http://www.discogs.com/sell/item/280636222

One of the best songs I have heard in 2015, massive!!

BANDIDO'S GANG - Last Train To Tucumcari (Flemming Dalum & Mike Salta Video Edit)

Original remix released in April 2012 on Cyber Dance records 12 inch vinyl

BANDIDO'S GANG - Last Train To Tucumcari (Flemming Dalum And Mike Salta Video Edit)

TIAGO - SNAKER 006

A1. Run Run Run
A2. Did It Again
A3. Truckin
A4. Mindless Disco Jam
A5. Bad Faces

B1. You And Me Forever
B2. Tam Tam
B3. High Flyers
B4. Avenue Of Dreams
B5. Intro

artwork: obakemust

Release Date: July, 2015
snaker.elektronik.jp/006.php

https://soundcloud.com/adnarimogait



Tiago - SNAKER 006

FROM THE SILENCE - Making Music out of Silence

FROM THE SILENCE

be longing

Salvation

From the forthcoming Riviera Disco compilation 12" - out end of summer 2015.

Riviera Disco Vol. 5 12" (BAP045)

Peet Need - Slow & Easy

B2 on https://soundcloud.com/bordelloaparigi 's Riviera Disco vol. 6

Wave No. 3

endless flight cd 17/endless flight79 2lp
cover by stefan marx
distributed by kompakt

info

did he ever really leave berlin? yes: sascha funke was regularly in cologne. but then nowhere else. sure, as a dj and live artist he travelled around the world. but as a producer he always remained true to his peer labels bpitch control and kompakt with some minor exceptions. 

so far, so good. but now, just after the german that started his early attempts as a producer together with paul kalkbrenner dropped some new feverish spaced out solo eps on imprints like multi culti and tiga’s turbo recordings label, the berlin born producer, dj and football fever victim releases his new, third solo album “lotos land” on tokyo’s finest platform for diverse musical adventures endless flight. 

a step out of the usual environment, not only in terms of the address. funke embraces fresh sound territories without forgetting his past. with already two solo albums on ellen allien’s bpitch control label under his wings and the longplayer “unknown”, that he tuned in with julienne dessagne (aka fantastic twins) under the alias saschienne in 2012 for kompakt, on the shelf, he knows what it means to write and dramatize an album. 

all tracks on “lotos land” are well selected. together they built a bewitching story arc. with some singing help from the scottish crooner david wilson, voice of the glasgow based melancholic dance sensation junto club and the tel aviv born musician autarkic, exotic but yet perfect to sing along melodies partly enthral the listeners, too. 

and even if sascha funke is part of the club culture since the nineties: his musical memory and sensibility goes way back before the early techno and house eruptions. for his new works, that all had been produced in berlin during the year 2016, he removed the dogma of functionality and shifted into a riskier, more open terrain, that does not offer club sensations mainly.

 “i think i would not have made such a diverse album without the time with saschienne. before saschienne i mainly worked sample-based and produced exclusively at the computer. by working with julienne as saschienne i discovered my love for the instrument. 

"playing" with the different synths is for me the greatest progress and ultimately also the best possible form of expression for my music.” he confesses. 

for his new tracks he used several kind of gear – from a korg arp odyssey to a dave smith prophet 8, moog voyager, solina string keyboard or a yamaha pacifica guitar. stylistically his new orchestra lead him to a mesmerizing meltdown of trance, techno, synth-wave, post-punk and ambient particles. 

“the use of all the synths allows you to work more emotional” funke explains and points his finger to the emotional landscape of “lotos land” that delivers enchanted atmospheres, sensible stomping grounds, funky twisted spheres and tragically hip psychedelic zones. 

at large there is an unmistakable strong uk influence. be it new wave, pop or early dance and techno stuff. sometimes the bass rolls like in a the cure song, then dreamy synth sceneries arise to stick in the mind. 

the cover artwork comes from mule musiq and endless flight hamburg based home illustrator stefan marx. it features a marx styled interpretation of 1901 illustration by the british painter william edward frank britten, that was made to the poem “the lotos-eaters”, written by the poet alfred tennyson. 

the picture as well as the poem, after which funke also named his album, tells much about the record. where the drawing, the words and the music come together, everyone has to find for themselves. only one thing can be said: sascha funke traveled far for his new music to reach an altered state. and nothing else should happen to those, who surrender to his latest music.

a2 comala feat david junto club & emily evans

Alexander Robotnicks 2013 italo disco classic gets the remix treatment courtesy of tastemakers Hell Yeah Recordings and an all star cast. Scandi-disco hero Prins Thomas turns out an edgy disco cut with rasping bass and hip swaying drums. Man of the moment Bawrut’s version is a pumping old school house jam, complete with analogue bass and an unhinged lead line to bring the madness. We however plum for Belfast's The Vendetta Suite weirdo take. His rippling synth puddles and sci-fi motifs are brilliantly rich and glowing that fill you with warmth for a mind expanding and other wordly experience. 

Check our new interview with Alexander - https://www.clandestino.co.uk/site/alexander-robotnik/

Words: Joe Morris

PREMIERE: Alexander Robotnick - Undicidisco (The Vendetta Suite Stone Tape Remix) [Hell Yeah!]

The music of Chel White is celebrated in Automaton, a collection of mostly unreleased recordings from 1985 to 1991, by this innovative animator, film maker and visual artist. 
Having studied music theory in grade school, White taught himself drumming and played in a new wave band until, in 1981, together with Dan Gediman, they formed the minimal wave duo Process Blue (Alternative Funk, 1985 / Dark Entries, 2018). Here their experimentation went way beyond playing drums. 
His interest in industrial music, fostered in the late ’70s and early ’80s while working in factories as a way to put himself through college, informed his use of electronic instruments, tape manipulation, noise and unconventional percussion.
By 1985, as a now solo artist buoyed by newly affordable audio sampling technology, White tapped into his earlier teenage fascination with the art and films of both the Surrealist and Dada movements – in particular their disparate and fragmented imagery and sound – as a means to create striking new sonic palettes.  
Science & Industry – a track largely influenced by Balinese monkey chanting and the consumer excess of American in the 1980’s – is a clear example of “music collage”. Photocopy Cha Cha, made for the short animation film Choreography for Copy Machine (Berlin International Film Festival, 1992 / Sundance Film Festival, 2001) moved his music into the realm of early multi-media.  
Experimenting further, tracks like Liquid Shadows and Pensive provide minimalist moments, before the drone-like Dream #630 and Forest Song point to a future that included music video works (David Lynch/Thom Yorke). 12" record is out 30th November, pre- orders taken at: 

Bandcamp: https://platform-23.bandcamp.com/album/automaton
Juno: https://www.juno.co.uk/products/chel-white-automaton/723277-01/?fbclid=IwAR2dHsyDLG3v8WQRm_cSgRTmhqjJTm3W5wKna1RQ_w81OvwUqUTXUZyzp3w

YouTube

PREMIERE #696 | Chel White - Automata 7 [Platform 23] 2019

@toosmoothchrist is back on @nocta-numerica ! This time, he comes with "Banyuls Pyramids", a break-ish, trancey and laibback ode to the infamous city of the South of France. 

You can pre-order the whole EP here : https://noctanumerica.bandcamp.com/album/a-f-t-m-u-w-c-nn017 

---------------------------------------­-----------------------------
Machine with souls.

Promoting cutting edge electronic music for the past 10 years. 
Webzine, party, DJ team.

Webzine : www.phonographecorp.com/
FB : www.facebook.com/Phonographecorp
Insta : www.instagram.com/phonographe...
Twitter : twitter.com/PhonographeCorp

Première : Too Smooth Christ - Banyuls Pyramids

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Peet Need - Slow & Easy

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