even being named one of Resident Advisor's Top 5 live acts in the world in 2010. They have opened for legendary acts such as Depeche Mode and Kraftwerk, whilst headlining stages at the likes of Coachella, Glastonbury, Rock Werchter, and Red Rocks just to name a few. In recent years, the band has appeared amongst the likes of DJ Mag’s ‘Alternative Top 100 DJ List’ (2018), whilst their notable live sets have led to key mentions amongst a host of distinguished festival reviews and round-ups, including placement within DJ Mag’s ’10 Unforgettable Sets From The History Of Exit Festival’.

Booka Shade were also inducted into Pete Tong's BBC Radio 1 Hall of Fame, having received strong support from the station throughout their careers, playing at both the ‘40 Years of Radio 1’ celebration with Annie Nightingale and the ‘20 Years of Essential Mix’ party, whilst also mixing Pete Tong’s ‘All Gone Ibiza’ compilation album. 

The duo’s fan base is in no way restricted to electronic music enthusiasts, with great success playing slots at the Montreux Jazz Festival, Lollapalooza, and more by utilising their massive crossover potential, which is as evident in their billings as it is in their remix credits, including acts like Depeche Mode, Moby, Hot Chip, Kings of Leon, Woodkid, The Knife and many more.

Add to the mix their Blaufield Music imprint, founded in 2013, and it’s clear and easy to see the pairing's musical knowledge not only as producers but also adept A&R’s, with releases to date on the imprint from both emerging and established talent alongside their own productions resulting in a string of releases and collaborations that can be regularly found amongst the upper end of Beatport’s Top 100 charts and championed by many of the industry’s biggest names.

Twenty years, dozens of EP’s and six albums later, Booka Shade have become more than a household name, they have become synonymous with the spirit which drives electronic music and have set a precedent to which electronic music is still held to today.

AGENT REPRESENTATION:

ROW
Tom Nettleton - tom@paramountartists.com
Josh Pollard - josh@paramountartists.com

The Americas North & South America: 
Jon Sax, Liaison Artists - jon@liaisonartists.com

GSA Florian Hauss / Four Artists - florian@fourartists.com

PRESS: 
Dispersion PR 
Jake@dispersionpr.com  Jane@dispersionpr.com

Night Falls (Nils Frahm Rework)

Booka Shade

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