Electronic

“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.”  -Trentemøller

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.

Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.

That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.

Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot. 

”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”

Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.

That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.

You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.

Lost

Trentemøller - Still On Fire [Clip]

A little edit of Disclosure's "What's In Your Head."

FREE DOWNLOAD

Disclosure - Whats In Your Head (Pyxis Edit)

wait

Sincopat bossman gets sync'd up with Pets for the very first time on this exceptional, high grade label debut - 'Raskayu'.

AFFKT has been affecting the dance for long enough to avoid any long-winded introductions. With releases on some of the biggest imprints in house and techno over the last 15 years (Mobilee, Stil Vor Talent, NeedWant, the list goes on), the Spanish veteran knows exactly what emotional buttons to press with his music and when to press them. From urgent to poignant at the flick of a switch, he's a man of drama and deep pulsating productions.

Productions like 'Black Crocanti'; an epic slab of electronic theatre, imagine a blend of Black Strobe, Digitalism and Tiefschwarz all rolled into one hefty swaggering electroid jam and you're on the right track. 'Voice Of Your Conscience' kicks just as hard, too. Even more big hip action with those loose strutting drums and psychedelic haze. Reminiscent of the big Marine Parade wig-outs of the mid 2000s, this is a fully immersive trip that your floor will totally lose their minds to.

Last but not least, 'New Paragraph' bids us adieu with serious emotional latency. Coming on with a strong Chemical Brothers flavour, there's a sentimental weight that brings the whole EP together and leaves us wanting more. Buen Viaje

Raskayu

Black Crocanti

Buy/stream: https://kompakt.fm/releases/four_down

We’re happy to announce to familiar faces back to the mothership: Chloe Raunet aka C.A.R. has been a long time friend and made her first appearance on the label with Maceo Plex on “Mirror Me”. Dj and producer extraordinaire Patrice Bäumel certainly doesn’t need much introduction. “Four Down” shows the duo in a rowdy mood. There’s a very welcome punk-ish attitude to the song that is set to brush today’s polished dancefloors against the grain. Here’s what C.A.R. has to say in her own words: “Some collaborations are meant to be. I first met Patrice at Trouw over a decade ago and we instantly hit it off. When he sent me this idea back in lockdown, it wasn’t something I could come up with musically, but words came easy and the song wrote itself. Bouncing ideas back and forth through the ether doesn’t always work, but when you just get each other, distance doesn’t matter and stepping outside your comfort zone can bring about the best, most fun and spot-on results!”

Four Down

Four Down (Club Mix)

C.A.R. / Patrice Bäumel - Four Down (Club Mix)

Adriatique - Rollox

#Innervisions #frankeysandrino  #memories 
IV110- Frankey & Sandrino - Memories
Release date - 10|05|2024
Digital | Stream - https://lnk.to/IV110_MemoriesEP

The saying goes that memories are mental reliving of experiences and somehow this applies to our shared past with the duo. After Acamar and Mercury, we are once again flashed by Frankey and Sandrino's new EP. Volume up - it’s showtime, and you can easily picture yourself in the middle of the dancefloor with hands high in the sky. Right, we are talking about „Memories“ featuring a powerful vocal performance by the London-based vocalist Charlotte Riby. A piece of inspiring House Music elegantly stitched together and characterised by the sound design the duo is known for. On the flip side, „Blue Flash“ is setting the course for the things to follow. 

Credits
Mastering by Marcelo at Dub On Audio
Artwork Direction by Innervisions
Graphic Design by João at The Royal Studio

Artist - Frankey & Sandrino
Facebook:https://www.facebook.com/frankeyandsandrino/
Instagram: https://www.instagram.com/frankey_and_sandrino/

Innervisions
Instagram: https://www.instagram.com/innervisions_official
Facebook: https://www.facebook.com/innercityvisions

#Innervisions #frankeysandrino #howdoesitfeel #memories #electronicmusic

Blue Flash

Frankey & Sandrino - Blue Flash

Circlestorm

|briquerouge.fr|

M & Mme Benoit
A tandem, a playtime, a crazy duo

Get That on Bandcamp

02 - Monsieur & Madame Benoit - AVA (Tim Paris Rework Dub Mix)

Open Your Eyes

Gui Boratto - Stems From Hell

Vinyl: goo.gl/yTiAcK
Beatport: goo.gl/hgzRfs
Spotify: goo.gl/7Y1FCn
iTunes: goo.gl/q1x7v3
amazon: goo.gl/xLV3gU
traxsource: goo.gl/xUPHwS
Juno: goo.gl/H5rW3h
monaberry.de

D A N I E L  S T E F A N I K
◆ Facebook: facebook.com/danielstefanik.de
◆ Soundcloud: soundcloud.com/daniel-stefanik

S U P E R F L U
◆ Facebook: facebook.com/superflumusic
◆ Soundcloud: @super-flu-de

12 of dance music’s leading lights have been hand-selected by Super Flu to remix ‘Musik 3’ – the German duo’s stand out third album. Each artist has re-imagined varying tracks from ‘Musik 3’ to impressive effect, certain to light up clubs all over the world.

Hailing from Halle/Saale, Germany, Felix Thielemann and Mathias Schwarz AKA Super Flu are unquestionably one of dance music’s most unique acts. The pair have built up an impressive reputation for their ambitious signature sound which covers everything from classic house to orchestral and has won them respect from music lovers and industry peers alike.

A remarkable culmination of productions, ‘Musik 3’ was an exquisite listening experience that wove listeners through infectious vocals and up-tempo dance-floor cuts. Fully immersing themselves in to each project they’ve embarked on, ‘Musik 3’ is still the perfect presentation of their studio work, providing a different shade of electronic sounds to please each and every electronic music lover.

‘Musik 3+’ provides a dazzling selection of remixes that add a new, dance floor focused dimension to Super Flu’s highly successful original album and shows not only how well connected the pair are to dance music’s most prominent luminaries but also how prolific the Super Flu boys are (in 2016 alone, the pair played 120 gigs around the globe).

Superflu – ‘Musik 3+’

1.	Mygut (Deetron Rmx)
2.	K5000 (Tim Engelhardt Rmx)
3.	2dabeat (Mathias Kaden’s Backstreet Rmx)
4.	Mine You (ft. Ole Biege) (Coyu Rmx)
5.	K5000 (Oliver Koletzki Rmx)
6.	Mygut (Solomun Rmx)
7.	Insi (Guy Mantzur & Roy Rosenfeld Rmx)
8.	Mine You (ft. Ole Biege) (Ninetoes Rmx)
9.	Skorr (Cioz Rmx)
10.	V13a (Daniel Stefanik Rmx)
11.	Insi (Viktor Talking Machine Rmx)
12.	2DaBeat (Ole Biege Rmx)
13.	3.1 (Sobek Rmx)

‘Musik 3+’ will be release 27th October through ‘Monaberry’

Gui Boratto - Stems From Hell

Borella

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