Our charity-fundraiser compilation series hits Volume 9. Another five high-paced, club-facing electro and rave tracks, this time featuring the talents of:

Salome
Unklevon
CEM3340
JLM Werx
Moodrich
$ombi
jpeg.love

All profits go to Mission Oxygen https://www.ketto.org/fundraiser/mission-oxygen-helping-hospitals-to-save-lives to help raise funds for oxygen supplies in India. You can also donate directly to them and we encourage you to do so.

Lots of love,

IC Crew

International Chromies Vol. 9

jpeg.love - Nut Right Bu OK (Whitney Edit)

21 Savage - 10 Freaky Girls (Amadeezy Remix)

prod. kenzee

lyrics:
i dont really care if i break a bih heart
cus im in a cls and i push it to start
send some bullets to his chest bullets take him apart
and the shootout was a mess i had to shoot from afar

she like semja you hard
you gon make it real far
always actin hella nice bc she wanna use my card
sending shots in the bar
send that boy to the stars
its like the only thing i live for is the money and the cars

bad bih hit me up
always on some bullshit
poppin x and hella mud
bih im barely lucid
trackhawk pullin up
always wit some new shit
take a xan im anxious
can i really do dis

fuck a perc
bih im poppin fent
and i had to boss up bc im still tryna earn an m
i been hella lonely
need a hundred thousand friends
noone left who know me bc all of them are dead

i dont really care if i break a bih heart
cus im in a cls and i push it to start
send some bullets to his chest bullets take him apart
and the shootout was a mess i had to shoot from afar

she like semja you hard
you gon make it real far
always actin hella nice bc she wanna use my card
sending shots in the bar
send that boy to the stars
its like the only thing i live for is the money and the cars

bad bih hit me up
always on some bullshit
poppin x and hella mud
bih im barely lucid
trackhawk pullin up
always wit some new shit
take a xan im anxious
can i really do dis

rly do dis

An older dance hit recreated into a melodic drum machine track reminiscent of vintage Miami Bass / Freestyle.

@ghostwhip707

Free DL: https://bit.ly/2YkoZVI

Free DL

ⒶⓂⒷⒺⓇ - Sexual (Ghostwhip's Miami Flip) Free DL •.¸¸.•´´¯

Baby Daddy

Slow Chain (Funkmasta Turk Fix)

Pure Crime vol​.​1

Bring It Back

Amadeezy feat. Dj SuprSprt - Bring It Back

Turk Turkelton - Sugar

omg hey can u like pls tell these bitche$ 2 get 

💫 𝓸𝓯𝓯 𝓶𝔂 𝓯𝓾𝓬𝓴𝓲𝓷𝓰 𝓫𝓪𝓬𝓴 💫

lol thxxx hunn1 💖💖💖 xxx

GET RICH QUIK W THE NEW @jerryhorny COMPILATION CUMMING ALL OVER UR BACK NEXXXT W££K ⬇️ ⬇️ ⬇️
💸 https://jerryhorny.bandcamp.com/album/capital-risque-vol-1-2 💸

💸 @djmellg 💸

free.99

💸 DJ MELL G 💸 ON MA BACK 💸 [jerry horny]

fortchoming on my mix tape bosstown playaz

Where They Hang Boss Town Playaz Remix

@raiders_records has presented something really special here.  While we absolutely love this track by @jpeglove, we must emphasize that this entire 2-volume release is a top notch pivotal endeavor highlighting a nascent shift toward club culture being ruled more firmly under the female sphere.  

'Queens of Club' pays tribute to 'Queens of Baltimore', an early Bmore Club 12” from 2001 featuring recorded vocals by: Mz. Thang, Kotton the Cutie and Lady Shaunda.  (Side note:  Posse Up tried to contact these artists recently, if anyone knows how to reach them please let us know!).  

While 'Queens of Baltimore' put the women at the forefront, it was still distributed and produced by men.  Raider’s' 'Queens of Club' pays tribute to this early achievement while simultaneously 1UP’ing it as a project that is completely produced and managed by women.  The stereotype that producing is a man’s domain can be put to feckin rest as is a testament of the quality of this endeavor.      

While this follows the tradition of pioneering female producers – least we forget about Kemistry and Storm who co-founded Metalheadz, not to mention DJ Rap – it also serves as a reminder – since the very fact that such a project remains a rarity in 2020 mans that there is still werk 2 do.  

Posse Up salutes and welcomes female producers, label owners, deejays, and emcees.  We feel strongly that music is multi-dimensional, and that added depth is desperately needed, whether that's grounded in gender, sex, ethnicity, culture, social status or entire MF’ing species (yo shouts out to the extraterrestrial transgendered).  The more depth the better, especially in club genres that exhibit raw sexuality, such as: bmore / jersey club, miami bass, ghetto tech, ghetto house, vogue, etc., or music inspired by these genres.

Baby Daddy

BOOTY BUSTER

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