Luke Abbott - Translate

Artists in order of appearance:
Automat/Sound Voyage(Kidja rmx)/Fogh Depot/Altin Gun/Erkin Koray/Altin Gun/Nazan Soray/Demdike Stare/Acid Arab/Omar Suleyman/Ko Shin Moon/Acid Arab/Demdike Stare/A-wa/Nahid Akhtar/Rupa/Charanjit Singh/Yin Yin/Sound Voyage/Münchner Studio Orchester/Emerson Kitamura

Audiopets @ Radio Z 2021 04 21

5 € for support - https://secretdomainlabel.bandcamp.com/releases

Heavenchord - Field Recordings #5

Crack Mix 247 – Denovali

Out now: Music For Sleep "Waterforms"

Limited Edition Cdr / 60 copies / Handmade sleeves / Hand numbered / Green & Brown Kraft paper / High quality pro duplicated CDr's / No repress

Last copies here:
https://shimmeringmoodsrecords.bandcamp.com/album/waterforms

Waterforms is a 60 minute longform track composition that experiments the dilatation of sound (in the true sense of the word) within a scenario that can be for example near a lake or on the shores of an isolated sea, still uncontaminated, embraced by a slight modular synthesis manipulation.. 
Waterforms is a work that must be listened to with a certain attention. 
It will transport you to another dimension, without moving from your chair. 

----------------------------------------------------------- 
Music For Sleep / Andrea Porcu 
Sardinian electronic musician based in Berlin. 
----------------------------------------------------------- 

Have a good listening, 
it is a headphone experience but is conceived for be listened also on any kind of speakers (composed with both interfaces in the studio). 
So you can enjoy this work how you prefer........

Release date: January 23, 2019

Music For Sleep - Waterforms (out now)

VIILL - Decay III

Luke Abbott has today announced his first solo record in six years Translate will be released on 20 November via Border Community. Along with the announcement he has shared 'Kagen Sound', the album's richly-textured opener - menacingly driving but punctuated with endearing flourishes, it's an assured and impossible to ignore return.

Speaking of the track Abbott says: "Kagen Sound is one of the simpler tracks on the record, it's based around the Korg Monopoly, which is one of my favourite sounding synths. The track is named after an American puzzle box maker, he makes the most incredibly intricate wooden puzzle boxes. I've been interested in puzzle boxes since I saw Hellraiser when I was about 11 years old, maybe I shouldn't have seen that film so young. To me the track feels like a a huge opening in the earth, like a cosmic doorway, which is why it's the opening track on the album."

In the time since his last solo record, Luke Abbott has had to re-forge his
relationship with making music alone. His solo work has always been deeply
entwined with his sense of self and during a tumultuous time in his personal life that needed to be re-evaluated, and so did the music along with it. The result is Translate, a record that sees Abbott with a renewed sense of purpose. Written, recorded and produced by Abbott - Translate is a strikingly direct body of work that retains a great depth and fullness. At times dark and ominous, others bright and welcoming, this is Abbott’s sound fully realised and never so sure of itself.

Abbott’s solo artist recording career may have recently taken something of a back seat, but his explorative six year sabbatical has clearly been put to good use, with plenty of mix and remix work, a new more dancefloor-directed alias Earlham Mystics and a productive new sideline in film, with two solo soundtracks to his name to date: fellow Norfolk native Guy Myhill’s The Goob (winner of Best Music at the 2014 Stockholm Film Festival and eventually released as 2015’s Music For A Flat Landscape album) and Jessica Hynes’ The Fight (released under the title Music From The Edge of an Island in 2019). But most pivotal of all was the 2016 formation of the experimental jazz trio Szun Waves together with Jack Wylie of Portico Quartet (saxophone) and Laurence Pike of PVT (drums), with two Abbott produced
and mixed fully-improvised albums to show for it so far (and number
three in the pipeline), and jazz and electronic critics united in their acclaim. (“The result is that rarest of things: an improvised album that sounds so perfect, you’d think it was all planned,” said The Line Of Best Fit of 2018’s New Hymn to Freedom.)

Translate

01) Kagen Sound - Luke Abbott

02) Our Scene - Luke Abbott

03) Flux - Luke Abbott

LUKE ABBOTT SHARES NEW TRACK 'AMES WINDOW'

NEW ALBUM TRANSLATE OUT 20 NOVEMBER VIA BORDER COMMUNITY

"This is memorable music for exceptional times"
4/5 Mojo 'Electronic Album of the Month'

"Meditative, vital and expertly crafted"
8/10 Loud and Quiet

"A big, satisfyingly holistic record modelled with great finesse"
8/10 Uncut

Luke Abbott's has today shared 'Ames Window', a new track from his first solo record in six years Translate, which will be released on 20 November via Border Community. Remaining just within Luke's control, the track tumbles and whirls with a playful freedom, showcasing a different side to the record from the rich and purposeful 'Kagen Sound' or the steely-eyed focus of 'Earthship''s intergalactic journey.

Speaking of the track, Abbott says:
"'Ames Window' is an indulgent improvised modular synth track. It reminded me of the Ames window optical illusion because it has this spinning, disorientating quality. I like music that is very freeform, and this track is like a wild and amorphous cloud that’s constantly turning itself inside out."

In the time since his last solo record, Luke Abbott has had to re-forge his relationship with making music alone. His solo work has always been deeply entwined with his sense of self and during a tumultuous time in his personal life that needed to be reevaluated, and so did the music along with it.

Recorded at James Holden's Sacred Walls studio complex at various intervals
throughout summer 2019, the result is Translate, a record that sees Abbott with a renewed sense of purpose. Written, recorded and produced by Abbott (with Holden on board as "engineer and spiritual guide") - Translate is a strikingly direct body of work that retains a great depth and fullness. At times dark and ominous, others bright and welcoming, this is Abbott’s sound fully realised and never so sure of itself.

04) Ames Window - Luke Abbott

05) Roses - Luke Abbott

07) Living Dust - Luke Abbott

08) River Flow - Luke Abbott

09) Feed Me Shapes - Luke Abbott

10) Luna - Luke Abbott

Welcome to the 276th Chapter of the Deep Electronics podcast. A weekly released serie that brings you a diversity into the abyss of deep electronic music.This weeks is a brand new set created by Lorenz Weber.

about Lorenz Weber:

Lorenz Weber (*1992) studies philosophy at the Goethe University in Frankfurt am Main.
In photography, tonality and writing, he explores the areas of individual transcendence, nature and conflict between reason and instinct.

Tracklist:
01. und_ne - 00000
02. Edu Comelles - Deshielo
03. Etang Brulant/ ϙue - red fog
04. eske - somewhere over england
05. Multicast Dynamics- Time Factor
06. Multicast Dynamics- Radiation Chamber
07. ASC - The Drake Equation
08. Roel Funken - Semtinal Convex
09. Downliner Sekt - Inside Maverick's
10. Monoiz - type_wave1123
11. Wiklow & Fake - Moonlight
12. ASC - Sedna
13. Primal Code - Allysum
14. Max Richter - Running

HP: weberuntitled.com/
SC: soundcloud.com/lorenzweber
Projekt WEBER INSTITUT: soundcloud.com/weberinstitute
Projekt n|o: soundcloud.com/project-n-o

Artwork created by Jeroen

Deep Electronics # 276 - Lorenz Weber

London-based record label. Occasional home to: Leafcutter John / James Holden / Luke Abbott / RocketNumberNine / Wesley Matsell / Nathan Fake / Kate Wax / Fairmont / Margot / Avus / The MFA / Ricardo Tobar / Misstress Barbara / Petter / Lazy Fat People / Extrawelt / Dextro.

Worldwide distribution by [PIAS] UK.

Holden & Zimpel press & radio by @9pr

08) River Flow - Luke Abbott

Border Community

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